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otonanogeelog.cfbx.jp?p=2113

#マキシマムザピストン #MaximumThePiston#スーパーロデオ #SuperRodeo#ピストンマシーン #大人のgeelog#電動ディルド #ElectricDildo#騎乗位マシン #CowgirlMachine#NPG #NPG#ハイパワーピストン #FANZA通販 #大人のgeelog

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À l'occasion de notre débat sur les municipales avec Lyon Décideurs, Nathalie Perrin Gilbert a pu décrire sa vision pour le futur du musée Guimet

🎥 Pour voir le débat en replay : zurl.co/NE04e

#municipales2026 #Lyon #NPG #Culture

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Happy anniversary to Prince & The New Power Generation’s single, “Money Don’t Matter 2 Night”. Released this week in 1992. #princenelsonrogers #newpowergeneration #NPG #mineydontmatter2night #diamondsandpearls

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Staircase between the third and fourth floor - National Portrait Gallery, London

#stairs #staircase #npg #nationalPortraitGallery #alphabetChallenge #WeekIforInteriors #classicMono

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元NPGのメンバーが商標権と楽曲使用に関する新方針によりバンド名を「Minneapolis Sound All Star Band」へ改名 プリンスのバックバンドとして1990年から活動し、プリンスが去った後もその名を冠して活動を続けてきた〈ニュー・パワー・ジェネレーション(The New Power Generation)〉が、グループ

改名を期に長年温めてきたオリジナル楽曲のアルバムをリリースするかもですね。 #MSASB #NPG #PRINCE4EVER #プリンス

元NPGのメンバーが商標権と楽曲使用に関する新方針によりバンド名を「Minneapolis Sound All Star Band」へ改名
npg-net.com/2026-02-07-2/

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Elephants & Flowers

#SaturdayNightListening #Prince #ElephanstsandFlowers #NPG
open.spotify.com/track/59SdqE...

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Stimulation on speed My weekend in London had a big impact on me. I’ve been thinking about it all week. On Friday we spent the afternoon and evening at the Natio...

www.suehepworth.com/2026/01/stim...
#TaylorWessing #NPG #AnneAncher #DulwichPictureGallery

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🔥NPG • Exodus🔥

*02 December 1994 Configuration

2025 L4OA Pressing
Black Vinyl 2LP

#NowPlaying #NPG #L4OA #Vinyl
#Prince #Prince4Ever #VinylAddict

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🔥NPG • Exodus🔥

*19 June 1994 Configuration

2025 L4OA Pressing
Black Vinyl

#NowPlaying #NPG #L4OA #Vinyl
#Prince #Prince4Ever #VinylAddict

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🔥NPG • 2GETHER🔥

2025 L4OA Vinyl Pressing
Limited to 200 numbered copies

#NowPlaying #NPG #L4OA
#Prince #Prince4Ever #VinylAddict

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New NPG Paper Challenges Growth-Driven Prosperity Myths in America The latest NPG Forum paper reveals the flaws in GDP as a measure of success. Nathanial Gronewold argues for a reassessment of prosperity in America.

New NPG Paper Challenges Growth-Driven Prosperity Myths in America #United_States #Alexandria #Nathanial_Gronewold #NPG #GDP_Myth

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Do you need to be a member to get a table? #NPG

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We went again for a New years meal with friends… it was so sunny at our table we had to move…. an excellent meal. #NPG

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Modernboy & Tokyo After Discoの 曲・2025年・時間:3:24

if you can play this tune and thought it “interesting,” please like this post🙇‍♂️
if u can’t, dm me

music.apple.com/jp/album/kis...
#Kiss #Prince

#Prince4Ever #princerogersnelson #love #ever #purplerain #hisroyalbadness #todayinprincehistory #paisleypark #s #music #npg #princeismusic #funk

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Made in 1929, this portrait captures Anna May Wong (黃柳霜, Wong Liu Tsong) when she was reshaping her career in the U.K., seeking roles (like the London-set film Piccadilly) beyond Hollywood’s narrow stereotypes. British photographer Dorothy Wilding’s studio image was delicately painted over by Beatrice Johnson that turns a publicity photo into something closer to a painting. 

The young Chinese American woman sits composed and self-possessed. Her skin is light with warm undertones as a soft blush warms her cheeks and nose. Dark, neatly shaped brows frame half-lidded eyes that glance sideways. Her hair is cut into a glossy black bob with blunt bangs that arc across her forehead. She wears vivid red lipstick with a crisp cupid’s bow, and the same lacquer red appears on her fingernails. A pale yellow lightly-wrinkled dress shows under a shimmering robe patterned with painterly blossoms and leaves in pinks, greens, and whites, edged by lilac and pearl tones. It gathers in soft folds, catching the light with a satin sheen. Her arms fold gently across her lap. Behind her, a misty cream background shifts into mauve and lavender, where her silhouette becomes a large, diffuse shadow.

Her lacquer-red lips and nails, the sharp fringe, and the silk wrap echo Art Deco modernity, while Wong’s averted gaze resists easy consumption as she is presented not as an “exotic” type, but as a thinking, autonomous star.

In her autobiography In Pursuit of Perfection (1958), Wilding recalled photographing Anna May Wong at her studio at 22 Old Bond Street. “Anna May Wong ... had the first long red fingernails I had ever seen. When I lifted her hands to 'drape' them', they were so fragile that one felt one was holding the most delicate snowdrops. She was the softest and gentlest creature one can imagine.”

Among Wilding's team, she employed artist Beatrice Johnson to paint backdrops and produce painted color versions of portraits to blend the boundary between camera image and painted art.

Made in 1929, this portrait captures Anna May Wong (黃柳霜, Wong Liu Tsong) when she was reshaping her career in the U.K., seeking roles (like the London-set film Piccadilly) beyond Hollywood’s narrow stereotypes. British photographer Dorothy Wilding’s studio image was delicately painted over by Beatrice Johnson that turns a publicity photo into something closer to a painting. The young Chinese American woman sits composed and self-possessed. Her skin is light with warm undertones as a soft blush warms her cheeks and nose. Dark, neatly shaped brows frame half-lidded eyes that glance sideways. Her hair is cut into a glossy black bob with blunt bangs that arc across her forehead. She wears vivid red lipstick with a crisp cupid’s bow, and the same lacquer red appears on her fingernails. A pale yellow lightly-wrinkled dress shows under a shimmering robe patterned with painterly blossoms and leaves in pinks, greens, and whites, edged by lilac and pearl tones. It gathers in soft folds, catching the light with a satin sheen. Her arms fold gently across her lap. Behind her, a misty cream background shifts into mauve and lavender, where her silhouette becomes a large, diffuse shadow. Her lacquer-red lips and nails, the sharp fringe, and the silk wrap echo Art Deco modernity, while Wong’s averted gaze resists easy consumption as she is presented not as an “exotic” type, but as a thinking, autonomous star. In her autobiography In Pursuit of Perfection (1958), Wilding recalled photographing Anna May Wong at her studio at 22 Old Bond Street. “Anna May Wong ... had the first long red fingernails I had ever seen. When I lifted her hands to 'drape' them', they were so fragile that one felt one was holding the most delicate snowdrops. She was the softest and gentlest creature one can imagine.” Among Wilding's team, she employed artist Beatrice Johnson to paint backdrops and produce painted color versions of portraits to blend the boundary between camera image and painted art.

“Anna May Wong” by Dorothy Wilding (British) - Hand-colored bromide print (by Beatrice Johnson) / 1929 - National Portrait Gallery (London, England) #WomenInArt #DorothyWilding #BeatriceJohnson #NPG #NationalPortraitGallery #art #artText #BlueskyArt #OldHollywood #AnnaMayWong #WomenPaintingWomen

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Kiss

open.spotify.com/track/730cqw...

#prince #princerogersnelson #love #ever #purplerain #princess #hisroyalbadness #king #princestagram #princehistory #todayinprincehistory #paisleypark #s #music #npg #thepurpleone #ssmb #purpleyoda #legend #instagram #twitter #princeismusic #life #royal #royalfamily

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Catherine Opie: To Be Seen will bring together works spanning 30 years of Opie's pioneering career.

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Far too many folks on The Left believe this lie.
Far too many folks on The Left believe this lie. YouTube video by Parkrose Permaculture

Far too many on the left believe this lie. #PopulationControl #Eugenics #NPG #ZPG #EcoFascism #Racism

www.youtube.com/watch?v=ESNY...

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Quiet Mornings: Cecil Beaton's Fashionable World - National Portrait Gallery Our Quiet Mornings have been designed for neurodivergent visitors, people with sensory differences or disabilities, or anyone who would benefit from a calm and quiet environment

Quiet Mornings at the gallery - Brilliant idea! #ND #NPG #CecilBeaton #Neurodivergent #autism

London’s National Portrait Gallery remains a firm favorite since I lived in England.

www.npg.org.uk/whatson/even...

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India reviews key railway projects to boost multimodal connectivity NPG evaluates three rail projects to improve freight flow, connectivity and regional development under PM GatiShakti.

NPG evaluates three rail projects to improve freight flow, connectivity and regional development under PM GatiShakti.

#NPG #PMGatiShakti #India #NetworkPlanningGroup #railway #socioeconomic #multimodalconnectivity

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Toute l'actualité de ce lundi 1er décembre 2025 à Lyon Jean-Paul Bret candidat à Villeurbanne, Bruno Bernard officiellement candidat aux métropolitaines, l'Ilot Kennedy à Lyon 8

🟢 Toute l’actu ce lundi 1er décembre🟢
#BrunoBernard #Bret #NPG #Gascon #IlotKennedy
@brunobernard.bsky.social @ecolosgrandlyon.bsky.social @ @cvansty.bsky.social @michelepicard.bsky.social @idirboumertit.bsky.social

www.lyondemain.fr/actualite-de...

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This book sounds super: "He tells in detail how the #breadfruit came to the #Caribbean including the infamous #mutiny on the #Bounty during Captain William #Bligh 's first attempt"...
On my #NPG #London tour I cover Joseph #Banks involvement in this fiasco: www.nationalgeographic.com/culture/arti...

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November 12th - Happy Birthday to Child of the Sun, Mayte Jannell Garcia, born this date in 1973 in Fort Rucker, AL #HappyBornDay #Mayte @maytejannell
#NPG #Prince4Ever #PrinceLegacy

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NPG evaluates 4 infra projects to enhance logistic efficiency The four projects will ease freight congestion, improve multimodal links, and expedite cargo transfer from road to rail.

The 101st meeting of the Network Planning Group (NPG) under the PM GatiShakti framework has elevated four infrastructure projects across the Ministries of Road Transport & Highways (MoRTH) and Railways (MoR).

#NetworkPlanningGroup #NPG #road #Indianrailway #cargo #freight #logistic

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🔊 Listen Now: Could smaller families 'rewild' the planet — and make humans happier? Weekend Edition Saturday on NPR One | 5:29

Ever since I read #ThePopulationBomb as a child, I have been begging for #NPG (negative population growth) among humanity.

Mismanagement, tyranny, classism, & crooks have created generalized pessimism that is finally giving me my wish.

We are an invasive species and must be curbed.

#EatTheRich

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Painted in Åkersberga, Sweden (a suburb of Stockholm), this self-portrait by Tanzanian artist Everlyn Nicodemus renders identity as a chorus rather than a single note. The artist fuses modernist flat color with emblematic masks to picture the overlapping roles she inhabited as a Black woman, artist, migrant, mother, and partner in early-1980s Scandinavia. 

The canvas layers four aspects of a single woman’s face into one composite head, rising from right to left against a striated green-brown background. The lowest visage with medium-brown skin, wide white eyes, and soft red mouth tilts left in three-quarter view. Above it, a warm umber profile with arched brows and red lips bisects the composition. Flanking these, two mask-like faces—one darker black with cream-striped eyes and a gold crown of hair, the other black, green, and blue with a graphic grin seem to press in from the edges, accented by cobalt and crimson ovals. Features interlock like cut paper, edges crisp and flat, with no horizon or body to anchor them with only a suggestion of neck and patterned shoulder. The effect is calm yet charged for an intimate and insistently multifaceted self-portrait.

The stacked heads refuse a fixed gaze, acknowledging vigilance and self-protection in societies marked by racism and sexism. “I exhibited myself as a subject, showing every part of myself… It was a form of psychological survival,” she has said. In this self-depiction it is visible in layered selves that are vulnerable, witty, guarded, and resolute at once. 

Acquired by the British National Portrait Gallery in 2022, the work marks the first painted self-portrait by a Black female artist in its collection, expanding who is seen in Britain’s portrait canon. The crisp contours, saturated primaries, and wood-grain field intensify that declaration: a life assembled, unmasked, and held together by will.

Painted in Åkersberga, Sweden (a suburb of Stockholm), this self-portrait by Tanzanian artist Everlyn Nicodemus renders identity as a chorus rather than a single note. The artist fuses modernist flat color with emblematic masks to picture the overlapping roles she inhabited as a Black woman, artist, migrant, mother, and partner in early-1980s Scandinavia. The canvas layers four aspects of a single woman’s face into one composite head, rising from right to left against a striated green-brown background. The lowest visage with medium-brown skin, wide white eyes, and soft red mouth tilts left in three-quarter view. Above it, a warm umber profile with arched brows and red lips bisects the composition. Flanking these, two mask-like faces—one darker black with cream-striped eyes and a gold crown of hair, the other black, green, and blue with a graphic grin seem to press in from the edges, accented by cobalt and crimson ovals. Features interlock like cut paper, edges crisp and flat, with no horizon or body to anchor them with only a suggestion of neck and patterned shoulder. The effect is calm yet charged for an intimate and insistently multifaceted self-portrait. The stacked heads refuse a fixed gaze, acknowledging vigilance and self-protection in societies marked by racism and sexism. “I exhibited myself as a subject, showing every part of myself… It was a form of psychological survival,” she has said. In this self-depiction it is visible in layered selves that are vulnerable, witty, guarded, and resolute at once. Acquired by the British National Portrait Gallery in 2022, the work marks the first painted self-portrait by a Black female artist in its collection, expanding who is seen in Britain’s portrait canon. The crisp contours, saturated primaries, and wood-grain field intensify that declaration: a life assembled, unmasked, and held together by will.

"Självporträtt, Åkersberga (Self-portrait, Akersberga)" by Everlyn Nicodemus (Tanzanian) - Oil on canvas / 1982 - National Portrait Gallery (London, UK) #WomenInArt #WomenArtists #WomensArt #artText #BlueskyArt #TanzanianArt #TanzanianArtist #EverlynNicodemus #Nicodemus #NPG #NationalPortraitGallery

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Happy 34th birthday to “Diamonds And Pearls,” Prince’s 13th album & his first with The New Power Generation, released on October 1, 1991!

What songs on this album do you consider some of Prince’s best work?

#Prince #NPG #DiamondsAndPearls #SoulBounce #BlackSky #BlackMusicSky #MusicSky #HipHopSky

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Happy anniversary to Prince and the New Power Generation’s album ‘Diamonds and Pearls’. Released this week in 1991. #prince #princeandthenewpowergeneration #NPG #diamondsandpearls #gettoff #cream #moneydontmatter2night #insatiable

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I was sure #Sinclair was behind a very clearly skewed local ABC station - but nope it was #NPG - #NewsPressGazette. Their webpage mentions #BerksGroup which is a subsidiary of theirs involved in Education & venture capital

Not sure if the #SevenMountainsMandate is part of what’s going on

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Frances Samuel arrived in Sydney, Australia in 1832 with her widowed mother Lydia; younger brother Saul; and an uncle, Abraham Lyons to join her other uncles Samuel and Saul Lyons, both of whom had become prominent businessmen in the 1820s. Saul Lyons had come to Sydney a free settler; Samuel Lyons had arrived as a convict after receiving a life sentence for theft in 1814. Newspaper references about Frances indicate that she enjoyed a genteel existence in Australia for several years before returning to England with her mother in March 1841.

She appears in this portrait by English artist Maurice Felton as a light-skinned young woman with dark hair styled in ringlets framing her face and pulled back. She wears a dark, possibly velvet, off-the-shoulder gown and a long thin gold necklace. Her expression is serious and composed, and her gaze is directed to our left. The background is a muted, dark brown. The overall feel is one of quiet dignity and sophistication.

Felton, artist and doctor, traveled to Australia as the surgeon on a ship called the Royal Admiral which arrived in Sydney in September 1839. Felton enjoyed more success as a painter than a medical practitioner earning praise from the "The Australian" newspaper for his portraiture, "for faithfulness of likeness and brilliancy of execution, they rival the productions of many of our best artists at home." His work soon attracted the attention of arts patrons. In late 1841, Felton exhibited a number of portraits and "some beautiful views of the interior of the country." with a lottery, for one pound, whereby subscribers that won could own an example of "Mr Felton’s talents in the delightful art of painting." He passed away shortly thereafter at 39 in March 1842. Meanwhile, Frances Samuel returned to England that same month. She lived life there with her first husband and child passing away by 1861 and marrying again. She lived in Earl's Court until around 1900.

Frances Samuel arrived in Sydney, Australia in 1832 with her widowed mother Lydia; younger brother Saul; and an uncle, Abraham Lyons to join her other uncles Samuel and Saul Lyons, both of whom had become prominent businessmen in the 1820s. Saul Lyons had come to Sydney a free settler; Samuel Lyons had arrived as a convict after receiving a life sentence for theft in 1814. Newspaper references about Frances indicate that she enjoyed a genteel existence in Australia for several years before returning to England with her mother in March 1841. She appears in this portrait by English artist Maurice Felton as a light-skinned young woman with dark hair styled in ringlets framing her face and pulled back. She wears a dark, possibly velvet, off-the-shoulder gown and a long thin gold necklace. Her expression is serious and composed, and her gaze is directed to our left. The background is a muted, dark brown. The overall feel is one of quiet dignity and sophistication. Felton, artist and doctor, traveled to Australia as the surgeon on a ship called the Royal Admiral which arrived in Sydney in September 1839. Felton enjoyed more success as a painter than a medical practitioner earning praise from the "The Australian" newspaper for his portraiture, "for faithfulness of likeness and brilliancy of execution, they rival the productions of many of our best artists at home." His work soon attracted the attention of arts patrons. In late 1841, Felton exhibited a number of portraits and "some beautiful views of the interior of the country." with a lottery, for one pound, whereby subscribers that won could own an example of "Mr Felton’s talents in the delightful art of painting." He passed away shortly thereafter at 39 in March 1842. Meanwhile, Frances Samuel returned to England that same month. She lived life there with her first husband and child passing away by 1861 and marrying again. She lived in Earl's Court until around 1900.

"Miss Frances Samuel" by Maurice Felton (English) - Oil on canvas / 1840 - National Portrait Gallery (Canberra, Australia) #WomenInArt #art #Felton #MauriceFelton #artwork #PortraitofaWoman #AustralianArt #NPG #NationalPortraitGallery #OilPainting #artText #EnglishArtist #BlueskyArt #1840s #hair

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