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Posts tagged #superfine

Young African American man with mustache wearing morning dress (top hat, black tailcoat and matching vest, high collar white shirt, gray trousers).

Museum text is from the RESPECTABILITY part of #Superfine: Tailoring Black Style exhibition at the Met:
Sociologist, historian, and Pan-Africanist W. E. B. Du Bois was the first Black man to earn a PhD from Harvard University and one of the best-dressed men in turn-of-the- century America.

Young African American man with mustache wearing morning dress (top hat, black tailcoat and matching vest, high collar white shirt, gray trousers). Museum text is from the RESPECTABILITY part of #Superfine: Tailoring Black Style exhibition at the Met: Sociologist, historian, and Pan-Africanist W. E. B. Du Bois was the first Black man to earn a PhD from Harvard University and one of the best-dressed men in turn-of-the- century America.

8 May 1940
My Dear Mr. Jones:
I want you to make me two summer suits to be ready for fitting Wednesday, June twelfth, and finished for wearing Saturday, June fifteenth. Let me know if you can do this and what the price will be. Meantime get some sample and show then to Mrs. Du Bois. I am asking her to call on you to see them. I think I should like one suit grey and one blue unless you have something very attractive in mixed colors. Let then be of mediun summer weight. Mrs. Du Bois will decide.

Very sincerely yours,
W. E. B. Du Bois

Mr. Lucius Jones 
200 fest 145th Street 
New York City

8 May 1940 My Dear Mr. Jones: I want you to make me two summer suits to be ready for fitting Wednesday, June twelfth, and finished for wearing Saturday, June fifteenth. Let me know if you can do this and what the price will be. Meantime get some sample and show then to Mrs. Du Bois. I am asking her to call on you to see them. I think I should like one suit grey and one blue unless you have something very attractive in mixed colors. Let then be of mediun summer weight. Mrs. Du Bois will decide. Very sincerely yours, W. E. B. Du Bois Mr. Lucius Jones 200 fest 145th Street New York City

W. E. B. Du Bois was the first Black man to earn a PhD from Harvard and one of the best-dressed men in turn-of-the- century America.
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Young DuBois at the 1900 Paris International Exposition.

1940 letter that DuBois wrote to his tailor in Harlem requesting two summer suits. #Superfine

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Love how the the BEAUTY part of #Superfine: Tailoring Black Style exhibition at the met had a quote from Saidiya Hartman's "Wayward Lives, Beautiful Experiments".

It was not far from custom made shirts owned and worn by Prince and by Sylvester (who is also mentioned in the article quoted above).

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Reminded of Ralph Kerwineo, a transgender man born in Kendallville, Indiana, in 1876 to Black parents with suspected Cherokee and Neshnabé heritage.

His photo was featured at the Met's #Superfine Tailoring Black Style (Black Dandy) exhibit.

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The Tailoring Black Style exhibition was great. I didn't realize how far back it went in terms of Black style.

I have some posts tagged #Superfine.

For the local artists, I just need to make the time..

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The #Superfine (Black Dandy) exhibit also had a portrait of writer Alexandre Dumas— grandson of a Haitian woman— who wrote The Three Muskateers, The Count of Monte Cristo, and MUCH more.

Dumas actually joked about his thin calves compared to his father's.

Alexandre Dumas, 1829
Achille Devéria

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Haitian-born Thomas-Alexandre Dumas was the first Black general in the French army. 🇭🇹

The #Superfine: Tailoring Black Style (Black Dandy) exhibit at the Met had portraits of the general (father) and his son (writer Dumas).

Portrait of Thomas-Alexandre Dumas, 1801
Louis Gauffier
#ArtSky #BlackSky

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Step two. First stage of the patination - superfine gold bronze powder.

#lioness #superfine #bronze

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Preview
Stunning art and design books that celebrate Bay Area talent Discover standout new art, design and culture books — featuring Bay Area artists, museums and exhibitions — including Ruth Asawa, Isaac Julien and Lynn Hershman Leeson.

@sfchronicle highlights stunning art and design books of 2025, including Ruth Asawa: Retrospective and Superfine: Tailoring Black Style
#ruthasawa @MuseumModernArt @SFMOMA #superfine @metmuseum 

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If that is the #tychocrater, the detail is #superfine?

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Full view of  carte de visite  American William Headley. ca. 1864, a self emancipated enslaved Black man wearing tattered clothing styled with flair.

Reminds me of "smadditizin", the Jamaican Patois word for fighting for recognition that Charles W. Mills used. It means "the struggle to have one's personhood recognized" in a world where that recognition is denied, primarily due to race. 
Mills frequently used this term in his work to describe the active effort to overcome non-recognition and affirm one's humanity.

Full view of carte de visite American William Headley. ca. 1864, a self emancipated enslaved Black man wearing tattered clothing styled with flair. Reminds me of "smadditizin", the Jamaican Patois word for fighting for recognition that Charles W. Mills used. It means "the struggle to have one's personhood recognized" in a world where that recognition is denied, primarily due to race. Mills frequently used this term in his work to describe the active effort to overcome non-recognition and affirm one's humanity.

One of my favorites in the #Superfine: Tailoring Black Style
*smadditizin (C. Mills)

"His clothes were of many colors and qualities. His cloak consisted of an old cotton grain bag, slit open on one side and raveled, which gives the appearance of rich fringe."

Abolitionists gave out these cards.

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Description:
The man proudly posed on the front of this 1864 carte de visite is William Headley, a self-emancipated enslaved man from a plantation in North Carolina. "His clothes were of many colors and qualities. His cloak consisted of an old cotton grain bag, slit open on one side and raveled, which gives the appearance of rich fringe."

Images such as these were distributed by abolitionists in the North to demonstrate the realities of enslavement, stressing the pitiful state of the men's bodies and tattered clothing, remnants of so-called "Negro cloth," that bore witness to the trials of their flight. Yet as the inscription adds, Headley fashioned his standard-issue clothing into garments that gave the appearance of confidence and even sartorial flair.

American William Headley. ca. 1864
Albumen print (carte de visite)

Description: The man proudly posed on the front of this 1864 carte de visite is William Headley, a self-emancipated enslaved man from a plantation in North Carolina. "His clothes were of many colors and qualities. His cloak consisted of an old cotton grain bag, slit open on one side and raveled, which gives the appearance of rich fringe." Images such as these were distributed by abolitionists in the North to demonstrate the realities of enslavement, stressing the pitiful state of the men's bodies and tattered clothing, remnants of so-called "Negro cloth," that bore witness to the trials of their flight. Yet as the inscription adds, Headley fashioned his standard-issue clothing into garments that gave the appearance of confidence and even sartorial flair. American William Headley. ca. 1864 Albumen print (carte de visite)

From #Superfine: Tailoring Black Style @ The Met

The man proudly posed on the front of this 1864 carte de visite is William Headley, a self emancipated enslaved man from a plantation in NC.

He fashioned his standard-issue clothing into garments that reflect confidence and even sartorial flair.

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Watch Ms. Nina Simone talking about freedom.

"What does freedom mean to me? I’ll tell you what freedom is to me: no fear.
I mean really, no fear… like a new way of seeing something."
—Nina Simone, 1970

This quote was in the FREEDOM section of #Superfine Black Style show at the Met. #BlackSky

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Black Surrealism, I love it!

alt-text: Janelle Monae (African American self-described cyborg) weaing mixed pattern, mostly green tailored suit and tie that seems to have extra coat sleeves and paint legs. Coordinating head band, strong bang, sleek hairdo

#Couture #BlackSky #Superfine #Fashion

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Rousteing calls the people who wear his clothes the Balmain Army.

It was totally expected that they would have a uniform look from Balmain in the military Distinction section of #Superfine: Tailoring Black Style at the Met.

The bouquet belt was in the Presence section.

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A bronze belt shaped like a hand holding a bouquet of flowers, and a military inspired jacket with gold buttons paired with wide leg track pants.
Details:
House of Balmain Belt, autumn/winter 2024-25 menswear
Gold-colored brass and black enamel
Olivier Rousteing's autumn/winter 2024-25 menswear collection for Balmain featured a series of designs inspired by the work of Ghanaian photographer Prince Gyasi. This belt is a brass and enamel version of a bouquet held by an unidentified young man in Gyasi's 2022 photograph Valeurs (values). Shaped to encircle the waist with hands intertwined around an arrangement of stemmed roses, it simulates an embrace or an offering that honors Rousteing's cultural and artistic inheritance. His use of roses, a favorite of Pierre Balmain, pays homage to the house founder's legacy and adds a feminine sensibility to the design. 

Ensemble, pre-fall 2023
Coat of black cotton velvet with fringed epaulets and Brandenburg closures of gold metallic braid with embroidered pearls and crystals; tracksuit of black, white, and gold polyester satin

A bronze belt shaped like a hand holding a bouquet of flowers, and a military inspired jacket with gold buttons paired with wide leg track pants. Details: House of Balmain Belt, autumn/winter 2024-25 menswear Gold-colored brass and black enamel Olivier Rousteing's autumn/winter 2024-25 menswear collection for Balmain featured a series of designs inspired by the work of Ghanaian photographer Prince Gyasi. This belt is a brass and enamel version of a bouquet held by an unidentified young man in Gyasi's 2022 photograph Valeurs (values). Shaped to encircle the waist with hands intertwined around an arrangement of stemmed roses, it simulates an embrace or an offering that honors Rousteing's cultural and artistic inheritance. His use of roses, a favorite of Pierre Balmain, pays homage to the house founder's legacy and adds a feminine sensibility to the design. Ensemble, pre-fall 2023 Coat of black cotton velvet with fringed epaulets and Brandenburg closures of gold metallic braid with embroidered pearls and crystals; tracksuit of black, white, and gold polyester satin

Olivier Rousteing had two pieces in #Superfine: Tailoring Black Style.

A brass and enamel belt inspired by a bouquet held by a young man in Ghanaian photographer Prince Gyasi's 2022 photograph Valeurs (values).

And a military inspired ensemble (19th century style coat and track pants) #fashion

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Promo? Don't understand the question.

Quote above is from the #Superfine exhibit that looked at Black dandyism.

In fact, the organization of the show was inspired by Zora Neal Hurston's 1934 essay, “Characteristics of Negro Expression". It lists 12 characteristics of story, song, and dance.

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Yep, it closed. If I hadn't seen the exhibit, I would get the book.

I posted photos using #Superfine and the thread below has photos and video. Epic.

But there's also a PDF (the Large Print guide) of all the museum text from each section of the exhibit and for each item near bottom of this page.

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Two quotes by Olaudah Equiano bookended the entry and the exit for the #Superfine: Tailoring Black Style exhibit at the Met. They had a copy of his 1793 autobiography.

"I laid out above eight pounds of my money for a suit of superfine clothes to dance with at my freedom."
—Olaudah Equiano, 1789

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"Olaudah Equiano (1745-1797), AKA Gustavus Vassa, escaped enslavement to become a celebrated author & campaigner in Georgian England. His memoir, The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African, was a bestseller."

He was featured in the #Superfine exhibit.

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ENDS TODAY! GO NOW! #museumsky #artsky #fashionsky #superfine #blacksky

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My favorite fit; LOVED the beautiful textured blush cashmere (?) cardigan with a light tan striped button-down shirt underneath, dark tan trousers and beige suede shoes with silver tips.

My favorite fit; LOVED the beautiful textured blush cashmere (?) cardigan with a light tan striped button-down shirt underneath, dark tan trousers and beige suede shoes with silver tips.

One of Prince's recognizable flouncy, ruffled white blouses next to a black and white striped sequined jacket owned by Sylvester (!!!!)

One of Prince's recognizable flouncy, ruffled white blouses next to a black and white striped sequined jacket owned by Sylvester (!!!!)

Iké Udé's incredible portrait, Sartorial Anarchy #5, 2013 (metal as FUCK), featuring a young Black man in a room with blue and white ombre walls, a floral chair, a glass table lined in white with a clear glass vase of gladiolus. The rug underneath him has large blue, orange and purple squares. wearing a white shirt over a beige blazer with blue and green billowy striped pants tucked into what looks like tan leg warmer stirrups over brown shoes. He's holding a white cane with some black stripes and an incredible gigantic and elaborate red wig that would make Kate Pierson of The B-52s jealous, with a tiny black tophat with feather perched atop.

Iké Udé's incredible portrait, Sartorial Anarchy #5, 2013 (metal as FUCK), featuring a young Black man in a room with blue and white ombre walls, a floral chair, a glass table lined in white with a clear glass vase of gladiolus. The rug underneath him has large blue, orange and purple squares. wearing a white shirt over a beige blazer with blue and green billowy striped pants tucked into what looks like tan leg warmer stirrups over brown shoes. He's holding a white cane with some black stripes and an incredible gigantic and elaborate red wig that would make Kate Pierson of The B-52s jealous, with a tiny black tophat with feather perched atop.

In the section on travel, a photo of WEB Du Bois' passport and a letter from the  Department of State with his photo and a large "CANCELED" stamp with an official red seal on it from the Special Collections and University Archives from UMass Amherst. A placard next to it reads "This 1921 passport permitted WEB Du Bois to travel to the British Isles, France, Italy, Switzerland and Belgium for the pan-African Congress. These meetings were essential to the creation of a diasporic consciousness that manifested in both Du Bois' political philosophy and personal style throughout the 20th century. As he became more politically radical later in life, Du Bois embraced Marxism. His 1944 passport was issued for travel to Haiti to give a lecture titled "Colonialism, Democracy and Peace After the War" in which he cited the improvement of the Haitian Revolution to Black radical thought. Due to his politics, the government would not issue a passport to Du Bois from 1945 to 1958, after which he left the United States permanently for Ghana."

In the section on travel, a photo of WEB Du Bois' passport and a letter from the Department of State with his photo and a large "CANCELED" stamp with an official red seal on it from the Special Collections and University Archives from UMass Amherst. A placard next to it reads "This 1921 passport permitted WEB Du Bois to travel to the British Isles, France, Italy, Switzerland and Belgium for the pan-African Congress. These meetings were essential to the creation of a diasporic consciousness that manifested in both Du Bois' political philosophy and personal style throughout the 20th century. As he became more politically radical later in life, Du Bois embraced Marxism. His 1944 passport was issued for travel to Haiti to give a lecture titled "Colonialism, Democracy and Peace After the War" in which he cited the improvement of the Haitian Revolution to Black radical thought. Due to his politics, the government would not issue a passport to Du Bois from 1945 to 1958, after which he left the United States permanently for Ghana."

Finally saw the #Superfine exhibit at The Met. As someone obsessed with personal style, I was hyped to have it affirmed that fashion is powerful and political. Being Black, fashion is a fuck you to people pretending they don't see me. Go, it ends tomorrow! Some faves: #artsky

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Exquisite piece. I had to stop and look at this for a while when we went to see Amy Sherald.

Thanks for recommending #superfine - it looks amazing!

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Swords (sabers) from the DISTINCTION (or PRESENCE) part of #Superfine: Tailoring Black Style exhibit at the Met

This part highlights Black men's in style in the military.
Other sections in thread 🧵👨🏾‍💼

If you can make it there before it closes, definitely worth it

#BlackSky #FashionHistory #ArtSky

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Great video from the CHAMPION section of #Superfine: Tailoring Black Style exhibit at the Met

This part highlights Black men's in style in sports realm ...
other sections in thread 🧵👨🏾‍💼

If you can make it there before it closes, definitely worth it.

#BlackSky #FashionHistory #ArtSky

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#Superfine: Tailoring Black Style @ The Met.

She must have loved the idea of my presence, the combination of my looks, tall and honey colored; my impeccable manners and grooming: and my blossoming unorthodox style. Plus my master's degree.
-André Leon Talley on Diana Vreeland, 2020 #BlackSky

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Thomas Howland was was denied a passport even though he was free, could vote in his home state, and held office.

He was eventually able to emigrate to Liberia with his family.

This portrait was borrowed from the John Brown Museum for the #Superfine: Tailoring Black Style exhibit at The Met.

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The Howland portrait above was in FREEDOM section of
" #Superfine: Tailoring Black Style" exhibit.

It came after DISGUISE and was introduced by a Nina Simone quote.

"I’ll tell you what freedom is to me: no fear. I mean really, no fear . . . like a new way of seeing something."
—Nina Simone, 1970

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Finally saw the #Superfine: Tailoring Black Style exhibit last weekend at the Met. It was amazing.

The timeframe for showing style/fashion started from pre-emancipation, through Reconstruction, Harlem Renaissance, 50s, 60's, 70s, up to today and beyond.

More photos are shared with #Superfine

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Yep. And a self-portrait, no less!

Barkley L. Hendricks.

Slick, indeed.

And this painting was in thematic and physical proximity to the BEAUTY, COOL, and HERITAGE sections of #Superfine: Tailoring Black Style.

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Painting of a grown Black man with brown skin and a well-groomed moustache beard, who is wearing a kufi (Afrocentric skull cap), stylish glasses, and an impecably tailored white double-breasted white suit. The trousers draped beautifully. He is wearing a chain with a (flexed leg ?) pendant and no shirt. It's against a white background. Elegant and attractive Black people in white-on-white is a Hendricks trademark.
Museum text:
Barkley Hendricks's self-portrait Slick is an iconic image of a stylish Black man in the 1970s who expresses himself and cultural confidence with aplomb. Looking straight at the viewer in an impeccably tailored, white double- breasted suit, Hendricks wears a kufi, a woven skullcap of African design often donned by Muslim religious figures and elders within the African diaspora, similar to the example shown here. According to the artist, the kufi was included to "enhance the composition," the colorful fabric amplifying the contrast. These elements plus the lightly tinted glasses, gold necklace, small gold hoop earing. and toothpick communicate Hendricks's dedication to beauty, cool, and heritage.
#BlackSky #ArtSky

Painting of a grown Black man with brown skin and a well-groomed moustache beard, who is wearing a kufi (Afrocentric skull cap), stylish glasses, and an impecably tailored white double-breasted white suit. The trousers draped beautifully. He is wearing a chain with a (flexed leg ?) pendant and no shirt. It's against a white background. Elegant and attractive Black people in white-on-white is a Hendricks trademark. Museum text: Barkley Hendricks's self-portrait Slick is an iconic image of a stylish Black man in the 1970s who expresses himself and cultural confidence with aplomb. Looking straight at the viewer in an impeccably tailored, white double- breasted suit, Hendricks wears a kufi, a woven skullcap of African design often donned by Muslim religious figures and elders within the African diaspora, similar to the example shown here. According to the artist, the kufi was included to "enhance the composition," the colorful fabric amplifying the contrast. These elements plus the lightly tinted glasses, gold necklace, small gold hoop earing. and toothpick communicate Hendricks's dedication to beauty, cool, and heritage. #BlackSky #ArtSky

This gorgeous self-portrait of
Barkley L. Hendricks is from the HERITAGE section of #Superfine: Tailoring Black Style".

Hendricks said the kufi was included to "enhance the composition," the colorful fabric amplifying the contrast.

Slick, 1977
Barkley L. Hendricks (1945-2017)
#BlackSky #ArtSky

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