Composite photo of the two gold lion ornaments with their gallery label
“Royal goldsmiths; Kumasi, Asante
Empire, Ghana
Lion ornaments
19th century
Gold
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 (1979.206.227, 228)
Recorded provenance: Sotheby's London, via Spillius, by
1961; Nelson A. Rockefeller, New York, 1961; on loan to the MPA, New York, 1961-78
During the nineteenth century the lion surpassed the leopard as the dominant symbol of Akan royalty. It came to adorn an array of court finery, including sandals, swords, and prestige seats. Introduced through early trade with Europe, the heraldic pose used for this pair of ornaments is characterized by firmly planted paws and a head turned in heightened alertness. Teeth-baring lions like these may reference a proverb that warns: "If the lion has no intention to attack, it will not show its teeth."
additional info from website:
“As each casting made using this process is unique, there are subtle differences in the bodies, facial features, and openwork areas on each golden animal. These differences are particularly evident in the muzzle: in one example, the tongue is wide and fleshy, and the flattened cheeks curve upwards to form a triangular snub nose with pointy nostrils; in the second example, the tongue is as a narrow rectangular projection, while the rounded triangular nose is framed by the padded lower cheeks. Additionally, one lion faces to the right, while the other faces to the left, suggesting that they were meant to flank another object.”
#TwoForTuesday :
Royal goldsmiths; Kumasi, Asante
Empire, Ghana
#Lion ornaments, 19th c.
Gold; H. 1 1/2 x W. 2 1/8 x D. 2 1/4 in. (3.8 x 5.4 x 5.7cm) ea.
On display at the Met (1979.206.227, 228)
#AfricanArt