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Posts tagged #FortuneCover

@lronlacy.bsky.social
15 hours ago
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#Fortune for #MARCH 1946
‘World Rubber’
Illustration by Ferran Texidor 👇🧵
Cover of *Fortune*, March 1946
#FortuneCover #illustration #illustrationart #illustrationartists #graphicdesign #FerranTexidor #rubber

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@lronlacy.bsky.social
1 day ago
‘M. Peter Piening (1908 - 1977) born in Grabow, Germany, was a German-American graphic designer as well as professor of advertising design and director of the design centre at Syracuse University. Piening spent his early career freelancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Conde-Nast's French publication of Vogue. In 1934 he moved to the United States to work in Conde-Nast's New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-4.html

‘M. Peter Piening (1908 - 1977) born in Grabow, Germany, was a German-American graphic designer as well as professor of advertising design and director of the design centre at Syracuse University. Piening spent his early career freelancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Conde-Nast's French publication of Vogue. In 1934 he moved to the United States to work in Conde-Nast's New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-4.html

#Fortune for #MARCH 1945
‘Spain Today’
Illustration by Peter Piening (1908-1977 👉ALT)
Cover of *Fortune*, March 1945
#FortuneCover #illustration #illustrationart #illustrationartists #graphicdesign #PeterPiening

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@lronlacy.bsky.social
2 days ago
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#Fortune for #MARCH 1940
Illustration by Frederick Chance (1911-2007)
Cover of *Fortune*, March 1940
#FortuneCover #illustration #illustrationart #illustrationartists #FrederickChance #plumbing #pipes #aquaduct #RomanAquaduct #hydraulicengineering

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@lronlacy.bsky.social
3 days ago
‘Hans Joachim Barschel (1912-1998) was born in Germany, studied at the Municipal Art School, Berlin, and then graduate studies in design, painting, printmaking, and photography at the Academy of Fine and Applied Arts, Berlin-Charlottenburg. He emigrated to the United States in 1937 and lived in Rochester, NY.’ - https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-2.html image from https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

‘Hans Joachim Barschel (1912-1998) was born in Germany, studied at the Municipal Art School, Berlin, and then graduate studies in design, painting, printmaking, and photography at the Academy of Fine and Applied Arts, Berlin-Charlottenburg. He emigrated to the United States in 1937 and lived in Rochester, NY.’ - https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-2.html image from https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

#Fortune for #MARCH 1939
👇🧵
Illustration by Hans Barschel (1912-1998)
👉ALT
Cover of *Fortune*, March 1939.
#FortuneCover #illustration #illustrationart #illustrationartists #HansBarschel

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@lronlacy.bsky.social
4 days ago
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#Fortune for #MARCH 1938
Illustration by Stanley William Crane (1905-1973)
Cover of *Fortune*, March 1938
#FortuneCover #illustration #illustrationart #illustrationartists #SWCrane #battleship #USNavy #defenseindustry

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@lronlacy.bsky.social
5 days ago
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#Fortune for #MARCH 1937
👇🧵
Cover #Illustration by A. M. Cassandre (1901-68)
#FortuneCover #illustrationartists #AMCassandre
‘the pseudonym of Adolphe Jean-Marie Mouron, a French painter, commercial poster, & typeface designer. Born in #Kharkiv, Ukraine, to French parents, ➡️

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@lronlacy.bsky.social
6 days ago
https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-2.html: ‘John O'Hara Cosgrave II (1908-1968) Born in San Francisco, Cosgrave was an illustrator, painter, graphic artist, writer, engraver, and cartoonist. There is a long list of exhibitions from Paris, France to all over America, awards he has won, a selection of books he has illustrated, and the note that he did illustrations and covers for the magazines Life, Fortune, and Yachting.’

https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-2.html: ‘John O'Hara Cosgrave II (1908-1968) Born in San Francisco, Cosgrave was an illustrator, painter, graphic artist, writer, engraver, and cartoonist. There is a long list of exhibitions from Paris, France to all over America, awards he has won, a selection of books he has illustrated, and the note that he did illustrations and covers for the magazines Life, Fortune, and Yachting.’

#Fortune for #MARCH 1936
Illustration by John O'Hara Cosgrave II (1908-1968 👉 ALT)
Cover of *Fortune*, March 1936
#FortuneCover #illustration #illustrationart #illustrationartists #JohnOHaraCosgraveII #powerlines #electricalgrid #infrastructure

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@lronlacy.bsky.social
1 week ago
‘Roger Duvoison (1904-?) was born in Switzerland into a family with a strong orientation towards the arts. His father was an architect and his godmother was a famous enamel painter. He was recruited into designing textiles which took him to Paris. In 1927, he was recruited by an American textile firm in New York to come and work for them. He made a commitment to relocate for a minimum of four years and he and his wife moved to New York. He found fame as author and illustrator of numerous children's books.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-1.html image from https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-2.html

‘Roger Duvoison (1904-?) was born in Switzerland into a family with a strong orientation towards the arts. His father was an architect and his godmother was a famous enamel painter. He was recruited into designing textiles which took him to Paris. In 1927, he was recruited by an American textile firm in New York to come and work for them. He made a commitment to relocate for a minimum of four years and he and his wife moved to New York. He found fame as author and illustrator of numerous children's books.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-1.html image from https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-2.html

#Fortune for #MARCH 1935
Illustration by Roger Duvoisin (1900-1980 👉ALT)
Cover of *Fortune*, March 1935
#FortuneCover #illustration #illustrationart #illustrationartists #RogerDuvoisin #silkindustry #silk #textiles #silkworm #mulberry

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@lronlacy.bsky.social
1 week ago
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#Fortune for #MARCH 1934
Illustration by Victor Beals (1895-1975)
Cover of *Fortune*, March 1934
#FortuneCover #illustration #illustrationart #illustrationartists #VictorBeals #graphicdesign #steamship #propellers #screwpropellers #diver

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@lronlacy.bsky.social
1 week ago
https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-1.html: ‘Ernest Hamlin Baker (1889-1975) Known for the 391 “journalistic portraits” he created for Time magazine from 1939 to 1956 and the thirteen Fortune magazine covers that led to his work for Time. Ernest Hamlin Baker was a self-taught painter and illustrator who created a new style of portraiture. He is also known for the propaganda posters he designed during World Wars I and II.’

https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-1.html: ‘Ernest Hamlin Baker (1889-1975) Known for the 391 “journalistic portraits” he created for Time magazine from 1939 to 1956 and the thirteen Fortune magazine covers that led to his work for Time. Ernest Hamlin Baker was a self-taught painter and illustrator who created a new style of portraiture. He is also known for the propaganda posters he designed during World Wars I and II.’

#Fortune for #MARCH 1933
👇🧵
Illustration by Ernest Hamlin Baker (1889-1975 👉ALT)
Cover of *Fortune*, March 1933
#FortuneCover #illustration #illustrationart #illustrationartists #ErnestHamlinBaker #railroads #railroadsignals #powerlines #infrastructure

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@lronlacy.bsky.social
1 week ago
‘Diego Rivera (1886 – 1957) was a prominent Mexican painter born in Guanajuato. He was an active communist, and the husband of painter Frida Kahlo. His large wall works in fresco helped establish the Mexican Mural Renaissance. Between 1922 and 1953, Rivera painted murals among others in Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, and New York City. In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-1.html

‘Diego Rivera (1886 – 1957) was a prominent Mexican painter born in Guanajuato. He was an active communist, and the husband of painter Frida Kahlo. His large wall works in fresco helped establish the Mexican Mural Renaissance. Between 1922 and 1953, Rivera painted murals among others in Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, and New York City. In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-1.html

#Fortune for #MARCH 1932
Illustration by Diego Rivera (1886-1957 👉ALT)
Cover of *Fortune*, March 1932
#FortuneCover #illustration #illustrationart #illustrationartists #DiegoRivera #USSR #RedSquare #Moscow

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@lronlacy.bsky.social
1 week ago
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Magazine of Building*. Reeves created many covers for Fortune magazine in his lifetime.’
#FortuneCover #illustration #illustrationart #illustrationartists #NormanReeves #quarry

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@lronlacy.bsky.social
1 week ago
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#Fortune for #MARCH 1930
👇🧵
Cover of *Fortune*, March 1930
#FortuneCover #illustration #illustrationart #graphicdesign #railroads #tracks #harbor #industrialsublime

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@lronlacy.bsky.social
2 weeks ago
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#Fortune for #FEBRUARY 1954
‘The Insatiable Market for Houses’
Illustration by Erik Nitsche (1908-1998)
Cover of *Fortune* , February 1954
#FortuneCover #illustration #illustrationart #illustrationartists #GraphicDesign #GraphicDesigners #ErikNitsche #housing #housingmarket

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@lronlacy.bsky.social
2 weeks ago
image from https://poulwebb.blogspot.com/2021_01_10_archive.html http://dada.compart-bremen.de/item/agent/627#:~:text=Allner%20was%20a%20designer%2C%20typographer,Schmidt%20and%20Laszlo%20Moholy%2DNagy: ‘Allner was a designer, typographer and painter who pioneered computer-designed magazine layout. He collaborated with engineers to develop technology-aided design. In the late 1920s he studied at the Dessau Bauhaus. His teachers included Paul Klee, Wassily Kandinsky, Joost Schmidt and Laszlo Moholy-Nagy. During his 12 years at Fortune magazine, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage. ...’

image from https://poulwebb.blogspot.com/2021_01_10_archive.html http://dada.compart-bremen.de/item/agent/627#:~:text=Allner%20was%20a%20designer%2C%20typographer,Schmidt%20and%20Laszlo%20Moholy%2DNagy: ‘Allner was a designer, typographer and painter who pioneered computer-designed magazine layout. He collaborated with engineers to develop technology-aided design. In the late 1920s he studied at the Dessau Bauhaus. His teachers included Paul Klee, Wassily Kandinsky, Joost Schmidt and Laszlo Moholy-Nagy. During his 12 years at Fortune magazine, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage. ...’

#Fortune for #FEBRUARY 1953
‘How Much Strength behind the Curtain? (four articles on Soviet Russia)’
Cover of *Fortune*, Feb. 1953
#Illustration by Walter Allner (1909-2006 👉ALT)
#FortuneCover #illustrationart #WalterAllner #graphicdesign #graphicdesigners #ColdWar #IronCurtain

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@lronlacy.bsky.social
2 weeks ago
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#Fortune for #FEBRUARY 1952
‘The Government of the U.S.A.’
Cover of *Fortune* for February 1952
#FortuneCover #USA #USGovernment #graphicdesign

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@lronlacy.bsky.social
2 weeks ago
‘William Zorach (1889-1966) was born in Lithuania & brought to Ohio in 1891, moved to New York City in 1912. An artist who ceased oil painting in 1922, having discovered that sculpture suited him better; he tried to let the stone or wood take its own shape, whether in large public monuments or in smaller works. Zorach took art classes at the Educational Alliance as a child & quit school at the end of the seventh grade to become an apprentice at a lithography firm. From 1905 to 1908 he studied drawing & painting at the Cleveland School of Art, then spent two years at the National Academy of Design in New York. In 1922 he gave up painting for sculpture. Zorach’s stone & wood carvings & his work in plaster & terra cotta are stylistically rooted in Egyptian, Greek, and, to some degree, in primitive art. Highly successful throughout much of his life, Zorach received many commissions, including Spirit of Dance for Radio City Music Hall.’ https://poulwebb.blogspot.com/2021_01_10_archive.html

‘William Zorach (1889-1966) was born in Lithuania & brought to Ohio in 1891, moved to New York City in 1912. An artist who ceased oil painting in 1922, having discovered that sculpture suited him better; he tried to let the stone or wood take its own shape, whether in large public monuments or in smaller works. Zorach took art classes at the Educational Alliance as a child & quit school at the end of the seventh grade to become an apprentice at a lithography firm. From 1905 to 1908 he studied drawing & painting at the Cleveland School of Art, then spent two years at the National Academy of Design in New York. In 1922 he gave up painting for sculpture. Zorach’s stone & wood carvings & his work in plaster & terra cotta are stylistically rooted in Egyptian, Greek, and, to some degree, in primitive art. Highly successful throughout much of his life, Zorach received many commissions, including Spirit of Dance for Radio City Music Hall.’ https://poulwebb.blogspot.com/2021_01_10_archive.html

#Fortune for #FEBRUARY 1950
‘20th Anniversary Issue’
Relief by William Zorach (1889-1966 👉ALT)
Cover of *Fortune*, February 1950.
#FortuneCover #AmericanArt #WilliamZorach #sculpture #sculptors #basrelief #eagle

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@lronlacy.bsky.social
3 weeks ago
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#Fortune for #FEBRUARY 1949
🧵👇
‘ECA: How Good a Buy?’
#Illustration by #GeorgeGiusti (1908-1990)
The Economic Cooperation Administration (ECA) was the U.S. government agency set up in 1948 to administer the Marshall Plan.
Cover, Feb. 1949
#FortuneCover #illustrationart

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@lronlacy.bsky.social
3 weeks ago
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#Fortune for #FEBRUARY 1948
‘Miami, Florida’
Illustration by Hans Moller (1905-2000)
Cover of *Fortune*, February 1948
#FortuneCover #illustration #illustrationart #illustrationartists #HansMoller #Miami #Florida

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@lronlacy.bsky.social
3 weeks ago
[B]orn in Oakland, CA. Studied: Ling Nan School (Hong Kong); Member; National Academy of Design, American Watercolor Society, California Watercolor Society. While still a child Kingman returned with his parents to China. There, Kingman received art instruction from traditional Chinese watercolorists & Size-To-Wai, a Paris-educated artist who was very knowledgeable about modern art trends. In 1929, Kingman moved back to San Francisco & started producing watercolor paintings depicting Bay Area cityscape subjects. In 1942, he was awarded a Guggenheim Fellowship which enabled him to travel around the United States painting watercolors of American scene subjects. Between 1945 & 1965, he painted a large number of outstanding cityscape watercolors of New York City & San Francisco. He also did covers for Fortune & article illustrations inside the magazine. Life, Time, Westways, & numerous other magazines.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-4.html

[B]orn in Oakland, CA. Studied: Ling Nan School (Hong Kong); Member; National Academy of Design, American Watercolor Society, California Watercolor Society. While still a child Kingman returned with his parents to China. There, Kingman received art instruction from traditional Chinese watercolorists & Size-To-Wai, a Paris-educated artist who was very knowledgeable about modern art trends. In 1929, Kingman moved back to San Francisco & started producing watercolor paintings depicting Bay Area cityscape subjects. In 1942, he was awarded a Guggenheim Fellowship which enabled him to travel around the United States painting watercolors of American scene subjects. Between 1945 & 1965, he painted a large number of outstanding cityscape watercolors of New York City & San Francisco. He also did covers for Fortune & article illustrations inside the magazine. Life, Time, Westways, & numerous other magazines.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-4.html

#Fortune for #FEBRUARY 1947
‘Two U.S. Cities’
#Illustration by Dong Kingman (1911-2000 👉ALT)
Cover of *Fortune*, February 1947
#FortuneCover #watercolor #illustrationart #illustrationartists #graphicdesign #DongKingman #urbanpolicy #masstransit #cityscape

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@lronlacy.bsky.social
3 weeks ago
'Howard graduated from the University of California at Berkeley in 1921 as a journalism major, and pursued graduate studies in English at Harvard & Columbia Universities before embarking on a two-year trip to Europe. He went as a would-be writer but near-religious experiences with European art persuaded him to become a painter. Howard was part of a group of American & European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organised and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. In 1934 Howard married British painter Madge Knight & moved to London, England. Prior to the outbreak of WWII London was a centre for all types of international avant-garde artists. ... they subsequently lived in the Bay Area, England again, and finally Italy.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-4.html

'Howard graduated from the University of California at Berkeley in 1921 as a journalism major, and pursued graduate studies in English at Harvard & Columbia Universities before embarking on a two-year trip to Europe. He went as a would-be writer but near-religious experiences with European art persuaded him to become a painter. Howard was part of a group of American & European Surrealists clustered around Julien Levy. Levy opened his eponymously-named gallery in 1931, and rose to fame in January 1932, when he organised and hosted Surrealisme, the first ever exhibition of Surrealism in America, which included one work by Howard. In 1934 Howard married British painter Madge Knight & moved to London, England. Prior to the outbreak of WWII London was a centre for all types of international avant-garde artists. ... they subsequently lived in the Bay Area, England again, and finally Italy.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-4.html

#Fortune for #FEBRUARY 1945
‘The Western States’
Illustration by Charles Howard (1899-1978)
Cover of *Fortune*, February 1945
👉ALT
#FortuneCover #illustration #illustrationart #illustrationartists #GraphicDesign #GraphicDesigners #CharlesHoward #AmericanWest

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@lronlacy.bsky.social
3 weeks ago
‘Herbert Bayer (1900-1985) Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. In 1938 Bayer emigrated to the United States and remained in America working as a graphic designer for the remainder of his career.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

‘Herbert Bayer (1900-1985) Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. In 1938 Bayer emigrated to the United States and remained in America working as a graphic designer for the remainder of his career.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

#Fortune for #FEBRUARY 1943
‘Moving the Stuff of Production’
Illustration by Herbert Bayer (1900-1985)
👉ALT
Cover of *Fortune*, February 1943
#FortuneCover #illustration #illustrationart #illustrationartists #HerbertBayer #WW2 #defenseproduction

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@lronlacy.bsky.social
1 month ago
‘Herbert Matter (1907-1984) was a Swiss-born American photographer and graphic designer known for his innovative use of photomontage in posters. Matter also photographed the unique personalities of his friends Alexander Calder and Alberto Giacometti at work in their studios. Born in Engelberg, Switzerland, he went on to study painting under Fernand Leger and Amédée Ozenfant in Paris, before working as an assistant to the famed architect Le Corbusier. During the early 1930s, Matter established his career in design with the posters he created for the Swiss National Tourist Office. Moving to New York in 1936, the artist worked as a freelance photographer for a number of magazines including Vogue, before being signed exclusively by Condé Nast. In the decades that followed, Matter took on many roles, including working as a design consultant for both the furniture company Knoll and the Solomon R. Guggenheim Museum.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

‘Herbert Matter (1907-1984) was a Swiss-born American photographer and graphic designer known for his innovative use of photomontage in posters. Matter also photographed the unique personalities of his friends Alexander Calder and Alberto Giacometti at work in their studios. Born in Engelberg, Switzerland, he went on to study painting under Fernand Leger and Amédée Ozenfant in Paris, before working as an assistant to the famed architect Le Corbusier. During the early 1930s, Matter established his career in design with the posters he created for the Swiss National Tourist Office. Moving to New York in 1936, the artist worked as a freelance photographer for a number of magazines including Vogue, before being signed exclusively by Condé Nast. In the decades that followed, Matter took on many roles, including working as a design consultant for both the furniture company Knoll and the Solomon R. Guggenheim Museum.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

#Fortune for #FEBRUARY 1942
Illustration by Herbert Matter (1907-1984)
👉ALT
Cover of *Fortune*, February 1942
#FortuneCover #illustration #illustrationart #illustrationartists #graphicdesign #WW2 #Allies #flags #HerbertMatter

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@lronlacy.bsky.social
1 month ago
‘George Giusti (1908 - 1990) was born in Milan, Italy. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. Over the years, Giusti garnered more than ten gold and silver medals and eighty other awards and citations.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

‘George Giusti (1908 - 1990) was born in Milan, Italy. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. Over the years, Giusti garnered more than ten gold and silver medals and eighty other awards and citations.’ https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

#Fortune for #FEBRUARY 1941
Illustration by George Giusti (1908-1990)
👉ALT
Cover of *Fortune*, February 1941
#FortuneCover #illustration #illustrationart #illustrationartists #GeorgeGiusti #WW2 #navalwarfare #battleship #precisionism

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@lronlacy.bsky.social
1 month ago
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#Fortune for #FEBRUARY 1940
Illustration by Antonio Petruccelli (1907-1994)
Cover of *Fortune*, February 1940
(10-year anniversary issue)
#FortuneCover #illustration #illustrationart #illustrationartists #AntonioPetruccelli

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@lronlacy.bsky.social
1 month ago
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#Fortune for #FEBRUARY 1939
Illustration by Thomas Benrimo (1887–1958)
Cover of *Fortune*, February 1939
#FortuneCover #illustration #illustrationart #illustrationartists #ThomasBenrimo #aviation #navigation

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@lronlacy.bsky.social
1 month ago
image from http://www.printspast.com/fortune-magazine-covers-1938.htm https://www.askart.com/artist/Alan_Atkins/5001688/Alan_Atkins.aspx: ‘Born in Piedmont, California on June 26, 1910. Atkins studied at the Yale School of Fine Arts and with W. P. Robins in England. He lived in Oakland and maintained a studio in San Francisco during the 1930s. He is best known for his poster of the construction of the San Francisco-Oakland Bay Bridge. He later was art director at the University of California Extension media center in Berkeley and for films for Boeing, Standard Oil, and others. During his last years he resided in Arnold, Calaveras County, California, where an exhibition of his paintings was held in summer 1990 to mark his 80th birthday. He died in Sacramento, California on December 14, 1990.’ Source: Edan Hughes, "Artists in California, 1786-1940"

image from http://www.printspast.com/fortune-magazine-covers-1938.htm https://www.askart.com/artist/Alan_Atkins/5001688/Alan_Atkins.aspx: ‘Born in Piedmont, California on June 26, 1910. Atkins studied at the Yale School of Fine Arts and with W. P. Robins in England. He lived in Oakland and maintained a studio in San Francisco during the 1930s. He is best known for his poster of the construction of the San Francisco-Oakland Bay Bridge. He later was art director at the University of California Extension media center in Berkeley and for films for Boeing, Standard Oil, and others. During his last years he resided in Arnold, Calaveras County, California, where an exhibition of his paintings was held in summer 1990 to mark his 80th birthday. He died in Sacramento, California on December 14, 1990.’ Source: Edan Hughes, "Artists in California, 1786-1940"

#Fortune for #FEBRUARY 1938
Illustration by Alan Atkins (1910-1990)
👉ALT
Cover of *Fortune*, February 1938
#FortuneCover #illustration #illustrationart #illustrationartists #graphicdesign #AlanAtkins #snowremoval #winter

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@lronlacy.bsky.social
1 month ago
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#Fortune for #FEBRUARY 1937
Illustration by Antonio Petruccelli (1907-1994)
Cover of *Fortune*, February 1937
#FortuneCover #illustration #illustrationart #illustrationartists #AntonioPetruccelli #firemen #firedepartment #firefighters

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@lronlacy.bsky.social
1 month ago
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#Fortune for #FEBRUARY 1936
Cover of *Fortune*, February 1936.
Illustration by John A. Cook (1870-1936)
Hayden Planetarium, NYC (and Griffith Observatory with planetarium, LA) opened in 1935
#FortuneCover #illustration #illustrationart #illustrationartists #JohnACook #planetarium

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@lronlacy.bsky.social
1 month ago
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#Fortune for #FEBRUARY 1935
Illustration by Antonio Petruccelli (1907-1994)
Cover of *Fortune*, February 1935.
#FortuneCover #illustration #illustrationart #illustrationartists #AntonioPetruccelli #winds #Boreas #weather #meteorology

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