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A Scream of Madness Inside Dreams of boats, blood, and dancing the jitterbug under the pale moonlight of the setting sun of the imperialism of US


A dense, multilayered digital collage centers on a ghostly human face that emerges from beneath washes of turquoise, indigo, magenta, and bruised violet. The face—life-sized, slightly turned to the right—reads like a faded photograph pressed under translucent paint: an intense, weary eye near the upper left quadrant, a softened nose and mustache implied by shadow, and a mouth half-hidden by overlapping textures. Across and around the portrait, quick black ink sketches, looping scribbles, and stamp-like circular seals repeat in messy registers: tiny boat-like doodles, schematic wheels, triangular motifs, and cartoonish masks. Some marks resemble nautical charts or ledger entries; others read as frantic handwritten notes and childish cartoons layered on top of one another.

Color fields collide—cool sea-greens at left shift into electric pink and crimson at right—creating a sense of tide and tideline; a vertical band of deeper purple slices the image, like a bruise at the center. Fine diagonal lines and smudged grid elements cut across the portrait, suggesting both movement and containment. Splashy red stains and smeared magentas evoke blood or spilled paint; small white scratches and haloed highlights feel like moonlight striking dirty glass. Implied figures and gestural marks toward the top and right suggest dancers or puppet-like bodies mid-jitterbug, their limbs reduced to energetic strokes rather than anatomies.

The overall mood is restless and overheated: an inner scream contained beneath bureaucratic stamps, nautical fantasies, and carnival scrawl. The composition balances intimacy (the up-close face) with the crowded public (repeated marks like official seals and charts), producing an uneasy dreamscape where memory, violence, and absurd celebration crash into one another beneath a false, theatrical moon.

A Scream of Madness Inside Dreams of boats, blood, and dancing the jitterbug under the pale moonlight of the setting sun of the imperialism of US A dense, multilayered digital collage centers on a ghostly human face that emerges from beneath washes of turquoise, indigo, magenta, and bruised violet. The face—life-sized, slightly turned to the right—reads like a faded photograph pressed under translucent paint: an intense, weary eye near the upper left quadrant, a softened nose and mustache implied by shadow, and a mouth half-hidden by overlapping textures. Across and around the portrait, quick black ink sketches, looping scribbles, and stamp-like circular seals repeat in messy registers: tiny boat-like doodles, schematic wheels, triangular motifs, and cartoonish masks. Some marks resemble nautical charts or ledger entries; others read as frantic handwritten notes and childish cartoons layered on top of one another. Color fields collide—cool sea-greens at left shift into electric pink and crimson at right—creating a sense of tide and tideline; a vertical band of deeper purple slices the image, like a bruise at the center. Fine diagonal lines and smudged grid elements cut across the portrait, suggesting both movement and containment. Splashy red stains and smeared magentas evoke blood or spilled paint; small white scratches and haloed highlights feel like moonlight striking dirty glass. Implied figures and gestural marks toward the top and right suggest dancers or puppet-like bodies mid-jitterbug, their limbs reduced to energetic strokes rather than anatomies. The overall mood is restless and overheated: an inner scream contained beneath bureaucratic stamps, nautical fantasies, and carnival scrawl. The composition balances intimacy (the up-close face) with the crowded public (repeated marks like official seals and charts), producing an uneasy dreamscape where memory, violence, and absurd celebration crash into one another beneath a false, theatrical moon.

A Scream Of Madness Inside Dreams of boats, blood, and dancing the jitter bug under the pale moonlight of the setting sun of the imperialism of US.

#AIart #LayerArt

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#glitch #layerart #saturation #surrealism #experimentalart

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"Breadcrumbs" vlp 2025
Mixed media, acrylic on masonite, layered bas relief.
My newest piece, at Super Wonder Gallery this Fri & Sat; an immersive Fairy Tale show, INTO THE WOODS!

#wip #mixedmediapainting #basrelief #layerart #popart #lowbrowart #fairytale #hanselandgretel #noai #fuckai #noaiart

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Demons, Witches and Succubi
#demongirls #nsfw #hentai #witches #wiccagirls #animegirls #metalgirls #deathmetal #heavymetal #inkdetail #inkillustrations #inktips #inkliners #inkbrush #layerart #INKS #inkmarkers #krita #autodesksketchbook #mixedmedia #mangaka

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Back to something: My usual, welp drew this for a friend who is into monster girls especially the SCP-Mal0.
#scpartwork #mal0 #monstergirls #scp1471 #scpcharacters #ILLUSTRATION #inklayers #photoshop #badassgirl #thiccfurry #mal0 #mangaka #phonedrawing #layerdesign #LAYERART #mixedmedia

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June 6 2024. GALVA KNIGHT x MECHA KAIJU
a version of instagram.com/vaughncoleman 's GalvaKnight taking on a mechanical Kaiju Head-On in a decisive battle of power #phenomenovafanart #indiecomic #rebeloasis #indiecomicbook #americancomics #comics #thunderclap #layerart #Krita #dynamiclines

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You like my heart?

#lasercutting #woodart #valentines #layerart

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Hunting Season is open all year round with this project!

Call, text, email, or message me in Rockford, IL today at 217-418-8444 or 360gracewoodworks@gmail.com.

I want to be your Woodworker!

#art #hunting #huntingdog #hunter #layers #layerart #laser #woodworking

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Attention Brides-to-Be: Today is your day at the The Bricks Venue Center in Cherry Valley for their extravagant Wedding Expo!

217-418-8444 or 360Gracewoodworks@gmail.com.

#wedding #bride #bridetobe #groom #layerart #layers #woodworking #arches #gifts #art #weddingday #honeymoon

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