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El PLD celebra la salida de

El PLD celebra la salida de

El PLD celebra la salida de Ito Bisonó del MICM, acusándolo de ahogar a las pymes y favorecer importaciones. Nuevo ministro: Eduardo Sanz Lovatón. #PoliticaDominicana #PLD #MICM #CambiosGubernamentales

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Republica Dominicana aprueba 157 estaciones en 2025 - Surtidores LATAM - Líderes en Noticias sobre combustibles en Latinoamérica El MICM aprueba 157 nuevas estaciones en 2025, un crecimiento del 51% que redefine el mapa energético con el auge del GLP y la expansión vehicular.

🔑 Dato clave: El GLP se disparó un 213% en un año, consolidándose como la alternativa de mayor crecimiento relativo.

surtidoreslatam.com/republica-dominicana-apr...

#MICM #EstacionesDeServicio #RD #GLP #Expansión #surtidoreslatam

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💰| #EconomíaDL |El gasoil regular mantiene su precio en 221.60 pesos por galón

🔗 ow.ly/9Vlg50VUfVT

#DiarioLibre #Noticias #Combustibles #RD #AjusteDePrecios #MICM #Energía

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⚡| #EnergíaDL | Precios de los principales combustibles seguirán subsidiados

🔗https://ow.ly/bXGQ50VMkuR

#DiarioLibre #Noticias #BajaDeCombustibles #MICM #Subsidios #ImpactoEconómico

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⚡| #EnergíaDL | Precios de cuatro combustibles subirán a partir de este sábado

🔗 ow.ly/SE0V50VqS1r

#DiarioLibre #Noticias #SubsidiosDeCombustibles #EstabilidadDePrecios #MICM

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a HUGE and quite rare vintage 1950s handmade sterling silver copper enamel modernist pendant on cord necklace by San Diego artist/craftsman Barney Reid (1913-1992). A very large quite rare and outstanding example of the modernist enamel art created by this important California artist from the mid 20th century! Truly wearable art! A founding member of San Diego’s Allied Craftsmen, Reid was a talented artisan and prolific in many media including metal, clay, wood, and marble, as well as oil painting and furniture design. A selection was featured in several shows in the 1950s and 60s at New York City’s Museum of Contemporary Crafts, including Enamels in 1959. Reid's work was prominently displayed in the exhibition "San Diego Craft Revolution" at the Mingei Museum in San Diego in 2012. One of Reid's larger works, a multipanel enamel mobile, sold at Christie's in 2016 for over $32K before auction fees and taxes!
Pendant measures 3-1/2" by 2-3/4" wide on a 26" length leather cord that can be re-tied at varying lengths, and weighs 37.2 grams total. Marked at back with artist signature as shown. Excellent vintage condition

a HUGE and quite rare vintage 1950s handmade sterling silver copper enamel modernist pendant on cord necklace by San Diego artist/craftsman Barney Reid (1913-1992). A very large quite rare and outstanding example of the modernist enamel art created by this important California artist from the mid 20th century! Truly wearable art! A founding member of San Diego’s Allied Craftsmen, Reid was a talented artisan and prolific in many media including metal, clay, wood, and marble, as well as oil painting and furniture design. A selection was featured in several shows in the 1950s and 60s at New York City’s Museum of Contemporary Crafts, including Enamels in 1959. Reid's work was prominently displayed in the exhibition "San Diego Craft Revolution" at the Mingei Museum in San Diego in 2012. One of Reid's larger works, a multipanel enamel mobile, sold at Christie's in 2016 for over $32K before auction fees and taxes! Pendant measures 3-1/2" by 2-3/4" wide on a 26" length leather cord that can be re-tied at varying lengths, and weighs 37.2 grams total. Marked at back with artist signature as shown. Excellent vintage condition

Here is a short biography of the artist that I compiled from online sources:

Barney Reid grew up in Yuma Valley, Arizona earning his BA at Arizona State College. He moved to San Diego to work as a graphic designer after teaching at Arizona State University (between 1946-49) and launched ReidArt offering screen-printed fabrics and textiles. Barney Reid’s jewelry was exhibited nationally in the 1950s and '60s and for a time he shared a studio with Harry Bertoia. Reid’s enamels were featured in several prominent exhibitions throughout the country including the prestigious annual Decorative Arts and Ceramics Exhibition at the Wichita Art Association in 1952, 1953 and 1954; Enamel: An Historic Survey to the Present Day, organized by the Cooper Union Museum for the Arts of Decoration in 1954; the seminal Enamels at New York’s Museum of Contemporary Crafts in 1959; and the Scripps Annual in Claremont, California in 1964. One of Reid’s most inventive works – an abstraction in which small enamel panels were mounted on a horizontal wood panel in a lively, interlocking composition – was featured in a 1957 article in Craft Horizons – the forerunner to American Craft – in an article titled 'Plaque Bouillabaisse'. Reid’s works from the late ‘40s through the ‘60s are quite scarce. By the mid-1970s until his death he worked almost exclusively in intaglio printmaking.

Here is a short biography of the artist that I compiled from online sources: Barney Reid grew up in Yuma Valley, Arizona earning his BA at Arizona State College. He moved to San Diego to work as a graphic designer after teaching at Arizona State University (between 1946-49) and launched ReidArt offering screen-printed fabrics and textiles. Barney Reid’s jewelry was exhibited nationally in the 1950s and '60s and for a time he shared a studio with Harry Bertoia. Reid’s enamels were featured in several prominent exhibitions throughout the country including the prestigious annual Decorative Arts and Ceramics Exhibition at the Wichita Art Association in 1952, 1953 and 1954; Enamel: An Historic Survey to the Present Day, organized by the Cooper Union Museum for the Arts of Decoration in 1954; the seminal Enamels at New York’s Museum of Contemporary Crafts in 1959; and the Scripps Annual in Claremont, California in 1964. One of Reid’s most inventive works – an abstraction in which small enamel panels were mounted on a horizontal wood panel in a lively, interlocking composition – was featured in a 1957 article in Craft Horizons – the forerunner to American Craft – in an article titled 'Plaque Bouillabaisse'. Reid’s works from the late ‘40s through the ‘60s are quite scarce. By the mid-1970s until his death he worked almost exclusively in intaglio printmaking.

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An original 1950s Barney Reid San Diego California handmade copper enamel and sterling silver pendant on leather thong.

Available in my Ruby Lane shop...

www.rubylane.com/item/1879775...

#barneyreidenamel #enamel #enamelart #art #wearableart #handmade #vintage1950s #micm #modernistjewelry #design

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