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WITNESSES ART SERIES :: “Photography is altogether different. It’s a technology and set of decisions that captures the light of a brief moment, from one framed angle.”

SEE MORE at: witnesses.substack.com/p/reflection...

#photography #light #preraphaelite #visualart

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John William Inchbold (1830-1888)
A Study, in March. 1855.
oil on canvas. #PreRaphaelite

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Frederick Sandys (1829-1904)
Gentle Spring, 1865. oil on canvas.
#PreRaphaelite

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WITNESSES ART SERIES :: “Photography is altogether different. It’s a technology and set of decisions that captures the light of a brief moment, from one framed angle.”

SEE MORE at: witnesses.substack.com/p/reflection...

#photography #light #preraphaelite #visualart

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Haven't posted in two months... whoops

#oc #ocsky #art #artist #digitalart #preraphaelite #artistsonbsky

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My compliments to the florist for beautifully paying homage to the fan in Holman Hunt’s Birthday. @legionofhonor #holmanhunt #preraphaelite #bouquetstoart

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All Saints church, Selworthy high up on Exmoor has a lovely #PreRaphaelite reredos in coloured leather by Philip Burgess of West Porlock 1900

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WITNESSES ART SERIES :: What, at its essence, is drawing? And what, at its essence, is painting?

SEE MORE at: witnesses.substack.com/p/reflection...

#painting #drawing #preraphaelite

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It's #WorldBookDay - here's what I'm reading. Eclectic! Also #preraphaelite
serenatrowbridge.substack.com/p/its-world-...

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Why does Pre-Raphaelitism matter now? Well, let these fierce women tell you... serenatrowbridge.substack.com/p/why-does-p...
#preraphaelite #art #poetry

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Here's my offering for the theme of #timid – welcome to Debbie @cribbowens.bsky.social our new #vss365 host

The painting ‘Luna’ (1870) is by Edward Burne Jones (1833–1898)

#vsspoem #poet #poetrycommunity #preraphaelite #BurneJones

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Professorial Inaugural Lecture: Why does Pre-Raphaelitism matter now? Birmingham City University invites you to Professor Serena Trowbridge's Inaugural Lecture.

On March 20th I’m giving my professorial inaugural lecture at the Birmingham Midland Institute, ‘Why does Pre-Raphaelitism matter now?’ All are welcome!
www.eventbrite.com/e/1977877529...
Or livestream
www.eventbrite.com/e/1982061148...

#preraphaelite

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forgottenbeauty Shop | Redbubble forgottenbeauty is an independent artist creating amazing designs for great products such as t-shirts, stickers, posters, and phone cases.

Last day for 25% off everything: redbubble.com/people/forgo... #art #illustration #wallart #giftideas #fineart #fairytales #tshirts #bags #phonecase #posterart #homedecor #interiordesign #victorian #preraphaelite

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forgottenbeauty Shop | Redbubble forgottenbeauty is an independent artist creating amazing designs for great products such as t-shirts, stickers, posters, and phone cases.

Sale at redbubble continues with 25% off everything: redbubble.com/people/forgo... #art #illustration #wallart #giftideas #fineart #fairytales #tshirts #bags #phonecase #posterart #homedecor #interiordesign #victorian #preraphaelite

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The Knight Errant (1870) - John Everett Millais (1829–1896) #preraphaelite

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The sad madness and death of Ophelia in Shakespeare’s Hamlet was a favorite subject of the group of British artists who called themselves the Pre-Raphaelites. The Pre-Raphaelite Brotherhood, which included William Holman Hunt and Dante Gabriel Rossetti, frequently depicted literary subjects, placing an emphasis on emotional and symbolic content. Though not an original member of the Pre-Raphaelites, Arthur Hughes embraced their aims. Hughes shows Ophelia as a melancholy young woman with piercing blue eyes and flowing red hair. In her madness, she is gathering flowers to hang on the willow tree; she will soon slip into the stream and drown. Hughes includes the same flowers and plants that Shakespeare chose for their symbolic meanings. The willow stood for sadness and forsaken love, the daisy for innocence, and the violets around Ophelia’s wrist for faithfulness. The little blue forget-me-nots in the grass are an appropriate addition, though Shakespeare does not include them. Hughes adds another significant flower not mentioned by Shakespeare: red poppies, symbolic of death.

The sad madness and death of Ophelia in Shakespeare’s Hamlet was a favorite subject of the group of British artists who called themselves the Pre-Raphaelites. The Pre-Raphaelite Brotherhood, which included William Holman Hunt and Dante Gabriel Rossetti, frequently depicted literary subjects, placing an emphasis on emotional and symbolic content. Though not an original member of the Pre-Raphaelites, Arthur Hughes embraced their aims. Hughes shows Ophelia as a melancholy young woman with piercing blue eyes and flowing red hair. In her madness, she is gathering flowers to hang on the willow tree; she will soon slip into the stream and drown. Hughes includes the same flowers and plants that Shakespeare chose for their symbolic meanings. The willow stood for sadness and forsaken love, the daisy for innocence, and the violets around Ophelia’s wrist for faithfulness. The little blue forget-me-nots in the grass are an appropriate addition, though Shakespeare does not include them. Hughes adds another significant flower not mentioned by Shakespeare: red poppies, symbolic of death.

Ophelia ("And He Will Not Come Back Again") by Arthur Hughes, c. 1865, Toledo Museum of Art (Ohio)

#ArtHistory #Romanticism #PreRaphaelite

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Pre-Raphaelite Serisi 🌿
#art #artwork #digitalart #preraphaelite #nature

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forgottenbeauty Shop | Redbubble forgottenbeauty is an independent artist creating amazing designs for great products such as t-shirts, stickers, posters, and phone cases.

New sale at redbubble!
Get 25% off everything:
www.redbubble.com/people/forgo... #art #illustration #wallart #giftideas #fineart #fairytales #tshirts #bags #phonecase #posterart #homedecor #interiordesign #victorian #preraphaelite

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One of my favorite artists! Available here linda-howes.pixels.com/featured/the...

#wallartforsale #wallart #Gifts #giftideas #homedecor #preraphaelite #EvelynDeMorgan #art #painting #Angel #Throne #hourglass #RichColors #Royal #Sadness #WomanSeatedatThrone #vintage
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Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to https://john-hughes-photographic.pixels.com!

#BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite 

https://john-hughes-photographic.pixels.com/featured/ai-generated-pre-raphaelite-art-3-john-hughes.html

Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to https://john-hughes-photographic.pixels.com! #BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite https://john-hughes-photographic.pixels.com/featured/ai-generated-pre-raphaelite-art-3-john-hughes.html

Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to john-hughes-photographic.pixels.com!

#BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite

john-hughes-photographic.pixels.com/featured/ai-...

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Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to https://john-hughes-photographic.pixels.com!

#BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite 

https://john-hughes-photographic.pixels.com/featured/ai-generated-pre-raphaelite-art-2-john-hughes.html

Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to https://john-hughes-photographic.pixels.com! #BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite https://john-hughes-photographic.pixels.com/featured/ai-generated-pre-raphaelite-art-2-john-hughes.html

Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to john-hughes-photographic.pixels.com!

#BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite

john-hughes-photographic.pixels.com/featured/ai-...

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Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to https://john-hughes-photographic.pixels.com!

#BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite 

https://john-hughes-photographic.pixels.com/featured/ai-generated-pre-raphaelite-art-1-john-hughes.html

Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to https://john-hughes-photographic.pixels.com! #BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite https://john-hughes-photographic.pixels.com/featured/ai-generated-pre-raphaelite-art-1-john-hughes.html

Check out this A.I. Generated Pre-Raphaelite Art available to purchase as a print or on a variety of products that I uploaded to john-hughes-photographic.pixels.com!

#BuyIntoArt #AYearForArt #Artwork #A.I. #artificialintelligence #preraphaelite

john-hughes-photographic.pixels.com/featured/ai-...

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Destiny (1916) - Christian Waller #preraphaelite #allegorical_painting

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Woodland near Leeds (1869) - John Atkinson Grimshaw #preraphaelite #realism

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part seven : Evie (continued) from the Witnesses art series

WITNESSES ART SERIES :: Working with the talented & insightful Evie on exploratory, collaborative photoshoots & long conversations about our personal connections to Pre-Raphaelite artworks.

EXPLORE more at: witnesses.substack.com/p/part-seven...

#photography #modeling #gender #preraphaelite

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part seven : Evie (continued) from the Witnesses art series

WITNESSES ART SERIES :: Working with the talented & insightful Evie on exploratory, collaborative photoshoots & long conversations about our personal connections to Pre-Raphaelite artworks.

EXPLORE more at: witnesses.substack.com/p/part-seven...

#photography #modeling #gender #preraphaelite

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Rose posing in a white slip with her hair braided in red scarves. She is holding green luscious grapes with her right hand, caressing the side of her neck. She softly looks down to the right with lips parted.

Rose posing in a white slip with her hair braided in red scarves. She is holding green luscious grapes with her right hand, caressing the side of her neck. She softly looks down to the right with lips parted.

Rose looking to the left showing her profile. Her hair is braided in red scarves

Rose looking to the left showing her profile. Her hair is braided in red scarves

Rose combing her fingers through her hair that is braided in red scarves

Rose combing her fingers through her hair that is braided in red scarves

Rose posing in a white slip with her hair braided in red scarves. She is holding green luscious grapes with her right hand, resting them on her chest. She looks at the camera

Rose posing in a white slip with her hair braided in red scarves. She is holding green luscious grapes with her right hand, resting them on her chest. She looks at the camera

Throwback to this photoshoot I did for a Medusa/Greek goddess inspired painting that I still haven't gotten around to doing.
#tbt #throwback #artmodel #artreference #greekmythology #grapes #fineart #preraphaelite #photoshoot #model #independentmodel #whimsical #uniquefaces #mythology

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Queen Eleanor and Fair Rosamund - Evelyn de Morgan by forgottenbeauty | Redbubble Queen Eleanor and Fair Rosamund - Evelyn de Morgan The historical Rosamund and Queen Eleanor of Aquitane lived in the 12th century. The tale of the king's love affair with Rosamund has been passed dow...

3/3 In truth, Queen Eleanor was imprisoned and Rosamund was living at a nunnery when she died.
🎨Evelyn de Morgan www.redbubble.com/shop/ap/3466... #FolkyFriday #art #fineart #mythology #preraphaelite #homedecor #folklore #wallart

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A young adult woman with light, peach-toned skin and soft, rounded features turns toward us, her pale grey-green eyes meeting ours with an almost knowing calm. Her copper-red hair is swept up and crowned with a large white orchid, the petals catching light against a darker, thicket-like background. She wears a pale, patterned cream and olive dress decorated with small floral motifs. Over her hands are sheer, gauzy gloves that soften the contours of her fingers. In her raised right hand, she holds a lit cigarette between her fingers as a thin, wavering line of smoke rises into the air, barely visible against the foliage. Her other hand lightly gathers a length of translucent fabric, as if pausing mid-gesture. Behind her, dark branches cut across a warm golden background, creating a layered, intimate space that feels like a garden at dusk. It's designed to frame her face, the orchid, and the cigarette as the painting’s brightest points of attention.

That small thread of smoke changes the picture’s psychological temperature. In 1900, a woman portrayed smoking is likely a deliberate marker of modernity: quietly transgressive, self-possessed, and public-facing even within a private, dreamlike setting. The cigarette introduces time as the smoke appears, thins, and disappears like an emblem of the fleeting, the sensual, and the momentary while the orchid (prized and cultivated) suggests beauty shaped by care (and by artifice). Together they create a tension between permanence and vanishing: the woman’s poised stillness versus the smoke’s restless drift. This is also where French artist Edgard (Edgar) Maxence’s Symbolist sensibility lands hardest. Rather than telling a story, the painting builds a mood where femininity is not merely decorative, but intentional and slightly untouchable. The scene feels like a type or persona more than a specific person. It's an image of elegance that includes autonomy, appetite, and a controlled refusal to be read as purely innocent.

A young adult woman with light, peach-toned skin and soft, rounded features turns toward us, her pale grey-green eyes meeting ours with an almost knowing calm. Her copper-red hair is swept up and crowned with a large white orchid, the petals catching light against a darker, thicket-like background. She wears a pale, patterned cream and olive dress decorated with small floral motifs. Over her hands are sheer, gauzy gloves that soften the contours of her fingers. In her raised right hand, she holds a lit cigarette between her fingers as a thin, wavering line of smoke rises into the air, barely visible against the foliage. Her other hand lightly gathers a length of translucent fabric, as if pausing mid-gesture. Behind her, dark branches cut across a warm golden background, creating a layered, intimate space that feels like a garden at dusk. It's designed to frame her face, the orchid, and the cigarette as the painting’s brightest points of attention. That small thread of smoke changes the picture’s psychological temperature. In 1900, a woman portrayed smoking is likely a deliberate marker of modernity: quietly transgressive, self-possessed, and public-facing even within a private, dreamlike setting. The cigarette introduces time as the smoke appears, thins, and disappears like an emblem of the fleeting, the sensual, and the momentary while the orchid (prized and cultivated) suggests beauty shaped by care (and by artifice). Together they create a tension between permanence and vanishing: the woman’s poised stillness versus the smoke’s restless drift. This is also where French artist Edgard (Edgar) Maxence’s Symbolist sensibility lands hardest. Rather than telling a story, the painting builds a mood where femininity is not merely decorative, but intentional and slightly untouchable. The scene feels like a type or persona more than a specific person. It's an image of elegance that includes autonomy, appetite, and a controlled refusal to be read as purely innocent.

"Femme à l'orchidée (Woman with an Orchid)" by Edgard Maxence (French) - Oil on canvas / 1900 - Musée d’Orsay (Paris, France) #WomenInArt #EdgardMaxence #Maxence #EdgarMaxence #MuseeDOrsay #Muséed’Orsay #Smoking #arte #artText #BlueSkyArt #Pre-Raphaelite #PreRaphaelite #FrenchArtist #FrenchSymbolism

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