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A durmir! 😴😴😴

(Rogier Van Der Weyden, Philippe de Champaigne)

#DeadJesuschrist #Rogiervanderweyden #renaissance #barroque #christianart

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#peoplematchingartworks #rogiervanderweyden #gemäldegalerie #stefandraschan #photography #contemporaryart #berlin

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Rogier van der Weyden #rogiervanderweyden

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Rogier van der Weyden #rogiervanderweyden

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Trump stands staring blankly before the exhumation of Saint Hubert.

Trump stands staring blankly before the exhumation of Saint Hubert.

Political Shenanigans
#Trump #President #DonaldTrump #SaintHubert #RogiervanderWeyden #humour #humor substack.com/@alloway littleacorns.online

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Chancellor Rolin by Rogier van der Weyden - a rounded aged face with dark hair. A “pudding basin” haircut.
Brown cloak & collar.

Chancellor Rolin by Rogier van der Weyden - a rounded aged face with dark hair. A “pudding basin” haircut. Brown cloak & collar.

A set of red & cream floor tiles

A set of red & cream floor tiles

Yes, you certainly feel that you might have passed someone with such a face recently, they are so realistic. However, I’m not sure about the hairstyle. 😉

It is interesting to see a similar Rolin in the Beaune altarpiece - #RogiervanderWeyden of c.1443 - 1451.

The tiles are in the former hospital.

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Pietà -- Probably by the workshop of Rogier van der Weyden -- c.1465 -- National Gallery, London
-- https://creativecommons.org/licenses/by-nc-nd/4.0/

This picture is not on display at the moment, but I remember seeing it decades ago and its lodging in my memory as an […]

[Original post on c.im]

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Rogier van der Weyden #rogiervanderweyden

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#portraitofalady 21
#RogiervanderWeyden
1460
#stopfemicide

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After #RogiervanderWeyden (1399/1400-64)
Portrait of #PhiliptheGood (1396-1467), Duke of Burgundy, who was #BornOnThisDay
after 1450
KMSKA
#FilipsdeGoede #PhilippeleBon #Valois

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After #RogiervanderWeyden (1399/1400-64)
Portrait of #PhiliptheGood (1396-1467), Duke of Burgundy, who was #BornOnThisDay
after 1450
Groeningemuseum, Brugge
#FilipsdeGoede #PhilippeleBon #Valois

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#PaulGauguin
Bretonische Bäuerinnen (Neue Pinakothek), 1886
#RogierVanDerWeyden
The Descent from the Cross (Museo del Prado) , 1435/1438

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The Magdalen Reading, by #RogiervanderWeyden, who d #OTD 1464

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#RogierVanDerWeyden died #OnThisDay in 1464; his portrait of Isabella of Portugal, Duchesse de Bourgogne shows his mastery of the art of portraiture as well as the refinement of the court of #Burgundy, which set the pace for 15th c. #fashion as well as art (c. 1450)
en.wikipedia.org/wiki/Rogier_...

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait of a Lady
ca. 1440
Staatliche Museen zu Berlin
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait of a Lady
ca. 1460
National Gallery of Art
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait of a Man
ca. 1464
Museo Thyssen-Bornemisza
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait of Francesco d'Este (ca. 1430-after 1475)
ca. 1460
Metropolitan Museum of Art
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait Diptych of Jean de Gros
1460-4
The Art Institute of Chicago
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait Diptych of Philippe de Croÿ
ca. 1460
KMSKA
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait Diptych of Laurent Froimont
ca. 1463-4
Royal Museums of Fine Arts of Belgium
#RogerdelaPasture #VanderWeyden

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#RogiervanderWeyden (1399/1400-1464), who died #OnThisDay
Portrait drawing of an Unknown Young Woman
1435-40
British Museum
#RogerdelaPasture #VanderWeyden

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🎨 #RogierVanDerWeyden, Netherlandish painter, #DOTD 18 June 1464. #Art #Painting

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A young light-skinned lady in an extravagant green dress sits on the floor with her head and legs curving around her bent knees, emphasizing her absorption in the book she is reading. Although she wears 15th-century clothing in a medieval room, she is a biblical figure: Saint Mary Magdalene. This is a fragment of a large altarpiece of the Virgin and Child with saints painted for a church in Brussels after Netherlandish painter Rogier van der Weyden settled there in 1435.

She sits on a red cushion and leans against a carved wooden cabinet. Her overdress is lined with grey fur and cinched in tight around her waist. It falls in bulky folds around her legs, and is turned back so that we can see her cloth of gold underdress. Her loose hair is covered with a white veil, fluted at the edges and tucked behind her ears. She is reading a Bible, written in two columns with large red and blue initials marking different chapters. It is a luxurious volume: the edges and clasps are gilded and it is covered with a white chemise plus fine stitching along the upper edge of the binding and the minuscule cord bookmarks wrapped around the pipe.

Through a window, a river winds lazily past with people walking its banks. On the near bank, an archer in a short purple robe and a red hat aims a crossbow. On the far side, a man in red and black is followed by a woman with her reflection in the water. The details and technical sophistication are typical of van der Weyden. Mary’s lips are painted with vermilion, white, and red, striped wet into one another. For the fur edging of her dress, tones of grey, from pure black to nearly pure white, were painted in parallel stripes and then dragged while still wet to produce the furry texture. Many of the details – the ruling of Mary’s book and its fine, colored bookmarks, and a fleur-de-lis, just over 1 millimeter high, painted on the shoe of the archer by the river – must have been almost invisible when the painting was on its altar.

A young light-skinned lady in an extravagant green dress sits on the floor with her head and legs curving around her bent knees, emphasizing her absorption in the book she is reading. Although she wears 15th-century clothing in a medieval room, she is a biblical figure: Saint Mary Magdalene. This is a fragment of a large altarpiece of the Virgin and Child with saints painted for a church in Brussels after Netherlandish painter Rogier van der Weyden settled there in 1435. She sits on a red cushion and leans against a carved wooden cabinet. Her overdress is lined with grey fur and cinched in tight around her waist. It falls in bulky folds around her legs, and is turned back so that we can see her cloth of gold underdress. Her loose hair is covered with a white veil, fluted at the edges and tucked behind her ears. She is reading a Bible, written in two columns with large red and blue initials marking different chapters. It is a luxurious volume: the edges and clasps are gilded and it is covered with a white chemise plus fine stitching along the upper edge of the binding and the minuscule cord bookmarks wrapped around the pipe. Through a window, a river winds lazily past with people walking its banks. On the near bank, an archer in a short purple robe and a red hat aims a crossbow. On the far side, a man in red and black is followed by a woman with her reflection in the water. The details and technical sophistication are typical of van der Weyden. Mary’s lips are painted with vermilion, white, and red, striped wet into one another. For the fur edging of her dress, tones of grey, from pure black to nearly pure white, were painted in parallel stripes and then dragged while still wet to produce the furry texture. Many of the details – the ruling of Mary’s book and its fine, colored bookmarks, and a fleur-de-lis, just over 1 millimeter high, painted on the shoe of the archer by the river – must have been almost invisible when the painting was on its altar.

The Magdalen Reading by Rogier van der Weyden (Netherlandish) - Oil on mahogany / c. 1435-1438 - The National Gallery (London, England) #WomenInArt #art #ArtText #oilpainting #reading #TheNationalGallery #artwork #RogiervanderWeyden #religiousart #womensart #earlynetherlandish #christianart

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Rogier van der Weyden #rogiervanderweyden

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Rogier van der Weyden #rogiervanderweyden

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After #RogiervanderWeyden (1399/1400-64)
Portrait of #AnthonyofBurgundy (1421-1504), who died #OnThisDay
ca. 1460-70
Royal Museums of Fine Arts of Belgium
#AntoinedeBourgogne #Burgundy #Valois

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#RogiervanderWeyden (1399/1400-64)
Portrait of #AnthonyofBurgundy (1421-1504), who died #OnThisDay
ca. 1460
Royal Museums of Fine Arts of Belgium
#AntoinedeBourgogne #Burgundy #Valois

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Rogier van der Weyden #rogiervanderweyden

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Rogier van der Weyden #rogiervanderweyden

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