A towering grey mountain looms in the background under a sky that fades from blue into deep black. In the foreground, two massive pillars rise, with an enormous white sheet of cloth stretched between them. Red paint seeps upward from the bottom of the cloth, gradually saturating it in a striking, vivid color. A person kneels in front of the cloth, four others standing behind him. Encircling the pillars and the cloth are stones painted in red, adding to the intensity of the scene. The kneeling figure is positioned before a lifeless body, covered by the cloth, which slowly absorbs more of the red hue.
Alexandria, one of the main protagonists in The Fall by Tarsem, is dressed as the Masked Bandit. She wears a black top adorned with intricate golden details, adding a touch of elegance to her costume. A red mask with square cutouts for the eyes sits on her forehead, pushed up to reveal her face. With a playful, cross-eyed expression and her tongue sticking out, she brings a sense of mischief to the moment. Completing the look, she wears a hat that adds to the character’s swashbuckling style, capturing her spirited interpretation of the Masked Bandit.
Roy, the second main protagonist in The Fall by Tarsem, is depicted in profile, dressed as the Masked Bandit. His black collar, embellished with intricate golden details, adds a regal touch to his costume. He wears a bold red mask with square eye slits, lending an air of mystery and strength to his character. A wide-brimmed hat completes his look, casting a subtle shadow across his face and enhancing his intense, determined expression. The portrait captures his complex persona, blending both vulnerability and a heroic facade.
Roy sits in his hospital bed, asleep, while Alexandria stands beside him, her left arm in a cast held at an angle in front of her, a reminder of her recent fall from an orange tree. She wears a handmade paper mask that mimics the red, square mask of the Masked Bandit, adding to her childlike defiance. Her face is drawn in a sulking expression, capturing her frustration and vulnerability.
The Fall (2006)
“You always stop at the same part, when it’s very beautiful.”
Letterboxd: boxd.it/7Lsb0B
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