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La Llamada by Remedios Varo

La Llamada by Remedios Varo

La Llamada (The Call) by Remedios Varo
1961
#art #varo

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¿Notas el coche inestable? Podría ser la suspensión o los neumáticos. En Garajes Varo diagnosticamos el problema al momento. Tu seguridad en Cañada Rosal es nuestra prioridad desde hace dos décadas. #SeguridadActiva #Suspensión #TallerMecánico #Varo

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Funding Raises: #Anthropic $30B Series G; #Runway $315M Series E; #OxideComputer $200M Series C; #SolaceHealth $130M Series C; #AngitiaBiopharmaceuticals $130M Series D; #ResolveAI $125M Series A; #Kindred $125M Series B; #MachinaLabs $124M Series C; #Varo $123.9M Series G

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Bilimin büyüyle, simyanın sanatla, rüyanın gerçekle karıştığı o gizli atölyeye hoş geldiniz. Bugün, fırçasını bir sihirbaz asası gibi kullanan Remedios Varo' nun doğum günü.
#OTD #varo

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Allegory of Winter 1948
Spanish/Mexican Remedios Varo 1908-1963 "Her artwork depicts a desolate, wintry landscape featuring skeletal, cacti-like plants. White, web-like 'pods'or 'cocoons' contain living elements like birds & flowers, hinting at potential rebirth amidst the barrenness."
#art #Varo

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Is Varo down? [December 10, 2025] Varo's banking platform is reportedly down for some users on December 10, 2025. Based on the graph showing on the outage tracking service DownDetector, the volume of user reports surged around 1:32AM ...

Varo Bank is reportedly down for hundreds of users. Are you one of them? #varobank #varo #varodown community.designtaxi.com/topic/20815-...

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Is Varo down? [December 5, 2025] Varo's banking platform is reportedly down for some users on December 5, 2025. Based on the graph showing on the outage tracking service DownDetector, the volume of user reports surged around4:31AM Ea...

Varo's banking services are reportedly down for some users right now. Are you one of them? #Varo #VaroBank #VaroDown #VaroBankDown

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Varo Bank's online banking is reportedly still down for some users. Are you one of them? #varodown #varobank #varo community.designtaxi.com/topic/20026-is-varo-down...

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A Poem by Elaine Alarcon Adoration of Remedios Varo Surrealist painter b. 1908 Catalonia – d. 1963 Mexico City     Varo, goddess, I wish I had known you in Spain and your cat also, Mimesis, looking up from …

A Poem by Elaine Alarcon
paddockreview.com/2025/11/21/2... #poetry #Varo #art

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Varo Bank's online banking is reportedly down for hundreds of users right now. Are you one of them? #varobank #varodown #varo community.designtaxi.com/topic/19941-is-varo-down...

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Varo's online banking services are reportedly down for hundreds of users right now. Are you one of them? #Varo #VaroDown community.designtaxi.com/topic/19805-is-varo-down...

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Screenshot einer Chatnachricht mit dunklem Hintergrund. Der Text lautet: „Basti hat gerade ‘Labubu’ gesagt. Muss los. Und geht glaub gleich crashout wegen chat 💀“. Darunter steht in kleiner Schrift „Bearbeitet 21:31“.

Screenshot einer Chatnachricht mit dunklem Hintergrund. Der Text lautet: „Basti hat gerade ‘Labubu’ gesagt. Muss los. Und geht glaub gleich crashout wegen chat 💀“. Darunter steht in kleiner Schrift „Bearbeitet 21:31“.

Meine beste Freundin versorgt mich mit den wichtigen Infos aus Bastis Streams und ich liebe alles daran. Erinnert mich einfach so krass daran, wie wir früher über #Varo geschrieben/uns unterhalten haben.😭✨

#CraftAttack #BastiGHG

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"Mujer saliendo del psicoanalista" (Woman Leaving the Psychoanalyst) by the Spanish-Mexican surrealist artist Remedios Varo. 
Painted in 1960, it is one of Varo's most famous works. 
The painting depicts a woman leaving a building that is believed to be a psychoanalyst's office. 
She is holding a severed head, which is thought to represent the rejection of a patriarchal figure, possibly her father or the psychoanalyst himself. 
Varo's work is known for its mystical, fantastical, and dreamlike scenes, often exploring themes of science, alchemy, and the occult.

"Mujer saliendo del psicoanalista" (Woman Leaving the Psychoanalyst) by the Spanish-Mexican surrealist artist Remedios Varo. Painted in 1960, it is one of Varo's most famous works. The painting depicts a woman leaving a building that is believed to be a psychoanalyst's office. She is holding a severed head, which is thought to represent the rejection of a patriarchal figure, possibly her father or the psychoanalyst himself. Varo's work is known for its mystical, fantastical, and dreamlike scenes, often exploring themes of science, alchemy, and the occult.

Remedios Varo
"Woman Leaving the Psychoanalyst" (1960)
oil on canvas | 41 x 71 cm (16⅛ x 28 in.).
Museo de Arte Moderno in Mexico City.
#ArtSky #Varo

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Is Varo down? [October 2, 2025] Varo's online banking is reportedly down for hundreds of users on October 2, 2025. Based on the graph showing on the outage tracking service DownDetector, the volume of user reports surged around 8:31...

Varo's online banking is reportedly down for hundreds of users right now. Are you one of them? #Varo #VaroBank #VaroDown #VaroBankDown

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If you go straight long enough you end up where you are.
But we'll all float on okay. We'll float along anyway.

#varo

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Minecraft Pirol PietSmiet Roleplay Live - Wir bringen die Hunger Games zurück zu Minecraft - und das LIVE am 09. September um 19:00 Uhr auf Twitch.tv/PietSmiet

#Minecraft #Pirol #Varo #Suro #PietSmiet #HungerGames #Twitch #Live

pietsmiet.live

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"Taxi Aquático" (Aquatic Taxi), a 1962 painting by the Spanish-Mexican Surrealist artist Remedios Varo. 
This painting is known for its dreamlike quality and the blend of human figures with mechanical elements, characteristic of Varo's style.
It features two figures in what appears to be a water vehicle, with one figure pedaling a large wheel and the other seated in the front.
The background suggests a fantastical architectural setting with arches and stone structures rising from the water.
Varo often incorporated elements of mysticism, science, and the subconscious into her works, creating unique and enigmatic narratives. 
...
Remedios Varo was a Spanish-Mexican surrealist painter. She was born in Anglés Cataluna, Spain in 1908 and died from a heart-attack in Mexico City in 1963. During the Spanish Civil War she fled to Paris where she was largely influenced by the surrealist movement. She met in Barcelona the french surrealist poet Benjamin Péret and became his wife. She was forced into exile from Paris during the Nazi occupation of France and moved to Mexico City at the end of 1941. She initially considered Mexico a temporary haven, but would remain in Latin America for the rest of her life.

In Mexico she met native artists such as Frida Kahlo and Diego Rivera. However, her strongest ties would be to other exiles and expatriates, and especially her extraordinary friendship with the English painter Leonora Carrington. Her last major relationship would be with Walter Gruen, an Austrian who had endured concentration camps before escaping Europe. Gruen believed fiercely in Varo, and gave her the support that allowed her to fully concentrate on her painting. 
She often worked in oil on masonite panels she prepared herself. Although her colors have the blended resonance of the oil medium, her brushwork often involved many fine strokes of paint laid closely together - a technique more reminiscent of egg tempera. She died at the height of her career.

"Taxi Aquático" (Aquatic Taxi), a 1962 painting by the Spanish-Mexican Surrealist artist Remedios Varo. This painting is known for its dreamlike quality and the blend of human figures with mechanical elements, characteristic of Varo's style. It features two figures in what appears to be a water vehicle, with one figure pedaling a large wheel and the other seated in the front. The background suggests a fantastical architectural setting with arches and stone structures rising from the water. Varo often incorporated elements of mysticism, science, and the subconscious into her works, creating unique and enigmatic narratives. ... Remedios Varo was a Spanish-Mexican surrealist painter. She was born in Anglés Cataluna, Spain in 1908 and died from a heart-attack in Mexico City in 1963. During the Spanish Civil War she fled to Paris where she was largely influenced by the surrealist movement. She met in Barcelona the french surrealist poet Benjamin Péret and became his wife. She was forced into exile from Paris during the Nazi occupation of France and moved to Mexico City at the end of 1941. She initially considered Mexico a temporary haven, but would remain in Latin America for the rest of her life. In Mexico she met native artists such as Frida Kahlo and Diego Rivera. However, her strongest ties would be to other exiles and expatriates, and especially her extraordinary friendship with the English painter Leonora Carrington. Her last major relationship would be with Walter Gruen, an Austrian who had endured concentration camps before escaping Europe. Gruen believed fiercely in Varo, and gave her the support that allowed her to fully concentrate on her painting. She often worked in oil on masonite panels she prepared herself. Although her colors have the blended resonance of the oil medium, her brushwork often involved many fine strokes of paint laid closely together - a technique more reminiscent of egg tempera. She died at the height of her career.

Remedios Varo
"Taxi Acuático" (Water Taxi) (1962)
oil on canvas
37 x 27 cm. (14.57 x 10.63 in.)
Private Collection
#ArtSky #Varo

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Varo's banking app is reportedly down for hundreds of users. Are you one of them? #varo #varodown community.designtaxi.com/topic/16121-is-varo-down...

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Many thanks @helenroeten.bsky.social for last night's fabulous Remedios Varo inspired session with beautiful @gaudi.mon and @modelovivobianca
#drawingpractise #surrealism #varo #2lifemodels #5mins #10mins #15mins #duoposes #portrait #lifedrawing #pasteldrawings #coloredpastel #longhair #artworks

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"Viaje de Lady" (Lady's Journey), a notable surrealist painting from 1950 by Spanish-Mexican artist Remedios Varo. 
It depicts a female figure with a distinctive crescent moon-shaped headdress, seated within a fantastical, fish-like vessel. The vessel appears to be cut open, revealing water and what looks like organic material within its structure. 
Artist and Style:
Remedios Varo was a significant female Surrealist artist known for her unique blend of surrealism and symbolism, often exploring themes of self-discovery and transformation.
Symbolism and Themes:
The painting invites viewers on a dreamlike journey, reflecting Varo's fascination with physical and spiritual exploration, and serves as a visual metaphor for the journey of self-discovery.
Composition:
The meticulously detailed composition features a female figure embarking on a fantastical voyage within an otherworldly landscape, characteristic of Varo's exploration of inner worlds and metaphysical themes.
Artistic Context:
Varo's work, including "Viaje de Lady," is recognized for its multilayered narratives and distinctive style, though she was sometimes overshadowed by contemporaries like Frida Kahlo.

"Viaje de Lady" (Lady's Journey), a notable surrealist painting from 1950 by Spanish-Mexican artist Remedios Varo. It depicts a female figure with a distinctive crescent moon-shaped headdress, seated within a fantastical, fish-like vessel. The vessel appears to be cut open, revealing water and what looks like organic material within its structure. Artist and Style: Remedios Varo was a significant female Surrealist artist known for her unique blend of surrealism and symbolism, often exploring themes of self-discovery and transformation. Symbolism and Themes: The painting invites viewers on a dreamlike journey, reflecting Varo's fascination with physical and spiritual exploration, and serves as a visual metaphor for the journey of self-discovery. Composition: The meticulously detailed composition features a female figure embarking on a fantastical voyage within an otherworldly landscape, characteristic of Varo's exploration of inner worlds and metaphysical themes. Artistic Context: Varo's work, including "Viaje de Lady," is recognized for its multilayered narratives and distinctive style, though she was sometimes overshadowed by contemporaries like Frida Kahlo.

Remedios Varo
"Lady's Journey" (1950)
oil on canvas. 40 x 60 cm (15.75 x 23.62 in)
The Art Institute of Chicago.
#ArtSky #Varo

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In Remedios Varo's "Cold," a thin, pale figure with a bird's beak and dark eyes floats above stormy clouds. She holds a large funnel from which luminous white dots fall, forming a beam of light that reaches a snowy landscape dotted with small red-roofed houses and leafless trees beneath a gloomy sky.

In Remedios Varo's "Cold," a thin, pale figure with a bird's beak and dark eyes floats above stormy clouds. She holds a large funnel from which luminous white dots fall, forming a beam of light that reaches a snowy landscape dotted with small red-roofed houses and leafless trees beneath a gloomy sky.

Remedios Varo, Cold 🖤 #varo

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Alone Varo, Branwen, Slow Moving Clouds · The World That I Knew · Song · 2025


🇺🇦 #NowPlaying on BBC #Radio3's #NightTracks

Branwen & Varo:
🎵 Alone (feat. Slow Moving Clouds)

#BBCRadio3 #Branwen #Varo


▶️ 🪄 Automagic 🔊 show 📻 playlist on Spotify
▶️ Track on #Spotify:

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VARO TCO Tool Compare total cost of ownership (TCO) of electric trucks, HVO100, (bio)-LNG, and diesel with the free VARO TCO Tool. Built for fleets in Germany and the Netherlands.

#VARO developed an online Total Cost of Ownership (TCO) Tool for fleet operators to assess the financial & environmental impact of different fuel & vehicle options. You can compare electric vehicles, #HVO, (bio)-LNG & conventional diesel. Try it now:

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16 giugno 1951
varo del transatlantico Andrea Doria

Lo scafo fu benedetto dal cardinale Siri, arcivescovo di Genova, e battezzato dalla signora Giuseppina, moglie dell'ex ministro della marina mercantile e futuro presidente Giuseppe Saragat

#16giugno1951
#AndreaDoria
#varo
#genova
#transatlantico

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Like many figures in Spanish artist Remedios Varo’s paintings, the subject of "The Call" projects a sense of solemn preoccupation, as though in the midst of a momentous adventure. Wearing flowing robes and carrying alchemical tools, including a mortar and pestle at her collar, she traverses a sort of courtyard. Her hair forms a brilliant swirl of light, which seems to bring her energy from a celestial source.

This work reflects Varo’s characteristic color palette: the central figure, illuminated in fiery orange-gold tones, walks through shadowy, more muted surroundings. Precise lines reveal unexpected details, such as walls that appear to entomb figures in tree bark.

Varo’s own features, particularly her large eyes and long, straight nose, often appear in the faces of her protagonists, emphasizing the importance she placed on her perspective as a woman. The figures are frequently androgynous or not-quite-human alter-egos, with witty and delicate features of fauna or otherworldly creatures.

"The Call" reflects her surrealist influences and interest in alchemy as well as her talent for evoking ambiguous narratives through art. Varo created this work near the end of her life, while living in Mexico and growing in artistic reputation. 

She moved to Paris in 1937, later finding that she could not return to Spain following the Spanish Civil War. As World War II threatened Paris, Spanish refugees came under threat. Varo was arrested and held in early 1940. After her release, she fled Paris in the face of the Nazi invasion, and by late 1941 had secured passage to Mexico. 

There, Varo remained friends with fellow refugees from her European surrealist circle, including artist Leonora Carrington, who became her closest friend and collabo­rator. In the late 1940s, as she supported herself through commercial illustration, Varo began to develop her mature personal style which we see here in this painting completed less than two years before she passed away in 1963.

Like many figures in Spanish artist Remedios Varo’s paintings, the subject of "The Call" projects a sense of solemn preoccupation, as though in the midst of a momentous adventure. Wearing flowing robes and carrying alchemical tools, including a mortar and pestle at her collar, she traverses a sort of courtyard. Her hair forms a brilliant swirl of light, which seems to bring her energy from a celestial source. This work reflects Varo’s characteristic color palette: the central figure, illuminated in fiery orange-gold tones, walks through shadowy, more muted surroundings. Precise lines reveal unexpected details, such as walls that appear to entomb figures in tree bark. Varo’s own features, particularly her large eyes and long, straight nose, often appear in the faces of her protagonists, emphasizing the importance she placed on her perspective as a woman. The figures are frequently androgynous or not-quite-human alter-egos, with witty and delicate features of fauna or otherworldly creatures. "The Call" reflects her surrealist influences and interest in alchemy as well as her talent for evoking ambiguous narratives through art. Varo created this work near the end of her life, while living in Mexico and growing in artistic reputation. She moved to Paris in 1937, later finding that she could not return to Spain following the Spanish Civil War. As World War II threatened Paris, Spanish refugees came under threat. Varo was arrested and held in early 1940. After her release, she fled Paris in the face of the Nazi invasion, and by late 1941 had secured passage to Mexico. There, Varo remained friends with fellow refugees from her European surrealist circle, including artist Leonora Carrington, who became her closest friend and collabo­rator. In the late 1940s, as she supported herself through commercial illustration, Varo began to develop her mature personal style which we see here in this painting completed less than two years before she passed away in 1963.

La llamada (The Call) by Remedios Varo (Spanish) - Oil on masonite / 1961 - National Museum of Women in the Arts (Washington, DC) #WomenInArt #art #WomanArtist #ArtText #FemaleArtist #WomenArtists #WomensArt #RemediosVaro #Varo #NMWA #surrealism #surrealist #artwork #NationalMuseumofWomenintheArts

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25 maggio 2019

Varo Nave Trieste

#25maggio2019
#varo
#nave#trieste
#ammiraglia
#marinamilitare
#italia

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