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Posts tagged #gingrichsart

Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
5 hours ago
Art and photo by Katherine Gingrich on March 14, 2026. All rights reserved. You’re looking at a small square piece of watercolor paper lying on a tabletop. The artwork on it is bright, warm, and energetic—almost like holding a little sunrise in your hands. The painting is made of soft, blended watercolor washes in yellow, orange, red, and pink. The colors melt into one another like warm light passing through stained glass. Nothing is harsh; everything feels fluid and glowing. Layered on top of the watercolor are bold black ink lines. They’re drawn with confidence—thick strokes that cross and angle sharply, giving the piece structure and contrast. Scattered among the lines are small black triangles, almost like tiny arrowheads or shards. They add rhythm, like punctuation marks in a poem. The combination of soft color and assertive black marks creates a feeling of movement—like warmth being held in place by a framework. Above the painting lies a black paint marker, the kind used for crisp, opaque lines. It’s labeled in several languages, all meaning “black.” To the right is a watercolor palette, open to reveal wells of paint in the same warm colors used in the artwork—yellows, oranges, reds. A paintbrush rests inside the palette, still and ready, suggesting the artist has just paused. The whole scene feels intimate and creative—like catching an artist mid‑process. Warm colors glow from the paper, anchored by strong black marks, surrounded by the tools that brought it to life. It feels like a moment of quiet focus, captured in a single frame. Three inches by three inches.

Art and photo by Katherine Gingrich on March 14, 2026. All rights reserved. You’re looking at a small square piece of watercolor paper lying on a tabletop. The artwork on it is bright, warm, and energetic—almost like holding a little sunrise in your hands. The painting is made of soft, blended watercolor washes in yellow, orange, red, and pink. The colors melt into one another like warm light passing through stained glass. Nothing is harsh; everything feels fluid and glowing. Layered on top of the watercolor are bold black ink lines. They’re drawn with confidence—thick strokes that cross and angle sharply, giving the piece structure and contrast. Scattered among the lines are small black triangles, almost like tiny arrowheads or shards. They add rhythm, like punctuation marks in a poem. The combination of soft color and assertive black marks creates a feeling of movement—like warmth being held in place by a framework. Above the painting lies a black paint marker, the kind used for crisp, opaque lines. It’s labeled in several languages, all meaning “black.” To the right is a watercolor palette, open to reveal wells of paint in the same warm colors used in the artwork—yellows, oranges, reds. A paintbrush rests inside the palette, still and ready, suggesting the artist has just paused. The whole scene feels intimate and creative—like catching an artist mid‑process. Warm colors glow from the paper, anchored by strong black marks, surrounded by the tools that brought it to life. It feels like a moment of quiet focus, captured in a single frame. Three inches by three inches.

Working on finding paperwork for my taxes. The following doodle describes my mood quite accurately.

Daily Doodle -- 03/14/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art #posca

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Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 day ago
Art and photo by Katherine Gingrich on March 13, 2026. All rights reserved. You’re looking at a small, intimate artist’s workspace captured from directly above, as if someone paused mid‑creation. The center of the image holds a square piece of watercolor paper. On it is a vibrant abstract illustration that feels alive—like a tiny, imagined organism or a cross‑section of something organic. The shape on the paper is rounded and irregular, almost like a softly inflated cell or a pebble with personality. Watercolor washes bloom across it in blue, pink, and warm orange, blending in soft gradients. Over these washes, delicate black ink lines create texture: tiny dots, short strokes, and looping patterns that trace the contours of the shape. It feels both scientific and whimsical—part biology, part dream. The artwork is surrounded by the tools that made it, giving the sense of an active, ongoing process. Two Sakura Pigma Micron pens lie diagonally near the paper. They’re slim, beige‑barreled technical pens labeled “003” and “005,” indicating ultra‑fine tips used for precise linework. To the right sits a Schmincke watercolor palette, its metal surface open to reveal small pans of paint. The most visible colors are yellows and oranges, some of them visibly wet or recently used. A red‑handled paintbrush rests across the palette, angled casually as if the artist set it down only moments before. The whole scene feels warm, focused, and quietly joyful—like a moment of creative flow frozen in time. The combination of fine ink detail and soft watercolor gives the workspace a sense of both discipline and play. It’s the kind of desk where small, thoughtful artworks come to life. Three inches by three inches.

Art and photo by Katherine Gingrich on March 13, 2026. All rights reserved. You’re looking at a small, intimate artist’s workspace captured from directly above, as if someone paused mid‑creation. The center of the image holds a square piece of watercolor paper. On it is a vibrant abstract illustration that feels alive—like a tiny, imagined organism or a cross‑section of something organic. The shape on the paper is rounded and irregular, almost like a softly inflated cell or a pebble with personality. Watercolor washes bloom across it in blue, pink, and warm orange, blending in soft gradients. Over these washes, delicate black ink lines create texture: tiny dots, short strokes, and looping patterns that trace the contours of the shape. It feels both scientific and whimsical—part biology, part dream. The artwork is surrounded by the tools that made it, giving the sense of an active, ongoing process. Two Sakura Pigma Micron pens lie diagonally near the paper. They’re slim, beige‑barreled technical pens labeled “003” and “005,” indicating ultra‑fine tips used for precise linework. To the right sits a Schmincke watercolor palette, its metal surface open to reveal small pans of paint. The most visible colors are yellows and oranges, some of them visibly wet or recently used. A red‑handled paintbrush rests across the palette, angled casually as if the artist set it down only moments before. The whole scene feels warm, focused, and quietly joyful—like a moment of creative flow frozen in time. The combination of fine ink detail and soft watercolor gives the workspace a sense of both discipline and play. It’s the kind of desk where small, thoughtful artworks come to life. Three inches by three inches.

Had some time to doodle during a meeting. I got to spend more time than I usually have for my daily doodles.

Daily Doodle -- 03/13/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

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Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 days ago
Art and photo by Katherine Gingrich on March 12, 2026. All rights reserved. The image captures a small, hand‑made piece of mixed‑media art resting on a tabletop. The artwork itself is a small square of watercolor paper. Its surface is washed with soft, pastel blotches—gentle greens, buttery yellows, rosy pinks, sky blues, and lavender purples. The colors feel airy and translucent, like clouds drifting across a spring morning. Layered on top of these loose watercolor shapes is a bold, geometric pattern drawn in black marker. The lines are crisp and confident, forming an abstract maze-like structure—straight edges, right angles, and interlocking shapes that contrast sharply with the fluid watercolor beneath. The effect is a conversation between softness and structure, spontaneity and intention. Above the artwork lies the black marker used to create the lines. It’s a thick, cylindrical paint marker labeled “uni POSCA,” with the words “Black / Noir / Negro 24” printed on its side. Its presence makes the scene feel intimate, as if the artist has just paused mid‑creation. To the right of the artwork sits a watercolor palette—well-used, with dried and semi-wet pools of color arranged in small wells. A red-handled paintbrush rests across the palette, its bristles stained from recent use. The palette and brush add a sense of process and play, hinting at the tactile joy of mixing pigments and making marks. The overall mood is calm, creative, and quietly joyful—an intimate glimpse into an artist’s workspace, where color and line meet in a small but expressive piece of art. Three inches by three inches.

Art and photo by Katherine Gingrich on March 12, 2026. All rights reserved. The image captures a small, hand‑made piece of mixed‑media art resting on a tabletop. The artwork itself is a small square of watercolor paper. Its surface is washed with soft, pastel blotches—gentle greens, buttery yellows, rosy pinks, sky blues, and lavender purples. The colors feel airy and translucent, like clouds drifting across a spring morning. Layered on top of these loose watercolor shapes is a bold, geometric pattern drawn in black marker. The lines are crisp and confident, forming an abstract maze-like structure—straight edges, right angles, and interlocking shapes that contrast sharply with the fluid watercolor beneath. The effect is a conversation between softness and structure, spontaneity and intention. Above the artwork lies the black marker used to create the lines. It’s a thick, cylindrical paint marker labeled “uni POSCA,” with the words “Black / Noir / Negro 24” printed on its side. Its presence makes the scene feel intimate, as if the artist has just paused mid‑creation. To the right of the artwork sits a watercolor palette—well-used, with dried and semi-wet pools of color arranged in small wells. A red-handled paintbrush rests across the palette, its bristles stained from recent use. The palette and brush add a sense of process and play, hinting at the tactile joy of mixing pigments and making marks. The overall mood is calm, creative, and quietly joyful—an intimate glimpse into an artist’s workspace, where color and line meet in a small but expressive piece of art. Three inches by three inches.

Desperately trying to create order out of my paperwork so I can file my taxes. It’s like herding cats.

Daily Doodle -- 03/12/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

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Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 days ago
Art and photo by Katherine Gingrich on March 11, 2026. All rights reserved. The image shows a small square piece of watercolor paper lying on a tabletop. Centered on it is an abstract artwork made with a mix of watercolor and black ink. The composition feels both geometric and organic — like a cluster of shapes gently leaning into one another. The shapes are outlined in fine black ink, some with crisp straight edges, others with soft curves. Inside the outlines, the artist has filled areas with muted gray washes and warm yellow watercolor, creating a balance between cool and sunny tones. The watercolor is translucent, so the texture of the paper shows through, giving the shapes a soft, layered feeling. The overall arrangement resembles overlapping stones or puzzle pieces — distinct but interconnected. Above the painting: A Sakura Pigma Micron 003 pen, extremely fine-tipped, suggesting the delicate linework. A Uni Posca black marker, thicker and more opaque, likely used for bolder outlines. To the right: A Schmincke watercolor palette with wells of yellow and orange paint. A paintbrush rests across the palette, its bristles stained with yellow, hinting at the colors used in the artwork. The scene feels calm, intentional, and creative — like a quiet moment in the middle of an art-making session. The combination of precise ink lines and soft watercolor washes gives the piece a sense of balance between structure and play. Three inches by three inches.

Art and photo by Katherine Gingrich on March 11, 2026. All rights reserved. The image shows a small square piece of watercolor paper lying on a tabletop. Centered on it is an abstract artwork made with a mix of watercolor and black ink. The composition feels both geometric and organic — like a cluster of shapes gently leaning into one another. The shapes are outlined in fine black ink, some with crisp straight edges, others with soft curves. Inside the outlines, the artist has filled areas with muted gray washes and warm yellow watercolor, creating a balance between cool and sunny tones. The watercolor is translucent, so the texture of the paper shows through, giving the shapes a soft, layered feeling. The overall arrangement resembles overlapping stones or puzzle pieces — distinct but interconnected. Above the painting: A Sakura Pigma Micron 003 pen, extremely fine-tipped, suggesting the delicate linework. A Uni Posca black marker, thicker and more opaque, likely used for bolder outlines. To the right: A Schmincke watercolor palette with wells of yellow and orange paint. A paintbrush rests across the palette, its bristles stained with yellow, hinting at the colors used in the artwork. The scene feels calm, intentional, and creative — like a quiet moment in the middle of an art-making session. The combination of precise ink lines and soft watercolor washes gives the piece a sense of balance between structure and play. Three inches by three inches.

I don’t typically name my doodles. This one is the exception. It’s called Shadow of My Former Self.

Daily Doodle -- 03/11/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #schmincke #artist #art

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Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
4 days ago
Art and photo by Katherine Gingrich on March 10, 2026. All rights reserved. The image shows a small mixed‑media artwork resting on a sheet of white paper. The piece combines soft watercolor washes with very fine black ink linework. The artwork feels calm, meditative, and slightly mysterious—like a tiny window into an abstract world. The colors are gentle and cool, and the ink lines add a sense of structure and intention. At the center of the artwork is a circle. Inside this circle sits a rectangular structure, drawn in thin black ink. The rectangle contains smaller geometric shapes—little squares, lines, and compartments—almost like a simplified architectural blueprint or a symbolic map. Surrounding the central circle is a soft wash of watercolor. The colors blend into one another: pale greens, cool blues, and soft grays. The paint is translucent, creating a dreamy, cloud‑like atmosphere. Radiating outward from the circle are delicate ink marks: tiny dots, short lines, and small geometric accents. These marks give the impression of energy or motion, as if the central shape is gently vibrating or sending out signals. The artwork is photographed in a workspace setting: Above the paper lies a very fine‑tipped black ink pen labeled Micron 003, known for its precision. To the right, there’s a watercolor palette with wells of dried paint. A paintbrush rests across the palette, still slightly stained with color. These tools emphasize the handmade, intimate nature of the piece. Three inches by three inches.

Art and photo by Katherine Gingrich on March 10, 2026. All rights reserved. The image shows a small mixed‑media artwork resting on a sheet of white paper. The piece combines soft watercolor washes with very fine black ink linework. The artwork feels calm, meditative, and slightly mysterious—like a tiny window into an abstract world. The colors are gentle and cool, and the ink lines add a sense of structure and intention. At the center of the artwork is a circle. Inside this circle sits a rectangular structure, drawn in thin black ink. The rectangle contains smaller geometric shapes—little squares, lines, and compartments—almost like a simplified architectural blueprint or a symbolic map. Surrounding the central circle is a soft wash of watercolor. The colors blend into one another: pale greens, cool blues, and soft grays. The paint is translucent, creating a dreamy, cloud‑like atmosphere. Radiating outward from the circle are delicate ink marks: tiny dots, short lines, and small geometric accents. These marks give the impression of energy or motion, as if the central shape is gently vibrating or sending out signals. The artwork is photographed in a workspace setting: Above the paper lies a very fine‑tipped black ink pen labeled Micron 003, known for its precision. To the right, there’s a watercolor palette with wells of dried paint. A paintbrush rests across the palette, still slightly stained with color. These tools emphasize the handmade, intimate nature of the piece. Three inches by three inches.

I am hanging by the thinnest of wires -- held in place yet strangely unanchored. There’s a quiet truth in that discomfort: some spaces are meant to unsettle us into growth.

Daily Doodle -- 03/10/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #lukas #artist

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Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
5 days ago
Art and photo by Katherine Gingrich on March 9, 2026. All rights reserved. The picture shows a small, hand‑painted watercolor artwork resting on a white surface. The piece feels intimate, like something made during a quiet moment at a desk. The artwork resembles an organic cross‑section—something between a flower, a seed pod, and a tiny geological formation. It has a soft, rounded shape, almost like a petal or a shell sliced open to reveal its inner layers. The mood is gentle and contemplative. The dominant colors are warm pinks, soft browns, and a touch of muted gold. The watercolor is applied in translucent washes, so the colors feel airy and fluid. The center is the darkest area, with deeper browns and a sense of depth. Moving outward, the colors lighten into pale pinks, giving the impression of something blooming or unfolding. Fine black ink lines trace the shape and add delicate detail: The lines are extremely thin—almost hair‑fine—made with a precision pen. They outline the organic form and add tiny interior marks that feel like veins, ridges, or growth rings. The linework gives the piece structure, like a scientific illustration softened by watercolor. Around the artwork are the tools used to make it: A Micron 003 archival ink pen, known for its ultra‑fine 0.15 mm line. A red‑handled paintbrush, angled slightly toward the artwork. A watercolor palette with many small pans of color, including metallic gold, browns, and blacks. Some pans show signs of recent use, with wet or mixed surfaces. These objects create a sense of process—like we’re catching the artist mid‑creation. Three inches by three inches.

Art and photo by Katherine Gingrich on March 9, 2026. All rights reserved. The picture shows a small, hand‑painted watercolor artwork resting on a white surface. The piece feels intimate, like something made during a quiet moment at a desk. The artwork resembles an organic cross‑section—something between a flower, a seed pod, and a tiny geological formation. It has a soft, rounded shape, almost like a petal or a shell sliced open to reveal its inner layers. The mood is gentle and contemplative. The dominant colors are warm pinks, soft browns, and a touch of muted gold. The watercolor is applied in translucent washes, so the colors feel airy and fluid. The center is the darkest area, with deeper browns and a sense of depth. Moving outward, the colors lighten into pale pinks, giving the impression of something blooming or unfolding. Fine black ink lines trace the shape and add delicate detail: The lines are extremely thin—almost hair‑fine—made with a precision pen. They outline the organic form and add tiny interior marks that feel like veins, ridges, or growth rings. The linework gives the piece structure, like a scientific illustration softened by watercolor. Around the artwork are the tools used to make it: A Micron 003 archival ink pen, known for its ultra‑fine 0.15 mm line. A red‑handled paintbrush, angled slightly toward the artwork. A watercolor palette with many small pans of color, including metallic gold, browns, and blacks. Some pans show signs of recent use, with wet or mixed surfaces. These objects create a sense of process—like we’re catching the artist mid‑creation. Three inches by three inches.

Today, I found myself reflecting on the architecture of human existence. We are both separate and inseparable—distinct beings with lives constantly weaving together.

Daily Doodle -- 03/09/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #pigmamicron #lukas #schmincke #art

104 6 3 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
6 days ago
Post image

Today, my doodle reflects the rare moment when things are unmistakably black and white—when clarity cuts through the haze and a decision stands out with crisp, undeniable certainty.

Daily Doodle -- 03/08/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #art #artist #pigmamicron

16 3 1 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 7, 2026. All rights reserved. The image shows a small mixed‑media artwork laid out on a tabletop, surrounded by the tools used to make it. The overall feeling is calm, handmade, and intimate—like a moment captured in the middle of a creative session. The artwork itself is a cluster of overlapping rectangles, each filled with a different hand‑drawn pattern. The rectangles vary in size and orientation, creating a layered, slightly off‑kilter mosaic. Soft watercolor washes fill each shape, while fine black ink lines add structure and detail. The colors are gentle and warm: muted oranges, pale yellows, soft pinks, and cool grays. They feel like early morning light—quiet, warm, and slightly hazy. Each rectangle contains a distinct ink pattern, drawn with very fine lines: Concentric circles that ripple outward like raindrops on water Nested squares that step inward like a tiny labyrinth Semi‑circular arches stacked like the ribs of a shell or the tiers of a fan The patterns are precise but not rigid—they have the slight wobble of a human hand, giving them warmth and personality. A few extra elements float around the rectangles: a vertical line of tiny white dots, evenly spaced, like a string of pearls and three small pink circles near the bottom, soft and simple, like watercolor bubbles. These details add rhythm and a sense of play. Above the artwork lies a Micron 01 archival ink pen, the kind used for delicate linework. To the right is a watercolor palette, its wells filled with dried paint in many colors. A red‑handled paintbrush rests across it, suggesting the artist has just paused mid‑process. The whole scene feels like a quiet moment of creativity—careful, meditative, and tactile. The combination of crisp ink lines and soft watercolor washes creates a balance between structure and fluidity, order and play. Three inches by three inches.

Art and photo by Katherine Gingrich on March 7, 2026. All rights reserved. The image shows a small mixed‑media artwork laid out on a tabletop, surrounded by the tools used to make it. The overall feeling is calm, handmade, and intimate—like a moment captured in the middle of a creative session. The artwork itself is a cluster of overlapping rectangles, each filled with a different hand‑drawn pattern. The rectangles vary in size and orientation, creating a layered, slightly off‑kilter mosaic. Soft watercolor washes fill each shape, while fine black ink lines add structure and detail. The colors are gentle and warm: muted oranges, pale yellows, soft pinks, and cool grays. They feel like early morning light—quiet, warm, and slightly hazy. Each rectangle contains a distinct ink pattern, drawn with very fine lines: Concentric circles that ripple outward like raindrops on water Nested squares that step inward like a tiny labyrinth Semi‑circular arches stacked like the ribs of a shell or the tiers of a fan The patterns are precise but not rigid—they have the slight wobble of a human hand, giving them warmth and personality. A few extra elements float around the rectangles: a vertical line of tiny white dots, evenly spaced, like a string of pearls and three small pink circles near the bottom, soft and simple, like watercolor bubbles. These details add rhythm and a sense of play. Above the artwork lies a Micron 01 archival ink pen, the kind used for delicate linework. To the right is a watercolor palette, its wells filled with dried paint in many colors. A red‑handled paintbrush rests across it, suggesting the artist has just paused mid‑process. The whole scene feels like a quiet moment of creativity—careful, meditative, and tactile. The combination of crisp ink lines and soft watercolor washes creates a balance between structure and fluidity, order and play. Three inches by three inches.

I am a jewelry artist. By drawing doodles, I try to get away from the exacting precision necessary for jewelry. This time, I colored outside the lines. Wild woman.

Daily Doodle -- 03/07/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #art #artist #pigmamicron #lukas #posca

22 3 2 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 6, 2026. All rights reserved. A small abstract artwork sits on a tabletop, surrounded by the tools used to make it. To the left are two fine‑line black pens, and to the right is a small watercolor palette with dark gray paints and a thin brush resting beside it. Everything feels calm, orderly, and intimate—like a quiet moment in an artist’s workspace. The piece is a compact watercolor-and-ink composition built from simple geometric shapes: Two rectangles dominate the layout. They’re outlined in black ink and filled with soft washes of pink, gray, and muted purple. Inside each rectangle is a small arrow, drawn in ink, pointing in a direction—suggesting movement or flow, almost like a diagram softened by watercolor. Near the rectangles sit two circles, each made of thin concentric rings. They look a bit like ripples or targets, adding a sense of rhythm and balance. The colors are gentle and slightly translucent, giving the whole piece a quiet, contemplative feeling. The ink lines are crisp and deliberate, contrasting with the looser watercolor textures. Overall, the artwork feels like a blend of structure and softness—part diagram, part daydream. Three inches by three inches.

Art and photo by Katherine Gingrich on March 6, 2026. All rights reserved. A small abstract artwork sits on a tabletop, surrounded by the tools used to make it. To the left are two fine‑line black pens, and to the right is a small watercolor palette with dark gray paints and a thin brush resting beside it. Everything feels calm, orderly, and intimate—like a quiet moment in an artist’s workspace. The piece is a compact watercolor-and-ink composition built from simple geometric shapes: Two rectangles dominate the layout. They’re outlined in black ink and filled with soft washes of pink, gray, and muted purple. Inside each rectangle is a small arrow, drawn in ink, pointing in a direction—suggesting movement or flow, almost like a diagram softened by watercolor. Near the rectangles sit two circles, each made of thin concentric rings. They look a bit like ripples or targets, adding a sense of rhythm and balance. The colors are gentle and slightly translucent, giving the whole piece a quiet, contemplative feeling. The ink lines are crisp and deliberate, contrasting with the looser watercolor textures. Overall, the artwork feels like a blend of structure and softness—part diagram, part daydream. Three inches by three inches.

Had a conversation with my best friend yesterday. We discussed decluttering our lives and enjoying simple things. I thought I'd bring that concept to my doodle today.

Daily Doodle -- 03/06/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #art #artist #pigmamicron #schmincke

6 0 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 5, 2026. All rights reserved. A round artwork rests at the center of a small, intimate workspace, surrounded by the tools that shaped it. The piece itself is a black‑and‑white circular drawing filled with concentric rings of intricate patterns. Each ring carries its own rhythm: some are made of tiny repeating spirals, others of geometric shapes, others of soft, wave‑like curves. The overall effect is a quiet, meditative pulse—like ripples expanding from a single drop of water. The drawing is done in fine black ink, with delicate gray watercolor washes adding depth. The shading is subtle, almost smoky, giving the patterns a sense of movement and breath. Nothing feels harsh; the lines are crisp but gentle, and the grays soften the transitions between each band of pattern. To the left of the artwork lie two Micron pens, slim and beige, the kind used for precise linework. One is labeled “Micron 005,” the other “Micron 05,” indicating extremely fine tips. They rest casually on the table, as if just set down mid‑process. To the right sits a small watercolor palette, its wells filled with different strengths of black and gray pigment. A red‑handled paintbrush lies across it, stained at the tip from recent use. The palette looks well‑loved—some wells are nearly dry, others glossy with fresh paint. The whole scene feels calm and focused, like a moment paused in the middle of creation. It carries the quiet satisfaction of slow, careful work: the kind where your breath steadies, your hand moves with intention, and the world narrows to the soft scratch of pen on paper. Three inches by three inches.

Art and photo by Katherine Gingrich on March 5, 2026. All rights reserved. A round artwork rests at the center of a small, intimate workspace, surrounded by the tools that shaped it. The piece itself is a black‑and‑white circular drawing filled with concentric rings of intricate patterns. Each ring carries its own rhythm: some are made of tiny repeating spirals, others of geometric shapes, others of soft, wave‑like curves. The overall effect is a quiet, meditative pulse—like ripples expanding from a single drop of water. The drawing is done in fine black ink, with delicate gray watercolor washes adding depth. The shading is subtle, almost smoky, giving the patterns a sense of movement and breath. Nothing feels harsh; the lines are crisp but gentle, and the grays soften the transitions between each band of pattern. To the left of the artwork lie two Micron pens, slim and beige, the kind used for precise linework. One is labeled “Micron 005,” the other “Micron 05,” indicating extremely fine tips. They rest casually on the table, as if just set down mid‑process. To the right sits a small watercolor palette, its wells filled with different strengths of black and gray pigment. A red‑handled paintbrush lies across it, stained at the tip from recent use. The palette looks well‑loved—some wells are nearly dry, others glossy with fresh paint. The whole scene feels calm and focused, like a moment paused in the middle of creation. It carries the quiet satisfaction of slow, careful work: the kind where your breath steadies, your hand moves with intention, and the world narrows to the soft scratch of pen on paper. Three inches by three inches.

It's raining on the farm. Everything is gray again. The world is spiraling.

Daily Doodle -- 03/05/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #art #artist #pigmamicron #schmincke

8 1 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 4, 2026. All rights reserved. The artwork sits on a tabletop like a small, glowing universe—intimate, handmade, and full of quiet motion. It’s a square piece of watercolor paper holding an abstract, organic design made of concentric, hand‑drawn shapes. The whole piece feels like a cross between a seashell, a blooming flower, and a topographic map—soft, layered, and rhythmic. At the center is a small, rounded shape, almost like the seed of a plant or the eye of a storm. Around it, ring after ring expands outward. Each ring is irregular—more like ripples in a pond than perfect circles. Every ring is filled with fine, delicate linework: tiny dots, short strokes, and repeating patterns that give the piece a tactile, almost embroidered feeling. The lines are drawn with very thin black ink, so the patterns feel crisp against the softness of the paint. The colors are cool and luminous: soft blues, turquoise, and touches of warm yellow. The watercolor is applied in translucent washes, so the colors gently blend and pool, creating a sense of depth and breath. The mood is calm, meditative, and slightly playful—like watching light move across water. On the top lies a Sakura Micron pen, extremely fine-tipped, the kind used for precise linework. On the right is a watercolor palette with many wells of color—greens, blues, purples, reds, oranges. A paintbrush rests across it, still damp-looking, as if the artist just paused. These tools frame the artwork, making the whole scene feel like a moment in an artist’s process. The piece gives the impression of gentle movement, like something breathing or expanding. The combination of ink and watercolor creates a contrast between structure and softness—order held inside fluidity. Three inches by three inches.

Art and photo by Katherine Gingrich on March 4, 2026. All rights reserved. The artwork sits on a tabletop like a small, glowing universe—intimate, handmade, and full of quiet motion. It’s a square piece of watercolor paper holding an abstract, organic design made of concentric, hand‑drawn shapes. The whole piece feels like a cross between a seashell, a blooming flower, and a topographic map—soft, layered, and rhythmic. At the center is a small, rounded shape, almost like the seed of a plant or the eye of a storm. Around it, ring after ring expands outward. Each ring is irregular—more like ripples in a pond than perfect circles. Every ring is filled with fine, delicate linework: tiny dots, short strokes, and repeating patterns that give the piece a tactile, almost embroidered feeling. The lines are drawn with very thin black ink, so the patterns feel crisp against the softness of the paint. The colors are cool and luminous: soft blues, turquoise, and touches of warm yellow. The watercolor is applied in translucent washes, so the colors gently blend and pool, creating a sense of depth and breath. The mood is calm, meditative, and slightly playful—like watching light move across water. On the top lies a Sakura Micron pen, extremely fine-tipped, the kind used for precise linework. On the right is a watercolor palette with many wells of color—greens, blues, purples, reds, oranges. A paintbrush rests across it, still damp-looking, as if the artist just paused. These tools frame the artwork, making the whole scene feel like a moment in an artist’s process. The piece gives the impression of gentle movement, like something breathing or expanding. The combination of ink and watercolor creates a contrast between structure and softness—order held inside fluidity. Three inches by three inches.

Daily Doodle -- 03/04/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #watercolor #art #artist #pigmamicron #lukas

10 2 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 3, 2026. All rights reserved. The piece feels like a small universe held in your hands — a circular, mixed‑media mandala made of ink and watercolor, glowing with layered color and delicate pattern. Imagine a round, hand‑sized artwork built from many concentric rings. Each ring has its own rhythm: some tight and detailed like beadwork, others soft and washed like diluted dye spreading through cloth. The whole circle feels alive, pulsing gently from the center outward. The palette moves through purples, pinks, blues, and greens, all in watercolor’s translucent softness. The purples and pinks feel warm and velvety, like the inside of a seashell. The blues and greens feel cool and airy, like shallow water over smooth stones. Together they create a mood that’s calm, playful, and slightly cosmic. The artwork is built in rings, each one distinct: One ring is made of tiny zigzags, like embroidered stitches. Another is dotted with small ink points, almost like seeds or stars. Others use fine parallel lines, giving a sense of texture—like woven fabric or ripples in sand. Some rings are pure watercolor washes, soft and cloudlike, letting the pigment bloom and feather. The center is not a single image but a cluster of shapes and colors that feel like the heart of the pattern — a gentle focal point from which everything radiates. The ink lines are extremely fine, drawn with a technical pen, giving the piece a sense of precision and care. The watercolor adds looseness and breath. Together they create a balance between structure and spontaneity — like a hand‑stitched quilt touched with light. The artwork sits on white paper. Nearby are the tools that made it: A very fine‑tipped archival ink pen. A watercolor palette with a brush resting on it, colors still damp and mixed — a quiet sign of the artist mid‑process. Three inches by three inches.

Art and photo by Katherine Gingrich on March 3, 2026. All rights reserved. The piece feels like a small universe held in your hands — a circular, mixed‑media mandala made of ink and watercolor, glowing with layered color and delicate pattern. Imagine a round, hand‑sized artwork built from many concentric rings. Each ring has its own rhythm: some tight and detailed like beadwork, others soft and washed like diluted dye spreading through cloth. The whole circle feels alive, pulsing gently from the center outward. The palette moves through purples, pinks, blues, and greens, all in watercolor’s translucent softness. The purples and pinks feel warm and velvety, like the inside of a seashell. The blues and greens feel cool and airy, like shallow water over smooth stones. Together they create a mood that’s calm, playful, and slightly cosmic. The artwork is built in rings, each one distinct: One ring is made of tiny zigzags, like embroidered stitches. Another is dotted with small ink points, almost like seeds or stars. Others use fine parallel lines, giving a sense of texture—like woven fabric or ripples in sand. Some rings are pure watercolor washes, soft and cloudlike, letting the pigment bloom and feather. The center is not a single image but a cluster of shapes and colors that feel like the heart of the pattern — a gentle focal point from which everything radiates. The ink lines are extremely fine, drawn with a technical pen, giving the piece a sense of precision and care. The watercolor adds looseness and breath. Together they create a balance between structure and spontaneity — like a hand‑stitched quilt touched with light. The artwork sits on white paper. Nearby are the tools that made it: A very fine‑tipped archival ink pen. A watercolor palette with a brush resting on it, colors still damp and mixed — a quiet sign of the artist mid‑process. Three inches by three inches.

Daily Doodle -- 03/03/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pigmamicron

10 0 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 2, 2026. All rights reserved. A small, intimate art‑making moment sits on a tabletop, arranged the way a person might pause mid‑process. The center of the photo holds a small abstract artwork—a square of paper with three soft watercolor circles: blue, green, and yellow. They appear like translucent bubbles drifting next to each other. Over the color sits a tangle of fine black ink lines, looping and weaving like a loose ribbon or a wandering thread. The lines feel spontaneous but intentional, creating a sense of motion over the calm washes of color. Two Micron archival ink pens rest nearby. They’re slim, beige pens with black caps, labeled with their ultra‑fine sizes: 005 (0.20 mm) and 003 (0.15 mm). Their presence suggests the delicate linework in the artwork—precise, steady, almost whisper‑thin. To the right sits a Schmincke watercolor palette, open to reveal pans of warm yellows and oranges. A small paintbrush lies across it, its bristles stained with color. The palette looks well‑loved, with tiny dried pools of pigment and the soft shine of recently activated paint. The whole scene feels quiet, focused, and handmade—a moment of creative play or gentle experimentation. The textures contrast beautifully: the soft, velvety watercolor circles, the crisp, hair‑fine ink lines, and the solid, practical tools that make such delicacy possible. It’s the kind of workspace where someone pauses, breathes, and lets their hands follow curiosity. Three inches by three inches.

Art and photo by Katherine Gingrich on March 2, 2026. All rights reserved. A small, intimate art‑making moment sits on a tabletop, arranged the way a person might pause mid‑process. The center of the photo holds a small abstract artwork—a square of paper with three soft watercolor circles: blue, green, and yellow. They appear like translucent bubbles drifting next to each other. Over the color sits a tangle of fine black ink lines, looping and weaving like a loose ribbon or a wandering thread. The lines feel spontaneous but intentional, creating a sense of motion over the calm washes of color. Two Micron archival ink pens rest nearby. They’re slim, beige pens with black caps, labeled with their ultra‑fine sizes: 005 (0.20 mm) and 003 (0.15 mm). Their presence suggests the delicate linework in the artwork—precise, steady, almost whisper‑thin. To the right sits a Schmincke watercolor palette, open to reveal pans of warm yellows and oranges. A small paintbrush lies across it, its bristles stained with color. The palette looks well‑loved, with tiny dried pools of pigment and the soft shine of recently activated paint. The whole scene feels quiet, focused, and handmade—a moment of creative play or gentle experimentation. The textures contrast beautifully: the soft, velvety watercolor circles, the crisp, hair‑fine ink lines, and the solid, practical tools that make such delicacy possible. It’s the kind of workspace where someone pauses, breathes, and lets their hands follow curiosity. Three inches by three inches.

Sometimes, your life takes unexpected twists and turns.

Daily Doodle -- 03/02/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pigmamicron

8 2 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 week ago
Art and photo by Katherine Gingrich on March 1, 2026. All rights reserved. The piece feels like a small, intimate moment of mixed‑media play—two soft watercolor rectangles, one sunlit yellow and one cool, airy blue, overlapping like translucent windows. Each rectangle is filled with extremely fine black‑ink linework, the kind that feels almost whispered onto the page: thin vines, tiny leaves, and looping tendrils that curl and wander as if they’re growing in slow motion. The overall mood is light, delicate, and quietly joyful—like a botanical daydream suspended in color. The yellow rectangle sits slightly lower and to the left. Its color is warm and even, like diluted honey. Inside it, the ink vines feel a little more open and relaxed, with gentle curves and small leaf clusters. The blue rectangle overlaps the yellow at the top right. The blue is pale and breezy, like a wash of morning sky. Its ink pattern is similar but slightly denser—more curls, more tiny leaves—giving it a sense of movement. Where the two rectangles overlap, the colors blend into a soft greenish tint, but the ink lines remain crisp and visible. The ink is extremely fine—almost hair‑thin—suggesting a technical pen with a tiny nib. The lines feel steady and intentional, but still organic, like the artist let the vines wander naturally. Above the piece lies a Micron 003 pen, the kind used for ultra‑fine detail. To the right is a small watercolor palette with several yellows and a paintbrush resting beside it. These objects frame the artwork and hint at the quiet, hands‑on process behind it. If you could touch it, the watercolor areas would feel smooth and matte, while the ink lines would be just barely raised—like the faintest threadwork stitched across paper. The whole piece gives the impression of something growing gently inside a pair of colored windows. Three inches by three inches.

Art and photo by Katherine Gingrich on March 1, 2026. All rights reserved. The piece feels like a small, intimate moment of mixed‑media play—two soft watercolor rectangles, one sunlit yellow and one cool, airy blue, overlapping like translucent windows. Each rectangle is filled with extremely fine black‑ink linework, the kind that feels almost whispered onto the page: thin vines, tiny leaves, and looping tendrils that curl and wander as if they’re growing in slow motion. The overall mood is light, delicate, and quietly joyful—like a botanical daydream suspended in color. The yellow rectangle sits slightly lower and to the left. Its color is warm and even, like diluted honey. Inside it, the ink vines feel a little more open and relaxed, with gentle curves and small leaf clusters. The blue rectangle overlaps the yellow at the top right. The blue is pale and breezy, like a wash of morning sky. Its ink pattern is similar but slightly denser—more curls, more tiny leaves—giving it a sense of movement. Where the two rectangles overlap, the colors blend into a soft greenish tint, but the ink lines remain crisp and visible. The ink is extremely fine—almost hair‑thin—suggesting a technical pen with a tiny nib. The lines feel steady and intentional, but still organic, like the artist let the vines wander naturally. Above the piece lies a Micron 003 pen, the kind used for ultra‑fine detail. To the right is a small watercolor palette with several yellows and a paintbrush resting beside it. These objects frame the artwork and hint at the quiet, hands‑on process behind it. If you could touch it, the watercolor areas would feel smooth and matte, while the ink lines would be just barely raised—like the faintest threadwork stitched across paper. The whole piece gives the impression of something growing gently inside a pair of colored windows. Three inches by three inches.

Daily Doodle -- 03/01/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pigmamicron #posca

17 2 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 28, 2026. All rights reserved. The artwork itself is a compact abstract piece. It’s made with ink and watercolor, and its style is clean, geometric, and slightly playful. The shapes are mostly rectangles and circles, arranged like a tiny city of forms. The palette is soft beige and gray, punctuated by warm red accents that give it energy. The background is a pale beige wash, uneven in a way that feels hand‑painted and warm. On top of that sit thinly outlined rectangles, some filled with muted gray, others left open. Scattered across the shapes are small red dots, like seeds or beads, adding rhythm and movement. A few fine ink lines—very delicate, almost hair‑thin—trace around the shapes, giving the piece a sense of precision and intention. The overall mood is quiet, balanced, and slightly whimsical, like a study in order and gentle contrast. The artwork rests on a white surface, surrounded by the tools that created it. Two paint markers lie to the left: One is silver, labeled “uni POSCA.” The other is red, from the same brand. A Pigma Micron 003 pen sits nearby—this is an extremely fine‑tipped archival ink pen, which explains the delicate linework in the piece. To the right is a watercolor palette by Schmincke. The palette is open, showing bright, jewel‑like pans of yellow, orange, red, and green. A small paintbrush rests across it, still damp-looking, as if the artist just set it down. The scene feels intimate and handmade, like catching an artist in the middle of a quiet, focused moment. The tools are arranged casually, not staged, giving the sense of a real workspace—creative, slightly messy, and full of possibility. Three inches by three inches.

Art and photo by Katherine Gingrich on February 28, 2026. All rights reserved. The artwork itself is a compact abstract piece. It’s made with ink and watercolor, and its style is clean, geometric, and slightly playful. The shapes are mostly rectangles and circles, arranged like a tiny city of forms. The palette is soft beige and gray, punctuated by warm red accents that give it energy. The background is a pale beige wash, uneven in a way that feels hand‑painted and warm. On top of that sit thinly outlined rectangles, some filled with muted gray, others left open. Scattered across the shapes are small red dots, like seeds or beads, adding rhythm and movement. A few fine ink lines—very delicate, almost hair‑thin—trace around the shapes, giving the piece a sense of precision and intention. The overall mood is quiet, balanced, and slightly whimsical, like a study in order and gentle contrast. The artwork rests on a white surface, surrounded by the tools that created it. Two paint markers lie to the left: One is silver, labeled “uni POSCA.” The other is red, from the same brand. A Pigma Micron 003 pen sits nearby—this is an extremely fine‑tipped archival ink pen, which explains the delicate linework in the piece. To the right is a watercolor palette by Schmincke. The palette is open, showing bright, jewel‑like pans of yellow, orange, red, and green. A small paintbrush rests across it, still damp-looking, as if the artist just set it down. The scene feels intimate and handmade, like catching an artist in the middle of a quiet, focused moment. The tools are arranged casually, not staged, giving the sense of a real workspace—creative, slightly messy, and full of possibility. Three inches by three inches.

Searching for some semblance of order in my life.

Daily Doodle -- 02/28/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #watercolor #art #artist #pigmamicron #posca

13 2 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 27, 2026. All rights reserved. Imagine a strip of soft watercolor green, repeated five times down a small piece of paper. Each strip is the same gentle hue—cool, leafy, slightly translucent—like looking through layers of spring light. Across each band, you’ve drawn a different ink pattern, so the page becomes a quiet exploration of texture: five moods, five ways of feeling the same color. Strip 1 — Scattered Dots: This one feels airy and playful. Small white dots float across the green like pollen drifting on a breeze. The spacing is loose and irregular, giving it a sense of movement and breath. Strip 2 — Open Circles: Here the marks are tiny hollow circles, almost like bubbles rising through water. They’re delicate and evenly spaced, creating a soft, buoyant rhythm. Strip 3 — Vertical Lines: This band feels more structured. Thin, straight vertical strokes march down the green like rain falling in fine threads. The repetition gives it a calm, meditative steadiness. Strip 4 — Horizontal Lines: These lines run side‑to‑side instead, creating a sense of layering—like sediment, or the grain of wood. It feels grounded and quiet, a horizontal resting place after the vertical rain above. Strip 5 — Organic “Bubble” Shapes: The final strip is the most whimsical. Irregular rounded shapes cluster together, like pebbles under shallow water or cells seen through a microscope. It has a lively, almost biological energy. Above the paper lie two pens—one white gel pen, one fine‑tipped archival ink pen—suggesting precision and gentle mark‑making. To the right sits a watercolor palette full of jewel‑like colors and a red‑handled brush resting across it. The whole scene feels like a moment of quiet experimentation: an artist testing how ink and watercolor speak to each other. Three inches by three inches.

Art and photo by Katherine Gingrich on February 27, 2026. All rights reserved. Imagine a strip of soft watercolor green, repeated five times down a small piece of paper. Each strip is the same gentle hue—cool, leafy, slightly translucent—like looking through layers of spring light. Across each band, you’ve drawn a different ink pattern, so the page becomes a quiet exploration of texture: five moods, five ways of feeling the same color. Strip 1 — Scattered Dots: This one feels airy and playful. Small white dots float across the green like pollen drifting on a breeze. The spacing is loose and irregular, giving it a sense of movement and breath. Strip 2 — Open Circles: Here the marks are tiny hollow circles, almost like bubbles rising through water. They’re delicate and evenly spaced, creating a soft, buoyant rhythm. Strip 3 — Vertical Lines: This band feels more structured. Thin, straight vertical strokes march down the green like rain falling in fine threads. The repetition gives it a calm, meditative steadiness. Strip 4 — Horizontal Lines: These lines run side‑to‑side instead, creating a sense of layering—like sediment, or the grain of wood. It feels grounded and quiet, a horizontal resting place after the vertical rain above. Strip 5 — Organic “Bubble” Shapes: The final strip is the most whimsical. Irregular rounded shapes cluster together, like pebbles under shallow water or cells seen through a microscope. It has a lively, almost biological energy. Above the paper lie two pens—one white gel pen, one fine‑tipped archival ink pen—suggesting precision and gentle mark‑making. To the right sits a watercolor palette full of jewel‑like colors and a red‑handled brush resting across it. The whole scene feels like a moment of quiet experimentation: an artist testing how ink and watercolor speak to each other. Three inches by three inches.

Come on spring. You can do it!!!

Daily Doodle -- 02/27/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #watercolor #art #artist #pigmamicron

14 1 1 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 26, 2026. All rights reserved. A square sheet of paper holds a delicate, hand‑drawn mandala‑like design, rendered in extremely fine black ink. The lines are crisp and intentional, as if drawn with a technical pen—one of which rests just above the artwork, a slim Micron pen that hints at the precision behind the piece. The drawing itself feels alive with pattern and movement. It’s built from repeating shapes—spirals, zigzags, tiny dots, leaf‑like forms, and petal‑shaped curves—that radiate outward in a loose, organic symmetry. Nothing is perfectly geometric; instead, it has the warmth of something drawn by hand, with each motif flowing into the next like a quiet rhythm. Some sections are washed with soft watercolor, mostly pinks and muted reds. The color doesn’t fill every space; instead, it pools gently in certain areas, giving the piece a sense of depth and breath, like blush spreading across textured paper. To the right of the artwork sits a small watercolor palette, its wells filled with yellows in different intensities—from pale lemon to deep golden ochre. A paintbrush rests across it, stained with the same warm tones, suggesting the artist paused mid‑process. The whole scene feels intimate and tactile: the roughness of watercolor paper, the smooth glide of ink, the quiet concentration of someone building beauty through tiny, deliberate marks. Three inches by three inches.

Art and photo by Katherine Gingrich on February 26, 2026. All rights reserved. A square sheet of paper holds a delicate, hand‑drawn mandala‑like design, rendered in extremely fine black ink. The lines are crisp and intentional, as if drawn with a technical pen—one of which rests just above the artwork, a slim Micron pen that hints at the precision behind the piece. The drawing itself feels alive with pattern and movement. It’s built from repeating shapes—spirals, zigzags, tiny dots, leaf‑like forms, and petal‑shaped curves—that radiate outward in a loose, organic symmetry. Nothing is perfectly geometric; instead, it has the warmth of something drawn by hand, with each motif flowing into the next like a quiet rhythm. Some sections are washed with soft watercolor, mostly pinks and muted reds. The color doesn’t fill every space; instead, it pools gently in certain areas, giving the piece a sense of depth and breath, like blush spreading across textured paper. To the right of the artwork sits a small watercolor palette, its wells filled with yellows in different intensities—from pale lemon to deep golden ochre. A paintbrush rests across it, stained with the same warm tones, suggesting the artist paused mid‑process. The whole scene feels intimate and tactile: the roughness of watercolor paper, the smooth glide of ink, the quiet concentration of someone building beauty through tiny, deliberate marks. Three inches by three inches.

Some days, I just don't want to face my real life. I did laundry and spent the day with my Pigmamicron 003. Sometimes you just give into the art.

Daily Doodle -- 02/26/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pigmamicron

10 1 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 25, 2026. All rights reserved. The artwork is a small rectangle divided into three tall, narrow vertical panels, each bordered by thin black ink lines. Each panel has its own color and pattern, giving the piece a playful, rhythmic feel. Left panel: A bright sunny yellow background filled with scattered red and purple dots. The dots feel like confetti or tiny berries—light, cheerful, and energetic. Middle panel: A warm orange background with horizontal black wavy lines running across it from side to side. These lines create a sense of movement, like gentle ripples or stitched threads. Right panel: A soft pink background, again sprinkled with red and purple dots, echoing the left panel but in a warmer, sweeter tone. Each panel is separated by a vertical black line, and the borders include tiny decorative marks—little dots and short horizontal strokes—giving the whole piece a hand‑drawn, whimsical character. Just above the artwork lie two pens: A red Uni POSCA paint marker, thick-bodied, labeled with the word “RED” in several languages. A Pigma Micron 003 pen, very fine-tipped, used for the delicate black linework. To the right of the painting sits a Schmincke watercolor palette, open to reveal pans of bright pigments—yellows, oranges, reds, greens. A paintbrush rests nearby, still slightly stained with color, as if recently used. The scene feels joyful, tactile, and handmade. The colors are warm and lively, and the combination of watercolor softness with crisp ink lines gives the artwork a playful structure. It’s the kind of piece that feels like a small celebration of color and pattern. Three inches by three inches.

Art and photo by Katherine Gingrich on February 25, 2026. All rights reserved. The artwork is a small rectangle divided into three tall, narrow vertical panels, each bordered by thin black ink lines. Each panel has its own color and pattern, giving the piece a playful, rhythmic feel. Left panel: A bright sunny yellow background filled with scattered red and purple dots. The dots feel like confetti or tiny berries—light, cheerful, and energetic. Middle panel: A warm orange background with horizontal black wavy lines running across it from side to side. These lines create a sense of movement, like gentle ripples or stitched threads. Right panel: A soft pink background, again sprinkled with red and purple dots, echoing the left panel but in a warmer, sweeter tone. Each panel is separated by a vertical black line, and the borders include tiny decorative marks—little dots and short horizontal strokes—giving the whole piece a hand‑drawn, whimsical character. Just above the artwork lie two pens: A red Uni POSCA paint marker, thick-bodied, labeled with the word “RED” in several languages. A Pigma Micron 003 pen, very fine-tipped, used for the delicate black linework. To the right of the painting sits a Schmincke watercolor palette, open to reveal pans of bright pigments—yellows, oranges, reds, greens. A paintbrush rests nearby, still slightly stained with color, as if recently used. The scene feels joyful, tactile, and handmade. The colors are warm and lively, and the combination of watercolor softness with crisp ink lines gives the artwork a playful structure. It’s the kind of piece that feels like a small celebration of color and pattern. Three inches by three inches.

Daily Doodle -- 02/25/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pigmamicron #posca

12 1 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 24, 2026. All rights reserved. The artwork sits on a small square piece of white paper. At the center is a rounded, organic shape—something between a seed pod, a microscopic organism, and a tiny galaxy. It feels alive, as if it’s gently pulsing. The central form is roughly oval, slightly irregular, like a soft pebble. Fine, delicate lines radiate outward from its edges in every direction. These lines are thin and hairlike, giving the impression of energy or vibration—almost like the halo around a dandelion seed or the corona of a star. Inside the oval, the artist has layered curved lines that nest within each other, creating a sense of depth and gentle movement. Scattered across the interior are small green dots, each one slightly different in size. They feel like spores, bubbles, or bits of pollen suspended in fluid. The curved interior lines are drawn with a very fine pen, giving them a crisp, almost scientific precision. The radiating outer lines are looser and more expressive, like tiny filaments or whiskers. The main colors are soft greens and muted purples. The greens appear in the dots and some of the interior shading, giving the piece a biological, almost cellular feeling. The purples are subtle, used in the curved interior lines and shadows, adding a sense of depth and quiet moodiness. Tools Visible Above the artwork lie two drawing tools: A green Posca paint marker, thick-bodied and labeled with multiple languages. A Pigma Micron 005 pen, extremely fine-tipped, used for the delicate linework. To the right is a watercolor palette filled with greens, blues, and blacks, with a small brush resting on it—evidence of the layered, mixed-media approach. The piece feels both scientific and dreamy—like peering into a microscope and discovering something quietly beautiful. It has a calm, meditative quality, with its soft colors and rhythmic lines inviting slow attention. Three inches by three inches.

Art and photo by Katherine Gingrich on February 24, 2026. All rights reserved. The artwork sits on a small square piece of white paper. At the center is a rounded, organic shape—something between a seed pod, a microscopic organism, and a tiny galaxy. It feels alive, as if it’s gently pulsing. The central form is roughly oval, slightly irregular, like a soft pebble. Fine, delicate lines radiate outward from its edges in every direction. These lines are thin and hairlike, giving the impression of energy or vibration—almost like the halo around a dandelion seed or the corona of a star. Inside the oval, the artist has layered curved lines that nest within each other, creating a sense of depth and gentle movement. Scattered across the interior are small green dots, each one slightly different in size. They feel like spores, bubbles, or bits of pollen suspended in fluid. The curved interior lines are drawn with a very fine pen, giving them a crisp, almost scientific precision. The radiating outer lines are looser and more expressive, like tiny filaments or whiskers. The main colors are soft greens and muted purples. The greens appear in the dots and some of the interior shading, giving the piece a biological, almost cellular feeling. The purples are subtle, used in the curved interior lines and shadows, adding a sense of depth and quiet moodiness. Tools Visible Above the artwork lie two drawing tools: A green Posca paint marker, thick-bodied and labeled with multiple languages. A Pigma Micron 005 pen, extremely fine-tipped, used for the delicate linework. To the right is a watercolor palette filled with greens, blues, and blacks, with a small brush resting on it—evidence of the layered, mixed-media approach. The piece feels both scientific and dreamy—like peering into a microscope and discovering something quietly beautiful. It has a calm, meditative quality, with its soft colors and rhythmic lines inviting slow attention. Three inches by three inches.

Daily Doodle -- 02/24/2026.
.
#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #schmincke #watercolor #art #artist #pigmamicron #posca

12 1 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 23, 2026. All rights reserved. The image shows a small piece of abstract art resting on a tabletop. The artwork is painted in layered shades of green watercolor. The greens range from pale, watery mint to deep forest tones, creating a soft, organic background that feels like moss, mist, and flowing water all at once. Across this green wash, thin black ink lines ripple and wander. They curve like gentle waves or strands of windblown grass, giving the piece a sense of movement. Scattered among the lines are several small green circles—some solid, some softly blended—adding a playful, floating quality. Above the artwork lie two drawing tools: A Micron 05 black ink pen, known for its fine, precise linework. A green Posca paint marker, labeled in multiple languages, used for bold, opaque strokes. To the right of the artwork sits a watercolor palette filled with many shades of green. Some wells are wet and glistening, showing recent use. A fine-tipped paintbrush rests across the palette, its bristles stained green. The overall mood is calm, creative, and intimate—like catching an artist mid-process, surrounded by the tools and colors that shaped the piece. Three inches by three inches.

Art and photo by Katherine Gingrich on February 23, 2026. All rights reserved. The image shows a small piece of abstract art resting on a tabletop. The artwork is painted in layered shades of green watercolor. The greens range from pale, watery mint to deep forest tones, creating a soft, organic background that feels like moss, mist, and flowing water all at once. Across this green wash, thin black ink lines ripple and wander. They curve like gentle waves or strands of windblown grass, giving the piece a sense of movement. Scattered among the lines are several small green circles—some solid, some softly blended—adding a playful, floating quality. Above the artwork lie two drawing tools: A Micron 05 black ink pen, known for its fine, precise linework. A green Posca paint marker, labeled in multiple languages, used for bold, opaque strokes. To the right of the artwork sits a watercolor palette filled with many shades of green. Some wells are wet and glistening, showing recent use. A fine-tipped paintbrush rests across the palette, its bristles stained green. The overall mood is calm, creative, and intimate—like catching an artist mid-process, surrounded by the tools and colors that shaped the piece. Three inches by three inches.

I'm sick of snow. Decided to celebrate the upcoming spring with a whimsical, abstract, mixed-media piece in shades of green.

Daily Doodle -- 02/23/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #watercolor #art #artist #posca #pigmamicron

20 1 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
2 weeks ago
Art and photo by Katherine Gingrich on February 22, 2026. All rights reserved. The scene captures a quiet moment of artistic creation laid out on a tabletop. At the center is a small abstract watercolor painting on a piece of white paper. The artwork consists of three soft, overlapping circles, each painted in muted, calming tones—one gray, one bluish, and one with a hint of purple. The colors bleed gently at the edges, giving the shapes a cloudy, translucent feel. Two thin, straight pencil lines cut diagonally across the circles, adding a crisp geometric contrast to the soft watercolor forms. To the left of the painting lies a sharpened yellow pencil, labeled “GRAPHITE No. 2 HB.” Its presence suggests sketching or planning just before the painting was made. To the right sits a small watercolor palette. It holds a few wells of dark pigments—mostly blacks and grays. A red-handled paintbrush rests across the palette, its bristles stained slightly from recent use. The brush and palette feel casual and lived-in, as if the artist has paused mid-process. The overall mood is quiet, minimal, and contemplative—an intimate glimpse of someone experimenting with simple shapes and gentle colors. Three inches by three inches.

Art and photo by Katherine Gingrich on February 22, 2026. All rights reserved. The scene captures a quiet moment of artistic creation laid out on a tabletop. At the center is a small abstract watercolor painting on a piece of white paper. The artwork consists of three soft, overlapping circles, each painted in muted, calming tones—one gray, one bluish, and one with a hint of purple. The colors bleed gently at the edges, giving the shapes a cloudy, translucent feel. Two thin, straight pencil lines cut diagonally across the circles, adding a crisp geometric contrast to the soft watercolor forms. To the left of the painting lies a sharpened yellow pencil, labeled “GRAPHITE No. 2 HB.” Its presence suggests sketching or planning just before the painting was made. To the right sits a small watercolor palette. It holds a few wells of dark pigments—mostly blacks and grays. A red-handled paintbrush rests across the palette, its bristles stained slightly from recent use. The brush and palette feel casual and lived-in, as if the artist has paused mid-process. The overall mood is quiet, minimal, and contemplative—an intimate glimpse of someone experimenting with simple shapes and gentle colors. Three inches by three inches.

It's snowing again and the farm is gray. I seldom use pencil, but the muted-shades of gray watercolor screamed pencil rather than pigmamicrons.

Daily Doodle -- 02/22/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pencil

40 3 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 21, 2026. All rights reserved. You’re looking at a small, hand‑painted piece of art resting on a tabletop. The artwork is circular and filled with intricate, mandala‑like patterns. The dominant color is green, shifting from soft mossy tones to deeper emerald shades. The center begins with a tight spiral, then expands outward through rings of repeating shapes: tiny dots, thin radiating lines, scalloped edges, and geometric motifs. The overall feeling is calm, rhythmic, and organic, like a cross between a seashell and a blooming flower. Surrounding the artwork are the tools used to create it. On the left lies a white gel pen, and next to it a black fine‑tip Micron pen—both used for the delicate linework. To the right sits a watercolor palette, its wells filled with dried pools of color: greens, blues, purples, pinks, and oranges. A slender paintbrush rests across the palette, its bristles stained with green, suggesting it was used recently. The whole scene feels intimate and creative, as if you’ve paused in the middle of making something meditative and detailed. Three inches by three inches.

Art and photo by Katherine Gingrich on February 21, 2026. All rights reserved. You’re looking at a small, hand‑painted piece of art resting on a tabletop. The artwork is circular and filled with intricate, mandala‑like patterns. The dominant color is green, shifting from soft mossy tones to deeper emerald shades. The center begins with a tight spiral, then expands outward through rings of repeating shapes: tiny dots, thin radiating lines, scalloped edges, and geometric motifs. The overall feeling is calm, rhythmic, and organic, like a cross between a seashell and a blooming flower. Surrounding the artwork are the tools used to create it. On the left lies a white gel pen, and next to it a black fine‑tip Micron pen—both used for the delicate linework. To the right sits a watercolor palette, its wells filled with dried pools of color: greens, blues, purples, pinks, and oranges. A slender paintbrush rests across the palette, its bristles stained with green, suggesting it was used recently. The whole scene feels intimate and creative, as if you’ve paused in the middle of making something meditative and detailed. Three inches by three inches.

Daily Doodle -- 02/21/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #watercolor #art #artist #pigmamicron #uniball

16 1 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 20, 2026. All rights reserved. This photo captures a small, vibrant piece of abstract art created with watercolor and ink, laid out on a work surface that includes the artist’s tools. Artwork Description: On the left side, there are two circular shapes filled with red watercolor. Each circle contains intricate black ink linework. The top circle features a mesh-like pattern in its center, while the bottom one has swirling and looping lines that create a sense of movement. On the right side, the composition is divided into four vertical sections: The first section has a purple background with delicate black vine-like swirls. The second section is white with evenly spaced vertical black lines. The third section shows a zigzag pattern over a purple wash. The fourth section features a scalloped edge design, like overlapping half-circles. Surroundings: Above the artwork lies a Micron 003 archival ink pen, suggesting the fine detail work was done with it. To the right is a watercolor palette with multiple color wells and a paintbrush resting across it, hinting at the creative process. The overall mood is playful and exploratory, with a mix of geometric and organic patterns. The contrast between ink and watercolor adds texture and depth, making each section feel distinct yet harmonious. Three inches by three inches.

Art and photo by Katherine Gingrich on February 20, 2026. All rights reserved. This photo captures a small, vibrant piece of abstract art created with watercolor and ink, laid out on a work surface that includes the artist’s tools. Artwork Description: On the left side, there are two circular shapes filled with red watercolor. Each circle contains intricate black ink linework. The top circle features a mesh-like pattern in its center, while the bottom one has swirling and looping lines that create a sense of movement. On the right side, the composition is divided into four vertical sections: The first section has a purple background with delicate black vine-like swirls. The second section is white with evenly spaced vertical black lines. The third section shows a zigzag pattern over a purple wash. The fourth section features a scalloped edge design, like overlapping half-circles. Surroundings: Above the artwork lies a Micron 003 archival ink pen, suggesting the fine detail work was done with it. To the right is a watercolor palette with multiple color wells and a paintbrush resting across it, hinting at the creative process. The overall mood is playful and exploratory, with a mix of geometric and organic patterns. The contrast between ink and watercolor adds texture and depth, making each section feel distinct yet harmonious. Three inches by three inches.

Daily Doodle -- 02/20/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #watercolor #art #artist #pigmamicron

8 0 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 19, 2026. All rights reserved. The photo shows a small, carefully arranged art workspace centered around a circular watercolor painting. The painting resembles a stylized biological cell—something between scientific illustration and imaginative art. The Artwork The circle is filled edge‑to‑edge with intricate patterns. Soft washes of watercolor—greens, blues, purples, and hints of red—form the background. The colors blend gently, like diluted pigments spreading through water. Over this soft color field, extremely fine black ink lines create delicate structures: tiny dots, radiating lines, loops, and organic shapes that echo things like membranes, organelles, or microscopic textures. The overall feeling is both biological and decorative, like a cell seen through a microscope but interpreted through an artist’s imagination. Tools Around the Artwork On the left side of the painting lie two slim black technical pens. Their labels read “Micron 01” and “Micron 003,” indicating very fine line widths. They look like the tools used to draw the precise ink details in the artwork. On the right side is a rectangular watercolor palette. It holds many small wells of dried paint—greens, blues, purples, reds—some mixed and muddied from use. Resting diagonally across the palette is a red‑handled paintbrush, its bristles stained with color, as if recently used. Overall Mood The scene feels calm, focused, and creative—like a moment paused in the middle of an art session. The combination of scientific inspiration and delicate craft gives the image a sense of curiosity and quiet beauty. Three inches by three inches.

Art and photo by Katherine Gingrich on February 19, 2026. All rights reserved. The photo shows a small, carefully arranged art workspace centered around a circular watercolor painting. The painting resembles a stylized biological cell—something between scientific illustration and imaginative art. The Artwork The circle is filled edge‑to‑edge with intricate patterns. Soft washes of watercolor—greens, blues, purples, and hints of red—form the background. The colors blend gently, like diluted pigments spreading through water. Over this soft color field, extremely fine black ink lines create delicate structures: tiny dots, radiating lines, loops, and organic shapes that echo things like membranes, organelles, or microscopic textures. The overall feeling is both biological and decorative, like a cell seen through a microscope but interpreted through an artist’s imagination. Tools Around the Artwork On the left side of the painting lie two slim black technical pens. Their labels read “Micron 01” and “Micron 003,” indicating very fine line widths. They look like the tools used to draw the precise ink details in the artwork. On the right side is a rectangular watercolor palette. It holds many small wells of dried paint—greens, blues, purples, reds—some mixed and muddied from use. Resting diagonally across the palette is a red‑handled paintbrush, its bristles stained with color, as if recently used. Overall Mood The scene feels calm, focused, and creative—like a moment paused in the middle of an art session. The combination of scientific inspiration and delicate craft gives the image a sense of curiosity and quiet beauty. Three inches by three inches.

Daily Doodle -- 02/19/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #watercolor #art #artist #pigmamicron

18 2 1 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 18, 2026. All rights reserved. The photo shows a small, intimate workspace where someone has been making a piece of abstract art using ink and watercolor. The Artwork At the center is a cluster of three overlapping oval shapes, each somewhat larger than a thumbprint. The ovals are filled with intricate black‑ink patterns—parallel lines, tiny dots, and gentle wave‑like curves. The patterns vary in density, so some areas feel airy and open while others are tightly textured. Soft gray watercolor washes sit beneath or around the ink, giving the shapes a sense of depth and subtle shading. The overall effect is delicate, meditative, and organic—like studying the surface of stones or seeds up close. The Tools Around It Above the artwork lies a Micron 01 archival ink pen, the kind used for fine linework. It’s slim and beige with black lettering. To the right is a small watercolor palette holding several wells of black and gray paint. A tiny paintbrush rests on the palette, its tip still slightly darkened from use. Overall Mood The scene feels quiet and focused, as if the artist paused mid‑process. The combination of precise ink lines and soft watercolor tones creates a sense of calm craftsmanship. Three inches by three inches.

Art and photo by Katherine Gingrich on February 18, 2026. All rights reserved. The photo shows a small, intimate workspace where someone has been making a piece of abstract art using ink and watercolor. The Artwork At the center is a cluster of three overlapping oval shapes, each somewhat larger than a thumbprint. The ovals are filled with intricate black‑ink patterns—parallel lines, tiny dots, and gentle wave‑like curves. The patterns vary in density, so some areas feel airy and open while others are tightly textured. Soft gray watercolor washes sit beneath or around the ink, giving the shapes a sense of depth and subtle shading. The overall effect is delicate, meditative, and organic—like studying the surface of stones or seeds up close. The Tools Around It Above the artwork lies a Micron 01 archival ink pen, the kind used for fine linework. It’s slim and beige with black lettering. To the right is a small watercolor palette holding several wells of black and gray paint. A tiny paintbrush rests on the palette, its tip still slightly darkened from use. Overall Mood The scene feels quiet and focused, as if the artist paused mid‑process. The combination of precise ink lines and soft watercolor tones creates a sense of calm craftsmanship. Three inches by three inches.

Daily Doodle -- 02/18/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #pigmamicron

41 3 1 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 17, 2026. All rights reserved. You’re looking at a small tabletop scene centered around a bright, abstract piece of art. The artwork itself is circular and feels almost like a glowing mandala. It’s made with watercolor and fine ink lines, so it has both soft washes of color and crisp, delicate details. At the very center is a warm yellow circle, like a tiny sun. Surrounding it are rings of color—orange, red, purple, and blue—each one filled with different textures. Some rings are dotted, some have tiny leaf-like shapes, and others have radiating lines that feel like energy moving outward. The outermost ring is a deep blue with thin black ink strokes that stretch outward like sun rays or feathers. The whole piece feels vibrant, layered, and alive. Above the artwork lie two drawing pens: One is a thick white gel pen, used for bright, opaque highlights. The other is a very fine beige technical pen, the kind used for precise line work. To the right of the artwork sits a watercolor palette. The wells are filled with dried paint in earthy yellows, oranges, and greens. A red-handled paintbrush rests across the palette, as if the artist just paused mid-creation. The overall feeling is intimate and creative—like catching a moment in an artist’s process, surrounded by the tools and colors that brought the piece to life. Three inches by three inches.

Art and photo by Katherine Gingrich on February 17, 2026. All rights reserved. You’re looking at a small tabletop scene centered around a bright, abstract piece of art. The artwork itself is circular and feels almost like a glowing mandala. It’s made with watercolor and fine ink lines, so it has both soft washes of color and crisp, delicate details. At the very center is a warm yellow circle, like a tiny sun. Surrounding it are rings of color—orange, red, purple, and blue—each one filled with different textures. Some rings are dotted, some have tiny leaf-like shapes, and others have radiating lines that feel like energy moving outward. The outermost ring is a deep blue with thin black ink strokes that stretch outward like sun rays or feathers. The whole piece feels vibrant, layered, and alive. Above the artwork lie two drawing pens: One is a thick white gel pen, used for bright, opaque highlights. The other is a very fine beige technical pen, the kind used for precise line work. To the right of the artwork sits a watercolor palette. The wells are filled with dried paint in earthy yellows, oranges, and greens. A red-handled paintbrush rests across the palette, as if the artist just paused mid-creation. The overall feeling is intimate and creative—like catching a moment in an artist’s process, surrounded by the tools and colors that brought the piece to life. Three inches by three inches.

Daily Doodle -- 02/17/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #uniball #pigmamicron

45 4 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 16, 2026. All rights reserved. You’re looking at a small, neatly arranged art workspace captured from directly above. At the center lies a square sheet of white paper holding a detailed ink-and-watercolor illustration. The drawing resembles a stylized biological cell or tiny organism—something organic, almost microscopic. The artwork is built in concentric layers: Innermost circle: A tight, crosshatched texture in fine black ink, giving it a woven or net-like feel. Middle ring: A soft wash of pale pink watercolor dotted with tiny black and pink specks, like freckles scattered across skin. Outer ring: Thin black lines radiate outward like sun rays or delicate antennae, each ending in a small pink dot. The effect is both scientific and whimsical—precise but playful. To the right of the drawing sits a small watercolor palette. It’s mostly filled with muted grays and blacks, with a paintbrush resting diagonally across it. The brush looks recently used; the palette wells show diluted pools of pigment. Above the artwork, three drawing tools are lined up horizontally: A black POSCA paint marker, thick-bodied and bold. A Micron 005 pen, slim and precise, used for the fine crosshatching. A pink POSCA marker, echoing the pink accents in the illustration. The overall mood is calm and focused—an artist’s quiet moment mid-creation, with tools laid out intentionally and the artwork crisp and centered. Three inches by three inches.

Art and photo by Katherine Gingrich on February 16, 2026. All rights reserved. You’re looking at a small, neatly arranged art workspace captured from directly above. At the center lies a square sheet of white paper holding a detailed ink-and-watercolor illustration. The drawing resembles a stylized biological cell or tiny organism—something organic, almost microscopic. The artwork is built in concentric layers: Innermost circle: A tight, crosshatched texture in fine black ink, giving it a woven or net-like feel. Middle ring: A soft wash of pale pink watercolor dotted with tiny black and pink specks, like freckles scattered across skin. Outer ring: Thin black lines radiate outward like sun rays or delicate antennae, each ending in a small pink dot. The effect is both scientific and whimsical—precise but playful. To the right of the drawing sits a small watercolor palette. It’s mostly filled with muted grays and blacks, with a paintbrush resting diagonally across it. The brush looks recently used; the palette wells show diluted pools of pigment. Above the artwork, three drawing tools are lined up horizontally: A black POSCA paint marker, thick-bodied and bold. A Micron 005 pen, slim and precise, used for the fine crosshatching. A pink POSCA marker, echoing the pink accents in the illustration. The overall mood is calm and focused—an artist’s quiet moment mid-creation, with tools laid out intentionally and the artwork crisp and centered. Three inches by three inches.

Daily Doodle -- 02/16/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist #posca #pigmamicron

98 4 2 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
3 weeks ago
Art and photo by Katherine Gingrich on February 15, 2026. All rights reserved. The photo shows a small watercolor painting resting on a tabletop, with the artist’s tools gathered around it. The painting itself is a quiet, atmospheric landscape. In the foreground, there’s a row of dark evergreen trees—tall, pointed silhouettes that look almost like cut‑paper shapes. They stand against a pale ground that feels like snow or morning mist, soft and cool. Behind the trees, a round sun glows in a gentle orange. It’s low in the sky, so it could be either sunrise or sunset. The light from the sun spreads upward into a smooth gradient: deep orange near the horizon, fading into a pale yellow that softens as it reaches the top of the painting. The whole sky feels calm and hazy, like the air is still. To the right of the painting sits a watercolor palette. Most of the wells are filled with dark pigments—blacks and deep grays—some of them slightly muddied from mixing. A red‑handled paintbrush rests across the palette, its bristles stained dark, as if it was just used to paint the trees. The overall mood is peaceful and quiet, like a moment of early morning in the woods captured with just a few thoughtful strokes. Three inches by three inches.

Art and photo by Katherine Gingrich on February 15, 2026. All rights reserved. The photo shows a small watercolor painting resting on a tabletop, with the artist’s tools gathered around it. The painting itself is a quiet, atmospheric landscape. In the foreground, there’s a row of dark evergreen trees—tall, pointed silhouettes that look almost like cut‑paper shapes. They stand against a pale ground that feels like snow or morning mist, soft and cool. Behind the trees, a round sun glows in a gentle orange. It’s low in the sky, so it could be either sunrise or sunset. The light from the sun spreads upward into a smooth gradient: deep orange near the horizon, fading into a pale yellow that softens as it reaches the top of the painting. The whole sky feels calm and hazy, like the air is still. To the right of the painting sits a watercolor palette. Most of the wells are filled with dark pigments—blacks and deep grays—some of them slightly muddied from mixing. A red‑handled paintbrush rests across the palette, its bristles stained dark, as if it was just used to paint the trees. The overall mood is peaceful and quiet, like a moment of early morning in the woods captured with just a few thoughtful strokes. Three inches by three inches.

Got to see a sunrise again. There’s still snow on the fields. The tree line is very evident.

Daily Doodle -- 02/15/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #schmincke #watercolor #art #artist

118 5 2 1
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 month ago
Art and photo by Katherine Gingrich on February 14, 2026. All rights reserved. The image shows a small abstract watercolor painting lying on a flat surface, surrounded by the tools used to make it. The artwork itself is a mix of soft washes and sharper lines. The colors blend in muted reds, warm browns, and gentle grays. Over these soft patches of color, thin black lines form loose geometric shapes—mostly squares and rectangles—giving the piece a structured but playful feel. Nothing in the painting represents a specific object; it’s more like an exploration of shapes drifting across a cloudy sky of color. To the right of the painting sits a watercolor palette. The palette holds several wells of paint, mostly in shades of gray and black, some of them slightly muddied from use. A red-handled paintbrush rests across the palette, its bristles stained dark from recent painting. Above the artwork lie two thick markers—Uni POSCA brand. One is metallic red, the other black. They look like they’ve been used to draw the crisp lines in the painting. The overall mood is quiet and creative, like a moment paused in the middle of making art. Three inches by three inches.

Art and photo by Katherine Gingrich on February 14, 2026. All rights reserved. The image shows a small abstract watercolor painting lying on a flat surface, surrounded by the tools used to make it. The artwork itself is a mix of soft washes and sharper lines. The colors blend in muted reds, warm browns, and gentle grays. Over these soft patches of color, thin black lines form loose geometric shapes—mostly squares and rectangles—giving the piece a structured but playful feel. Nothing in the painting represents a specific object; it’s more like an exploration of shapes drifting across a cloudy sky of color. To the right of the painting sits a watercolor palette. The palette holds several wells of paint, mostly in shades of gray and black, some of them slightly muddied from use. A red-handled paintbrush rests across the palette, its bristles stained dark from recent painting. Above the artwork lie two thick markers—Uni POSCA brand. One is metallic red, the other black. They look like they’ve been used to draw the crisp lines in the painting. The overall mood is quiet and creative, like a moment paused in the middle of making art. Three inches by three inches.

Cracks are starting to appear in the sky. We may once again see a blue sky. In the mean time, I love seeing the jagged streaks of sunshine through the clouds.

Daily Doodle -- 02/14/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #schmincke #watercolor #posca #art #artist

17 0 0 0
Katherine Gingrich -- gingrichsart.com
Katherine Gingrich -- gingrichsart.com
@gingrichsart.bsky.social
1 month ago
Art and photo by Katherine Gingrich on February 13, 2026. All rights reserved. You’re looking at a small square sheet of paper on a tabletop, and centered on it is a vibrant, circular piece of art—almost like a cross‑section of a fantastical plant or a microscopic world made visible. The circle is filled with many layers of patterns that radiate outward. The innermost area is a cluster of tiny, delicate shapes—dots, short lines, and petal‑like marks—drawn with great precision. Surrounding that are rings of repeating motifs: some look like seeds, some like leaves, some like tiny cells. The colors are warm and energetic: reds, yellows, soft grays, and deep blacks. Each layer feels alive, as if it’s pulsing or growing. The overall effect is intricate and organic—like a mandala built from botanical and biological forms. Around the artwork, you can see the tools used to create it. On the left is a very fine Micron pen, the kind used for detailed linework. Nearby are two paint markers—one bright red, one sunny yellow. Off to the right sits a watercolor palette with a red‑handled brush resting on it, suggesting the artist blended both ink and paint to build this layered, textured design. The scene feels intimate and creative, as if you’ve caught the artist in the middle of a joyful, meditative process. Three inches by three inches.

Art and photo by Katherine Gingrich on February 13, 2026. All rights reserved. You’re looking at a small square sheet of paper on a tabletop, and centered on it is a vibrant, circular piece of art—almost like a cross‑section of a fantastical plant or a microscopic world made visible. The circle is filled with many layers of patterns that radiate outward. The innermost area is a cluster of tiny, delicate shapes—dots, short lines, and petal‑like marks—drawn with great precision. Surrounding that are rings of repeating motifs: some look like seeds, some like leaves, some like tiny cells. The colors are warm and energetic: reds, yellows, soft grays, and deep blacks. Each layer feels alive, as if it’s pulsing or growing. The overall effect is intricate and organic—like a mandala built from botanical and biological forms. Around the artwork, you can see the tools used to create it. On the left is a very fine Micron pen, the kind used for detailed linework. Nearby are two paint markers—one bright red, one sunny yellow. Off to the right sits a watercolor palette with a red‑handled brush resting on it, suggesting the artist blended both ink and paint to build this layered, textured design. The scene feels intimate and creative, as if you’ve caught the artist in the middle of a joyful, meditative process. Three inches by three inches.

Still overcast and snowy. I do see the sun trying to peek out of the clouds. That's the mood I was trying to capture.

Daily Doodle -- 02/13/2026.
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#gingrichsart #doodle #dailydoodle #ArtistsOnBluesky #lukas #schmincke #watercolor #pigmamicron #posca #art #artist

47 5 1 0