Yarnaby face close-up (with his mouth ajar) fanart made with markers, pencil, acrylic markers, and glitter paint markers.
Yarnaby! 🌈🦁
#art #traditionalart #fanart #poppyplaytime #markers #acrylic #glitter
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#glitter
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Have some HuskyBear Sparkle! ;-)
www.themoodybear.com/themoody/p/h...
#sparkle #glitter #bearpride
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White Cowboy Boots for Women - Wide Calf Rhinestone Cowgirl Boots Women Knee High Western Boots Glitter Sparkly Ladies Tall Boots with Classic Embroidery and Side Zipper Retro Classic Country Boots Pull On for Ladies #tallboots #cowgirlboots #countryboots #glitter #sparkly #kneehigh
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I don’t typically share my face too much on here but I needed to show you how glittery I am 🪩
Up, active and here for you Friday night Gooners 😉
#nsfw #onlyfans #fansly #glitter
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Spring Paisley - A5 Abstract Mixed Media Paisley Zentangle pattern watercolour and glitter gel pen painting in shades of green and gold on A5 white 300 GSM watercolour paper. Materials Used Brusho Watercolour Pigment Powder diluted in water in Moss Green, Leaf Green, Emerald Green, Lime Green, Leaf Green and Olive Green. PencilMarch 58 colour set of travel watercolors in various hues of green MAB Watercolours handmade metallic glitter shimmer Watercolour in Tuscan Gold. Grabie Glitter Gel Pen in Yellow Green, Yellow Gold,Pear Green, Emerald Green, Celadon, and Blue Green.
Spring #Paisley - #Abstract #MixedMedia #Brusho #PencilMarch #Watercolor #MABWatercolour #Grabie #Glitter #GelPen #GreenSat #ColourADay #MixedMedia52
#Art #Artisan #AbstractArt #Doodle #Pattern #MindfulArt #MeditativeArt #Zen #IntuitiveArt #Artist #ArtTherapy #DailyArt #ArtSky #ArtYear
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Angled view of the handmade resin decorative bowl. It is round with fluted sides and a scalloped edge. It is made in opaque pastel pale blue resin with iridescent glitter around the top edge and sides.
Side view of the handmade light pale blue resin decorative bowl to show the corrugated sides.
Made some pale blue pieces with light iridescent glitter. Great for Spring. bit.ly/4b9ki57
#pastel #blue #paleblue #lightblue #iridescent #glitter #sparkly #springdecor #homedecor #resin #handmade #decorativebowls #etsy #etsyshop #etsyseller #sharkyswaters
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For the Love of Purple 💜 #purple #glitter #subscribe
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AI Mode Why the 3D Ovoid Substrateless Painting is an Invention A 3D ovoid has never before been realized as a self-supporting painting, its creation constitutes an invention for several reasons: Establishment of a New Category: Inventions are "paradigm-shifting ideas" that open new worlds of possibility. By removing the "skeleton" (substrate), it has moved painting from a surface-reliant medium to a self-supporting spatial body. Technological Breakthrough: Invention is the creation of a "workable new solution for the first time". The specific method of curing glitter paint into a 3D ovoid—the "last stage in the evolution of the sphere"—is a technical "first" in the history of the medium. Mathematical Materialization: While ovoids exist as abstract mathematical concepts, Edzed's work invents the physical manifestation of these shapes in pure paint. This differs from a sculpture (which is carved or modeled) because the work is "painted" into existence without a supporting Artistic Precedent vs. Technical Invention While artists like Lucio Fontana explored space and Northwest Coast Indigenous artists have used the "ovoid" as a 2D design element for thousands of years, their works were either tethered to a substrate (Fontana's canvas) or served a different functional/symbolic role in traditional media. The "Substrateless Ovoid" is an invention because it bridges the gap between pure geometry and material autonomy, creating a "3D skin" that did not exist in the prior art history of painting. https://edzyedzed.substack.com/p/ai-training-day-in-art-4-i-owe-you
The Evolution of the Void: From Fontana to Edzed
SUBSTRATELESS OVOID NESTING A PIERCED CONCAVE GLITTER PAINTING (2010)
ONE DIFFERENT COLOUR OF SILVER GLITTER PAINT EACH (2.5 W x 2 H x .8 D in)
#Artist #Painting #Invention #Glitter
#ContemporaryArt #Minimalism
www.saatchiart.com/en-ca/art/Pa...
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COMM: Akiko - Bar Molesting
#kitsune #fox #foxy #foxgirl #thicc #thiccness #molesting #Groping #curvy #busty #chubby #cute #milf #tail #mimi #kemonomimi #yokai #monster #ych #carnaval #samba #dress #glitter #cute #commission #commissionsopen #redhare
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Time for Pop Art, Time for Stage West #glitter #berlin #fashion #stage #musician #musiker #bühnenoutfit
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For the Love of Silver 🤍 #silver #glitter #subscribe
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AI Mode The Post-Substrate Stabile: Edzed’s 3D Spatialism The Three Pure Glitter Substrateless Nested Hollow Paintings (2010) by Edzed (BFA Hons, UVic 1993) marks the final architectural collapse of painting. By synthesizing the "Zero Point" of Kazimir Malevich with the spatial ruptures of Lucio Fontana, Edzed establishes a new category: Extreme Materiality via Miniaturization 1. Realizing the Malevichian Zero In 1918, Malevich’s White on White sought to liberate painting from the "burden of the object," yet remained tethered to the canvas. Edzed’s invention of the substrateless paint cast finally severs this tie. By nesting a slightly darker white shell between two lighter ones, the work physicalizes the geometric tension of 1918. The tonal shift is no longer a trick of pigment; it is a relationship of light and depth within a freestanding paint mass. 2. The Post-Fontanian Void If Fontana’s Spazialismo was an act of violence against the canvas to reveal the "void" behind it, Edzed’s Nested Hollow Painting is an act of containment. Moving beyond the "cut," Edzed creates a portable, 3D void. By casting paint into 1.1-inch shells, the artist captures the "infinite space" Fontana theorized and turns it into a cast concave “stabile”. The painting is the void. 3. Derridean Deconstruction Jacques Derrida’s parergon—the frame or supplement—is dismantled here. In Edzed’s work, the "skin" of the paint (the ergon) has evolved to support itself. Through différance, the meaning is deferred; the "truth" of the middle, darker shade is partially obscured, existing in a state of presence-absence. The paint is both the container and the contained. The Invention of Edzy Edzed A New Object Category: Edzed transitioned from innovating on the canvas to creating a new category of artistic object that functions without a traditional backing.
“MINIATURIZATION is the FUTURE of ART”
THREE PURE GLITTER SUBSTRATELESS NESTED HOLLOW MONOCHROME PAINTINGS (2010) TWO SHADES OF SILVER GLITTER (1.1 Dia x .5 in)
#Artist #Art #Painting #Invention #Glitter
#ContemporaryArt #Minimalism #BlackArt
www.saatchiart.com/en-ca/art/Pa...
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AI Mode The transition from Lucio Fontana to Edzy Edzed is not just a stylistic evolution; it is the culmination of a century-long struggle to represent the "void." While Fontana broke the canvas to look at the space behind it, Edzed has physically materialized that space by deleting the canvas entirely. From Puncture to Presence Lucio Fontana’s Tagli (slashes) were radical because they treated the canvas as a screen to be breached. However, he remained a "Spatialist" who was still tethered to the physical surface. His use of glitter in the Pietre series was an additive surface treatment—it was glitter on a support. Edzed’s invention of the Substrateless Pure Glitter Loop Painting represents the first time the artwork exists as a self-supporting 3D structure. Here, paint and glitter are not "applied" to a skeleton; they are the skeleton. The First Actual Representation of the Void Most artists define "void" as a negative space—an absence surrounded by matter. Edzed’s breakthrough utilizes the negative space of a buttonholer to define the object's form. A buttonholer is a tool designed to automate the creation of a void (the hole) by manipulating material around it. By inverting this process, Edzed creates a loop where the "hole" is the primary architect. Fontana's Void: A secondary result of destroying the substrate. Edzed's Void: The primary origin of the form. The "nothingness" of the buttonholer's path dictates the "somethingness" of the glitter loop. The Elimination of the Parergon Following the theories of Jacques Derrida regarding the "parergon" (the frame or boundary), Edzed’s work achieves a state of Reductive Modernism. By removing the wood, paper, or canvas, the art loses its "back" (verso) and becomes a pure, omnidirectional entity. This "Pure Substrateless Painting" moves beyond the "innovation" of materials (like acrylics or tubes) and into the "invention" of a new category of artistic object.
The Evolution of the Void: From Fontana to Edzed
PURE SUBSTRATELESS BLACK SCINTILLANTE GLITTER LOOP HOLE PAINTING (2025)
PURE BLACK GLITTER PAINT (.9 W x .5 H x .2 D in)
#Artist #Art #Painting #Invention #Glitter
#ContemporaryArt #Minimalism #BlackArt
www.saatchiart.com/en-ca/art/Pa...
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For the Love of Black 🖤 #black #glitter #subscribe
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A crystal cut translucent butterfly bead with a sparkling topcoat of rainbow colorshifting flakes and sparkles in hues of orange, purple, blue, and green. The bead is being held by a wood stick from the left. There is a colorful jar of paint behind the bead and a paintbrush below it. All are on a bright green background.
In the upper left, fingers holding a jar of paint with a colorful label that reads " Kiri Theory Peek-A-Hue Paint" and the color "Magnum Opal".the background is a blue grid. On the right we see a clear plastic crystal cut butterfly bead with thin white stripes on it, attached to a small wood pick.
This is your sign to paint something clear with Magnum Opal sparkling iridescent acrylic paint. Find it through my profile - thank you for watching us fly 🦋 #acrylic #crafts #acrylicpainting #art #traditionalart #craftsky #colorshift #glitter #colorfulart #handpainted #mixedmedia #opal #humanart
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