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This winter, Luminism transformed venues across the UK with immersive light trails and creative installations, welcoming thousands of visitors and bringing spaces to life through light.

Explore more: bit.ly/43p9onx

#Luminism #LightTrails #CreativeLighting

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After the Civil War, Homer often explored women’s new societal roles in his art. This modern leisure subject confounded critics when it was first exhibited in New York, in 1870, perhaps for its disquieting sense of voyeurism and mystery. Emerging after a swim, a woman wrings out her heavy bathing clothes and hair as a small dog appears startled by dripping water. Some viewers focused on issues of decorum and class, criticizing the women’s state of undress—even though they wear typical bathing costumes of the era—and one described them as "exceedingly red-legged and ungainly."

The work falls within the period of American Luminism and the rise of Realism the late 19th century. While Realism influenced by the Hudson River School's romanticized landscapes, Homer moved towards more direct and unsentimental portrayal of nature. This work anticipates the later development of American Impressionism and foreshadows the focus on subjective experience and atmospheric effects that would characterize the movement. It represents a shift away from detailed topographical accuracy towards capturing the emotional impact of the natural world.

After the Civil War, Homer often explored women’s new societal roles in his art. This modern leisure subject confounded critics when it was first exhibited in New York, in 1870, perhaps for its disquieting sense of voyeurism and mystery. Emerging after a swim, a woman wrings out her heavy bathing clothes and hair as a small dog appears startled by dripping water. Some viewers focused on issues of decorum and class, criticizing the women’s state of undress—even though they wear typical bathing costumes of the era—and one described them as "exceedingly red-legged and ungainly." The work falls within the period of American Luminism and the rise of Realism the late 19th century. While Realism influenced by the Hudson River School's romanticized landscapes, Homer moved towards more direct and unsentimental portrayal of nature. This work anticipates the later development of American Impressionism and foreshadows the focus on subjective experience and atmospheric effects that would characterize the movement. It represents a shift away from detailed topographical accuracy towards capturing the emotional impact of the natural world.

Eagle Head, Manchester, Massachusetts (High Tide) by Winslow Homer, 1870, The Metropolitan Museum of Art (New York City, NY)

#ArtHistory #Luminism

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Swatara Creek (2016) - Timothy Barr #luminism

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Waves crash against a rocky shore. A lighthouse stands on the shore in the upper left of the image; a small house is to its left. The scene appears to be illuminated by the light of a full moon, just out of frame.

Waves crash against a rocky shore. A lighthouse stands on the shore in the upper left of the image; a small house is to its left. The scene appears to be illuminated by the light of a full moon, just out of frame.

#LighthouseArt of the Day

Albert Bierstadt (German-American, 1830-1902), Newport #Lighthouse, 1860s, oil on paper mounted on masonite.

Courtesy Santa Barbara Museum of Art, sbma.org

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#art #artsky #AmericanArt #OilPainting #seascape #MarineArt #MaritimeArt #HudsonRiverSchool #luminism

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Heade made over 100 paintings of salt marshes, whose flat expanses provided a canvas for the play of weather and tides. In "Sudden Shower, Newbury Marshes," Heade's mastery of perspective allows the small canvas to convey a sense of the broad, flat landscape of the Massachusetts coast. In contrast to the regularly spaced haystacks, the looming clouds and veils of rain in this painting suggest impending change. Americans transformed agriculture by introducing the first effective harvesting machinery in the 1840s, yet Heade depicts the gathering of salt hay for animal feed, a traditional process resistant to mechanization and necessitated by the encroachment of New England's cities upon its pastures. Built on stilts, the haystack in the foreground suggests the fragility of the region's rural economy.

Heade made over 100 paintings of salt marshes, whose flat expanses provided a canvas for the play of weather and tides. In "Sudden Shower, Newbury Marshes," Heade's mastery of perspective allows the small canvas to convey a sense of the broad, flat landscape of the Massachusetts coast. In contrast to the regularly spaced haystacks, the looming clouds and veils of rain in this painting suggest impending change. Americans transformed agriculture by introducing the first effective harvesting machinery in the 1840s, yet Heade depicts the gathering of salt hay for animal feed, a traditional process resistant to mechanization and necessitated by the encroachment of New England's cities upon its pastures. Built on stilts, the haystack in the foreground suggests the fragility of the region's rural economy.

Sudden Showers, Newbury Marshes by Martin Johnson Heade, 1875, Yale University Art Gallery (New Haven, Connecticut, United States)

#ArtHistory #Luminism #HudsonRiverSchool

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California Spring (1875) - Albert Bierstadt (1830–1902) #luminism #landscape

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A lighthouse stands on a forested hill at sunset, with the sun just below the horizon to the left. A sailboat is passing by to the right, and there are rolling hills in the distance. The scene is suffused with a soft golden light.

A lighthouse stands on a forested hill at sunset, with the sun just below the horizon to the left. A sailboat is passing by to the right, and there are rolling hills in the distance. The scene is suffused with a soft golden light.

#LighthouseArt of the Day

Fitz Henry Lane (American, 1804-1865), View of Camden Mountains from #Penobscot Bay, n.d., oil on board.

Courtesy Crystal Bridges
Museum of #AmericanArt, crystalbridges.org

#art #artsky #lighthouse #Maine #luminism #landscape #seascape #NewEngland #Maine #OilPainting

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A Storm in the Rocky Mountains, Mt. Rosalie (1866) - Albert Bierstadt #landscape #luminism #hudson_river_school

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Fishermen (1891) - Leon Wyczółkowski (1852-1936) #impressionism #luminism

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LUMINISM || Our team has been brightening up winter across the country with our Illuminated Light Trails! ✨ Curious about more creative light art and installations? Check it out here: bit.ly/43p9onx

#YesEvents #Luminism #LightTrails #LightArt

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Jerusalem from the Mount of Olives (1870) - Frederic Edwin Church #luminism #landscape

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Aurora Borealis (1865) – Frederic Church’s Late Arctic Vision #luminism #landscape

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This painting represents Heade’s mature style from the 1870s and contains many of the compositional elements that have led modern scholars to celebrate the artist as a proponent of Luminism. A 20th-century term, Luminism has consistently been linked to the 19th-century philosophical doctrine of transcendentalism. Stylistically, it is characterized by a horizontal format; tight, invisible brushwork; and pervasive light emanating from an unseen source. Together these qualities embody the intellectual spirit of the American writer and philosopher Ralph Waldo Emerson, who found transcendental unity in the contemplation of nature’s stillness.

This painting represents Heade’s mature style from the 1870s and contains many of the compositional elements that have led modern scholars to celebrate the artist as a proponent of Luminism. A 20th-century term, Luminism has consistently been linked to the 19th-century philosophical doctrine of transcendentalism. Stylistically, it is characterized by a horizontal format; tight, invisible brushwork; and pervasive light emanating from an unseen source. Together these qualities embody the intellectual spirit of the American writer and philosopher Ralph Waldo Emerson, who found transcendental unity in the contemplation of nature’s stillness.

York Harbor, Coast of Maine by Martin Johnson Heade, 1877, The Art Institute of Chicago (Chicago, IL)

#ArtHistory #ModernArt #Luminism

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Rainy Season in the Tropics (1866) - Frederic Edwin Church #landscape #luminism #hudson_river_school

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Sunrise on the Matterhorn - Albert Bierstadt (1830–1902) #landscape #hudson_river_school #luminism

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Landscape as a form of theater and spectacle culminated in 19th-century American art with the work of Thomas Moran and Albert Bierstadt. Both artists emigrated from Europe at young ages and went on to achieve success as interpreters of the American West. The new, epic landscape they depicted functioned as a national symbol of grandeur and promise, yet at the same time it served as rumination on the subject of nature and the divinity to be found within it.

Bierstadt first left the East Coast to travel west in 1859, accompanying a government-sponsored trip from Missouri to the Rocky Mountains. Compiled from close observation, sketches, and stereoscopic views taken on the expedition, "Indians Spear Fishing" portrays the West as a pristine, sublime wilderness that seemingly could be found only in the Bible's Book of Genesis. Within a compressed space, Bierstadt draws together barren rock formations, towering waterfalls, spindly trees, crystalline water reflecting rocky outcrops, and a peak that pierces the wispy and moisture-laden clouds, turning to mist below. In the brightly lit foreground near the shore, a boat filled with three Native Americans provides scale and identifies the location as unmistakably that of the West; the boat laden with furs spells the riches of the land.

Landscape as a form of theater and spectacle culminated in 19th-century American art with the work of Thomas Moran and Albert Bierstadt. Both artists emigrated from Europe at young ages and went on to achieve success as interpreters of the American West. The new, epic landscape they depicted functioned as a national symbol of grandeur and promise, yet at the same time it served as rumination on the subject of nature and the divinity to be found within it. Bierstadt first left the East Coast to travel west in 1859, accompanying a government-sponsored trip from Missouri to the Rocky Mountains. Compiled from close observation, sketches, and stereoscopic views taken on the expedition, "Indians Spear Fishing" portrays the West as a pristine, sublime wilderness that seemingly could be found only in the Bible's Book of Genesis. Within a compressed space, Bierstadt draws together barren rock formations, towering waterfalls, spindly trees, crystalline water reflecting rocky outcrops, and a peak that pierces the wispy and moisture-laden clouds, turning to mist below. In the brightly lit foreground near the shore, a boat filled with three Native Americans provides scale and identifies the location as unmistakably that of the West; the boat laden with furs spells the riches of the land.

Indians Spear Fishing by Albert Bierstadt, 1862, The Museum of Fine Arts, Houston (Houston, TX)

#ArtHistory #HudsonRiverSchool #Luminism

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View near New London, Connecticut by Francis Augustus Silva, 1877, Brooklyn Museum (Brooklyn, NY)

#ArtHistory #HudsonRiverSchool #Luminism

For more on Silva and his work, see nasjournal.org/NASJ/article...

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Rocky Mountain Landscape (1870) - Albert Bierstadt (1830–1902) #luminism #hudson_river_school #landscape

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Boerderij te Blaricum - Dromerige zomerse sfeer van een verlaten binnenplaats | Farmhouse in Blaricum - Dreamy summer atmosphere of an abandoned courtyard.
Co Breman in Gouda #artmuseum.
#art #impressionism #fineart #larenseschool #pointillism #luminism #oil #painting #oilpainting #landscape

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Aurora Borealis (1865) - Frederic Edwin Church #luminism #landscape

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A tranquil river - Henri Biva (1848-1928) #luminism #realism #naturalism

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Among the Sierra Nevada, California (1868) - Albert Bierstadt #luminism #landscape

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Indians Spear Fishing (1862) - Albert Bierstadt (1830-1902) #luminism #hudson_river_school #landscape

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Santa Maria a Cetrella, Anacapri (c.1892) - William Stanley Haseltine (1835-1900) #landscape #luminism

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Looking Down Yosemite Valley, California (1865) - Albert Bierstadt #luminism #landscape

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Two American fur traders on horseback are about to enter an encampment of Kaw families in what is now northeastern Kansas. The tranquility of the scene suggests a peaceful and mutually productive trade relationship. But Bierstadt, like most of his contemporaries, knew that as European American settlers pushed westward they forced Indigenous Americans to change their way of life — often through violence. Many, including the Kaw, were forcibly removed from their land.

Two American fur traders on horseback are about to enter an encampment of Kaw families in what is now northeastern Kansas. The tranquility of the scene suggests a peaceful and mutually productive trade relationship. But Bierstadt, like most of his contemporaries, knew that as European American settlers pushed westward they forced Indigenous Americans to change their way of life — often through violence. Many, including the Kaw, were forcibly removed from their land.

The Wolf River, Kansas by Albert Bierstadt, c. 1859, Detroit Institute of Arts (Detroit, MI)

#ArtHistory #ModernArt #Luminism

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Valley of the Yosemite (1864) - Albert Bierstadt #hudson_river_school #luminism #landscape

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A Moment in Time
Matthew Draper & Andy Heald
Open Tues-Sat 11-4 & Sun 12-4pm until 12 October.

Matthew Draper VAS SSA PS
06.40) 12.3.2024
Pastel on Paper
45cm x 37.5cm

#matthewdraper #bassrock #luminism #crepuscular #light #amomentintime

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Emile Claus, Flemish painter, was born #OnThisDay in 1849. Influenced by Claude Monet, he developed a personal style of #Impressionism called #Luminism, which devotes great attention to light effects.
🎨 Summer Morning, 1891 / The Gate of Villa Zonneschijn, 1912
#Art #Painting

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A Moment in Time
Matthew Draper & Andy Heald
Open Tues-Sat 11-4 & Sun 12-4pm until 12 October.

The beauty & stillness of a summer sunset over Bass Rock.

Matthew Draper SSA VAS PS
(20:32) 02.07.25
Pastel on Paper
79x107.5cm

#bassrock #luminism #matthewdraper #amomentintime #pastel #sunset #drawing

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