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Posts tagged #mannerism

Emilio de' Cavalieri: Eram Quasi Agnus
Emilio de' Cavalieri: Eram Quasi Agnus YouTube video by Rodrigo Rosa

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#renaissancemusic #baroque #renaissance #painting #Mannerism

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9pm TODAY on @SkyArts

Art's Wildest Movement: Mannerism
Ep 1 of 3, Goodbye Renaissance

Art historian Waldemar Januszczak explores the style of 16th-century European art in which the human imagination was allowed to run wild and be exciting

#ArtHistory #Mannerism

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Venus and Cupid (1550s) - Lambert Sustris (1515–1584) #mannerism #mythological_painting

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Claudio Monteverdi: Magnificat, Suscepit Israel
Claudio Monteverdi: Magnificat, Suscepit Israel YouTube video by Rodrigo Rosa

Intermezzo
#baroque #monteverdi #Mannerism #painting

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Charles de Guise (1525-1574), Archbishop of Reims, was one of the leaders of the Spanish Catholic Party at the court of the last Valois. The parrot, Italian 'papagallo' points as a pun (Papa gallo = Gallic pope) to the ambitions of the cardinal.

A contemporary reproduction engraving (parrot replaced by cross) and several old copies are known.

The attribution to El Greco is based on stylistic considerations and is agreed upon by most scholars.

Charles de Guise (1525-1574), Archbishop of Reims, was one of the leaders of the Spanish Catholic Party at the court of the last Valois. The parrot, Italian 'papagallo' points as a pun (Papa gallo = Gallic pope) to the ambitions of the cardinal. A contemporary reproduction engraving (parrot replaced by cross) and several old copies are known. The attribution to El Greco is based on stylistic considerations and is agreed upon by most scholars.

Portrait of Charles de Guise, Cardinal de Lorraine by El Greco, 1572, Kunsthaus Zürich (Switzerland)

#ArtHistory #Mannerism

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a quick study for today

#drawing #figurestudy #hair #mannerism #art

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A classical depiction of Bacchus, the Roman god of wine, in a half-length oval format. He is shown with a muscular physique, grapevines adorning his hair, and holding a drinking vessel (a rhyton) above his head. To his right, a smaller figure (a putto or satyr) is eating grapes. The intricate background and detailed shading showcase the artist's skill in the Mannerist style.

A classical depiction of Bacchus, the Roman god of wine, in a half-length oval format. He is shown with a muscular physique, grapevines adorning his hair, and holding a drinking vessel (a rhyton) above his head. To his right, a smaller figure (a putto or satyr) is eating grapes. The intricate background and detailed shading showcase the artist's skill in the Mannerist style.

Bacchus by Hendrich Goltzius, c. 1600 (engraving)
#HendrichGoltzius #bacchus #dionysos #dionysus #engraving #art #mannerism

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Crowning with Thorns, Titian (c.1570 - c.1575)

Crowning with Thorns, Titian (c.1570 - c.1575), etidiohnew.blogspot.com/2026/02/crow...

#arts #paintings #mannerism #titian

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5 Facts about the Counter-Reformation in Art You Need to Know The post 5 Facts about the Counter-Reformation in Art You Need to Know appeared first on DailyArt Magazine.
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Iustitia, Maerten van Heemskerck (1556)

Iustitia, Maerten van Heemskerck (1556), etidiohnew.blogspot.com/2026/01/iust...

#art #paintings #mannerism

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Masterpiece Story: Madonna with the Long Neck by Parmigianino The post Masterpiece Story: Madonna with the Long Neck by Parmigianino appeared first on DailyArt Magazine.
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El Greco
(Domenikos Theotokopoulos)

-El caballero de la mano en el pecho, 1580
-El entierro del Conde de Orgaz, 1586
-Vista de Toledo, 1600

#mannerism #spanishrenaissance #counterreformation #spanishmysticism #arthistory

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#18thcScores
#IMSLP #250Anniversary
Discover rare 18thc score:
#Galuppi 1706-1785
1775: #SalveRegina features typical sweetCantabile, counterpoint, #SturmDrang #Mannerism, even #AffannoMorte reused by #Mozart for his #Requiem1791!
Adored by #Haydn #Gretry!
imslp.org/wiki/Salve_r...

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A Monk and a Nun (also known as The Monk and the Beguine) (1591) - Cornelis van Haarlem #mannerism #genre_painting

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It was said of El Greco that he painted with a piece broken off a wooden cross, without making any corrections, so that "every patch of paint corresponds to God's will." The story is not factual, yet it speaks volumes: it is as if the febrile visions evolved from the roughly defined, impetuous forms at the touch of some mystic power. Yet it is not, after all, God's hand at work, but the painter's passionate faith and talent, which forged a new organic unity from Christendom's two great painting traditions. Domenikos Theotokopoulos from Crete was already a recognized master of the old-style icon painting before he was captivated by the modern western style of Titian and Tintoretto. Wherever fate took him, to Venice, to Rome, and finally to Spain, in his soul he remained "El Greco," "the Greek."

A former harlot, Magdalene turned to Jesus's most devoted believer. Following Titian, Greco condensed her story into the single moment of ecstasy: the moment when she, meditating in the wilderness on death and immortality, converts. While for Titian her passionate revelation is accompanied by erotic overtones, here the blinding beam of light seems to purify her, almost uplifting her from the bonds of corporeality. The skull, which refers to earthly mortality, has rolled out of her hand, and behind her ivy, symbol of eternal life, stretches heavenwards. The dawn landscape, bathed in cold moonlit pale tones, is a delicate echo of the emanating experience of spiritual catharsis.

It was said of El Greco that he painted with a piece broken off a wooden cross, without making any corrections, so that "every patch of paint corresponds to God's will." The story is not factual, yet it speaks volumes: it is as if the febrile visions evolved from the roughly defined, impetuous forms at the touch of some mystic power. Yet it is not, after all, God's hand at work, but the painter's passionate faith and talent, which forged a new organic unity from Christendom's two great painting traditions. Domenikos Theotokopoulos from Crete was already a recognized master of the old-style icon painting before he was captivated by the modern western style of Titian and Tintoretto. Wherever fate took him, to Venice, to Rome, and finally to Spain, in his soul he remained "El Greco," "the Greek." A former harlot, Magdalene turned to Jesus's most devoted believer. Following Titian, Greco condensed her story into the single moment of ecstasy: the moment when she, meditating in the wilderness on death and immortality, converts. While for Titian her passionate revelation is accompanied by erotic overtones, here the blinding beam of light seems to purify her, almost uplifting her from the bonds of corporeality. The skull, which refers to earthly mortality, has rolled out of her hand, and behind her ivy, symbol of eternal life, stretches heavenwards. The dawn landscape, bathed in cold moonlit pale tones, is a delicate echo of the emanating experience of spiritual catharsis.

The Penitent Mary Magdalene by El Greco, 1576-1577, Museum of Fine Arts, Budapest (Budapest, Hungary)

#ArtHistory #Mannerism #LateRenaissance #SpanishPeriod

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The fall of Ixion (Ovid, Met. 4:461) (c.1588) - Cornelis van Haarlem (1562–1638) #mannerism #mythological_painting

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Eddy Mann (@eddymann) What a wonderful comforting verse of scripture this is ... For the Lord your God is living among you. He is a mighty savior. He will take delight in you with gladness. With his love, he will calm all...

What a wonderful comforting verse of scripture...
#SubStack #Zephaniah3_17 #Comfort #Mannerism

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The Knight in Black (1567) - Giovanni Battista Moroni #mannerism #portrait

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"Madame Cyclops" face was elongated on purpose! Was going for a "mannerism" look. She done up in reds to invoke the red light district. While male cyclops tend to be violent female ones are considered seers and truth sayers. #watercolor #cyclops #mannerism

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Masterpiece Story: An Allegory with Venus and Cupid by Agnolo Bronzino The post Masterpiece Story: An Allegory with Venus and Cupid by Agnolo Bronzino appeared first on DailyArt Magazine.
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Bronzino in 10 Paintings The post Bronzino in 10 Paintings appeared first on DailyArt Magazine.
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Dressed in Power: Portrait of Eleanor of Toledo by Agnolo Bronzino The post Dressed in Power: Portrait of Eleanor of Toledo by Agnolo Bronzino appeared first on DailyArt Magazine.
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Elegance and Drama: All You Need to Know About Mannerism The post Elegance and Drama: All You Need to Know About Mannerism appeared first on DailyArt Magazine.
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The whole earth system increasingly turns out to be a patchwork of interlocking machines, composed through microbiotic, financial, digital, industrial, institutional, algorithmic, and infrastructural feedback #ecologicalthought #mannerism
#philsky

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The Martyrdom of St Maurice (c.1580-82) - El Greco (1541–1614) #mannerism #religious_painting

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The Mannerist Splendor: Meet Four Powerful Women of Bronzino The post The Mannerist Splendor: Meet Four Powerful Women of Bronzino appeared first on DailyArt Magazine.
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The Mannerist Splendor: Meet Four Powerful Women of Bronzino The post The Mannerist Splendor: Meet Four Powerful Women of Bronzino appeared first on DailyArt Magazine.
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The Mannerist Splendor: Meet Four Powerful Women of Bronzino The post The Mannerist Splendor: Meet Four Powerful Women of Bronzino appeared first on DailyArt Magazine.
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The Mannerist Splendor: Meet Four Powerful Women of Bronzino The post The Mannerist Splendor: Meet Four Powerful Women of Bronzino appeared first on DailyArt Magazine.
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The Mannerist Splendor: Meet Four Powerful Women of Bronzino The post The Mannerist Splendor: Meet Four Powerful Women of Bronzino appeared first on DailyArt Magazine.
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