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Posts tagged #museumart

layer to the experience. It’s not just about history or symbolism, it’s about the subtle differences and striking similarities between the person and the painted version that has come to define them.

#arthistory #famouspaintings #museumart #classicart #renaissanceart

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War art, medieval battle, monumental composition

War art, medieval battle, monumental composition

Become My Mirror, Follow After Me, 2018-2024, Digital painting

#art #fineart #digitalart #warart #battleart #neoexpressionism #expressionism #brooklynartist #artinamerica #newyorkart #galleryart #museumart #digitalpainting #darkart #apolianorvs

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The Skara Brae “Buddo” whalebone figure, Stromness Museum, Orkney 11.05.22

More info here www.orkney.com/news/orcadia...

#AnimalArtTuesday #ArtYear
#MuseumArt #photography
#PhotographersofBlueSky
#SkaraBrae #Orkney

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This drawing is also about the museum.
Riso illustration-London Transport Museum.
I draw 4 different transportations from different periods, to show the transition and progress.
#illustration #drawing #painting #museumart

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Moulin Rouge
★★★★★
#DigitalArt#MuseumArt#Eroticism

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Theater of the Absurd
#AIillustration #FineArt #MuseumArt

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Jan van Eyck - The Arnolfini Portrait - 1434.

#JanVanEyck #ArnolfiniPortrait #ArtHistory #RenaissanceArt #FlemishPainting #Masterpiece #ArtLovers #CulturalHeritage #MuseumArt #ClassicArt

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New blog post! We worked with artist John Sabraw, laser cutting EcoFelt panels for his "Glide" installation at the Canton Museum of Art. It's amazing what you can create with precision tools!

www.lasercuttingshapes.com/2025/10/10/f...

#johnsabraw #artandtech #lasercutting #museumart #ecofelt

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A young woman with light, peach-toned skin stands in three-quarter profile, torso angled toward us while her face turns beyond the right edge, as if listening offstage. Her dark hair is swept into an updo; a beaded golden hoop earring catches the light. Over a pink dress that clings at the bodice and loosens into rippling folds at her waist, she wears a short, elaborately embroidered bolero lined in red satin, its matador-like cut evoking Spanish performance dress. She rests the guitar’s body on her thigh and lightly grips the headstock with elongated fingers; a gemstone ring flashes on her left hand. Brushstrokes churn around her in ochres, warm grays, and rose, while a bubble-like “LV” monogram hovers at the upper right.

Boldini painted this intimate figure soon after settling in Paris, when he was exploring how meticulous detail could dance with sweeping brushwork. In 1876, critic Diego Martelli called Boldini “a mass of looseness and finish, of false and of true,” urging viewers to take the painter on his own terms. Boldini’s ability with microscopic qualities and agile brushwork are seen in the jeweled ring, earring, and crisp jacket seams that punctuate a field of vibrating paint.

The chaquetilla-style jacket and guitar nod to the 19th-century European fascination with Spain (especially flamenco’s singing and dance). Yet the props likely came from Boldini’s own studio wardrobe, part of the staged theatricality he, Meissonier, and Fortuny cultivated with models and costumes. The floating “LV” monogram functions like the stamps and cartouches of ukiyo-e prints then flooding Paris, a device Boldini adopts to keep one element consciously “above” the image.

Though the figure’s décolleté signals the era’s taste for erotically charged studio subjects, her turned head also resists capture, suspending her between performance and private focus. Boldini presents music imagined through paint, presence built from gesture, and identity staged, but never fully fixed.

A young woman with light, peach-toned skin stands in three-quarter profile, torso angled toward us while her face turns beyond the right edge, as if listening offstage. Her dark hair is swept into an updo; a beaded golden hoop earring catches the light. Over a pink dress that clings at the bodice and loosens into rippling folds at her waist, she wears a short, elaborately embroidered bolero lined in red satin, its matador-like cut evoking Spanish performance dress. She rests the guitar’s body on her thigh and lightly grips the headstock with elongated fingers; a gemstone ring flashes on her left hand. Brushstrokes churn around her in ochres, warm grays, and rose, while a bubble-like “LV” monogram hovers at the upper right. Boldini painted this intimate figure soon after settling in Paris, when he was exploring how meticulous detail could dance with sweeping brushwork. In 1876, critic Diego Martelli called Boldini “a mass of looseness and finish, of false and of true,” urging viewers to take the painter on his own terms. Boldini’s ability with microscopic qualities and agile brushwork are seen in the jeweled ring, earring, and crisp jacket seams that punctuate a field of vibrating paint. The chaquetilla-style jacket and guitar nod to the 19th-century European fascination with Spain (especially flamenco’s singing and dance). Yet the props likely came from Boldini’s own studio wardrobe, part of the staged theatricality he, Meissonier, and Fortuny cultivated with models and costumes. The floating “LV” monogram functions like the stamps and cartouches of ukiyo-e prints then flooding Paris, a device Boldini adopts to keep one element consciously “above” the image. Though the figure’s décolleté signals the era’s taste for erotically charged studio subjects, her turned head also resists capture, suspending her between performance and private focus. Boldini presents music imagined through paint, presence built from gesture, and identity staged, but never fully fixed.

“Lady with a Guitar” by Giovanni Boldini (Italian) - Oil on panel / c. 1873 - The Walters Art Museum (Baltimore, Maryland) #WomenInArt #art #artText #artwork #GiovanniBoldini #Boldini #WaltersArtMuseum #TheWalters #pink #portraitofawoman #BlueskyArt #OilPainting #ItalianArtist #1870s #MuseumArt

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✨🌿 Commission Work!
Commissioned for a nature museum, these playful little drawings were needed and intentionally done in a simpler, stylized way. More of my regular art coming soon! 🖌️💛
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#CommissionedArt #ChildrensArt #NatureArt #WhimsicalArt #MuseumArt #SimpleArt #IllustrationCommission

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The image is of a large leopard sitting above a girl in bed and licking the top of her head.  While this would be completely innocent if it were a house cat,  and it looks like the leopard is being friendly, there's serious tension in the scene.

The image is of a large leopard sitting above a girl in bed and licking the top of her head. While this would be completely innocent if it were a house cat, and it looks like the leopard is being friendly, there's serious tension in the scene.

While in Barcelona I saw some paintings by Guillermo Lorca at the Moco that were both fascinating and disturbing as in this image from a postcard I bought. This picture wasn't shown, but I did go back to the exhibit several times in my stay. The tension there....

#Caturday #cats ?
#MuseumArt

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What if visitors could instantly unlock exhibit insights—without searching?
EasyGuide’s optical recognition makes it possible! Just scan, and optical recognition delivers, creating a seamless, interactive museum experience.
#MuseumTech #OpticalRecognition #MuseumArt

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The Annapolis Maritime Museum, Annapolis, Maryland, 2025. #Photography #Art #Maryland #Annapolis #MaritimeMuseum #TravelPhotography #Mural #MuseumArt #StreetPhotography #CarCampingChronicles #Wildlife #Explore #NatureArt #AfternoonWalk

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FOLLENTE: PERSONAGES follenteartistpainter@gmail.com -instagram/follente.artistpainter #artgalleries #worksofart #originalart #creativeart #symbolim #oiloncanvas #colorpencilsonpaper #artcollectors #decoratorsart #museumart #fineart #newart #figurativeart #pictoricart #academicart #artistfollente

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FOLLENTE 🎨 PALOMAS Y LAMBRADAS - PIGEONS AND WIRED follenteartistpainter@gmail.com -instagram/@follente.artistpainter #artgalleries #worksofart #symbolism #creativeart #originalart #decoratorsart #oiloncanvas #colorpencilsonpaper #fineart #museumart #follenteartistpainter #artistapintorfollente #art

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Franz's mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art.[2] However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. 
– Wikipedia

Franz's mature works mostly are animals, and are known for bright colors. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun. In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art.[2] However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. – Wikipedia

Franz Marc (German, 1880-1916) • The White Cat • 1912 (see ALT text)
#FranzMarc #art #arthistory #caterday #CatArt #painting #GermanArtist #ModernistArt #Early20thCenturyArt #painting #GermanExpressionism #ExpressionistArt #cats #ArtistBiography #OilPainting #MuseumArt #artwork

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“The painter’s unusual compositions, crafted with a distinct visual language, set him apart from his contemporaries,” says Amy Scanlon, Sworders’ Head of Picture Department. “Burra rejected formal affiliations with artistic groups even though his work was sometimes displayed in major Surrealism exhibitions.”

 “Nobody else’s work looked like Burra’s and his depictions of sex workers, gay culture and underworld figures reflected his travels to Paris and the South of France in the 1920s and the US in the early 1930s. The satirical works captured an era and a rapidly changing society – everyday life from the perspective of an observer.”
– Julie Scanlon, Art Historian

“The painter’s unusual compositions, crafted with a distinct visual language, set him apart from his contemporaries,” says Amy Scanlon, Sworders’ Head of Picture Department. “Burra rejected formal affiliations with artistic groups even though his work was sometimes displayed in major Surrealism exhibitions.” “Nobody else’s work looked like Burra’s and his depictions of sex workers, gay culture and underworld figures reflected his travels to Paris and the South of France in the 1920s and the US in the early 1930s. The satirical works captured an era and a rapidly changing society – everyday life from the perspective of an observer.” – Julie Scanlon, Art Historian

Edward Burra (British/English, 1905-1976) • Minuit Chanson • 1931 • Private collection • Watercolor
#art #WatercolorPainting #painting #ArtHistory #20thCenturyBritishArt #BritishArt #EdwardBurra #ArtAppreciation #MuseumArt #SocialRealism #Arts&Culture

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Archibald J. Motley Jr. (American, 1891–1981) • Mending Socks • 1924 #juneteenth #art #fineart #ArchibaldMotley #arthistory #painting #African-AmericanArtist #MuseumArt #OilPainting #Early20thCenturyAmericanArt #AmericanArt #artwork

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#LouisJanmot (French, 1814–1892) • Fleurs des champs (Flowers of the Fields) • 1845 • Oil on wood • Musée des Beaux-Arts de Lyon, France
#art #fineart #painting #OilPainting #ArtHistory #ArtAppreciation #19thCenturyArt #EuropeanArt #FrenchArtist #WomenInPaintings #SymbolicArt #artwork #MuseumArt

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FOLLENTE: THE POWER oil on canvas 250x175 cm follenteartistpainter@gmail.com - instagram/@folleente.artistpainter #artgalleries #worksofart #artcollectors #decoratorsart #symbolism #oiloncanvas #colorpencilsonpaper #originalart #creativeart #fineart #museumart #academicart #follenteartistpainter

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Stolen Paintings Linked to Retired Couple Who Supposedly Moonlighted as Art Thieves Returned to New Mexico Museum After 40 Years Victor Higgins' "Aspens" and Joseph Henry Sharp’s "Oklahoma Cheyenne" had been missing since March 1985, when they were snatched in broad daylight

Stolen Paintings Linked to Retired Couple Who Supposedly Moonlighted as Art Thieves Returned to New Mexico Museum After 40 Years: Victor Higgins' "Aspens" and Joseph Henry Sharp’s "Oklahoma Cheyenne" had been missing since… @SmithsonianMag #StolenArt #ArtTheft #ArtRecovery #NewMexico #MuseumArt

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This masterfully rendered scene depics a card game between three players and a maid serving wine. The young man on the right, obviously a person of means, sits innocently as the man on the left attempts to fleece him – notice he's holding the Ace of Diamonds behind his back). Both women,  judging by their eyes, are in on the scheme.

This masterfully rendered scene depics a card game between three players and a maid serving wine. The young man on the right, obviously a person of means, sits innocently as the man on the left attempts to fleece him – notice he's holding the Ace of Diamonds behind his back). Both women, judging by their eyes, are in on the scheme.

Georges de La Tour (French, 1593-1652) • Tricheur à l'as de carreau (The Card Sharp with the Ace of Diamonds) • 1635 • Musée du Louvre (see ALT rtext)
#GeorgesdelaTour #FrenchArtist #17thCenturyArt #ArtHistory #art #painting #louvre #MuseumArt #OilPainting #BaroquePainting #artwork

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my mind says: ...... 💭

#artevent #artmuseum #art #museumart #braincancerawareness #grayformay #gray #artistbsky

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In Self Portrait with Seven Fingers, Chagall refers to the colorful Yiddish folk expression Mit alle zibn finger, (with all seven fingers,) meaning "working as fast and as hard as possible".

In Self Portrait with Seven Fingers, Chagall refers to the colorful Yiddish folk expression Mit alle zibn finger, (with all seven fingers,) meaning "working as fast and as hard as possible".

Marc Chagall (Russian, 1887 - 1985) • Self-Portrait with Seven Digits • 1913 (See ALT text) #art #self-portrait #MarcChagall #painting #fineart #ArtHistory #cubism #oilpainting #BlueSkyArtLovers #MuseumArt #ArtAppreciation

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I'm so very happy with these🤓 My zomania illustrations are quality printed on fine art paper and will last almost forever without fading. Accompanied with an envelope so they can serve as gift cards as well as wall decorations🦐🪱🕷🐚
#animaldrawings #naturalhistory #museumart #homedecorations

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Thérèse Scwartze (Dutch, 1851 - 1918) • Portrait of Lizzy Ansingh • 1902 #art #fineart #painting #ThérèseScwartze #WomanArtist #WomenInArt #PortraitPainting #DutchArtist #BlueSkyArt #ArtHistory #MuseumArt
I like the self-assurance the artist brilliantly captured.

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Paperino, due volte diverso www.afnews.info segnala: Due dei miei adattamenti preferiti di Paperino. Uno fonde Paperino con Braccio di Ferro, l'altro segue fedelmente l'anatomia di un vero papero, almeno per quanto riguarda la testa... #donaldduck #satire #characterparody #museumart #anatomy #skeleton #duckskull #floriansatzinger #personalart  Vedi le altre immagini su: Read More The Paperwalker Journal - by Florian Satzinger

Paperino, due volte diverso

www.afnews.info segnala: Due dei miei adattamenti preferiti di Paperino. Uno fonde Paperino con Braccio di Ferro, l'altro segue fedelmente l'anatomia di un vero papero, almeno per quanto riguarda la testa... #donaldduck #satire #characterparody #museumart #anatomy

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Whether your art Is hanging in a museum or displayed online, as long as you’re happy creating and your community supports you…your are winning. KEEP GOING🤙🏽🔥

#art #arttok #artsupport #artist #artskills #artcommunity #canvas #painting #orginalartwork #museumart #painter

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An array of bicycles as part of an art exhibit in #Melbourne #Australia in 2014. I've forgotten the artist but I do remember he's Chinese.

#MuseumArt
#photography
#StreetArt

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"Autism Arts" @ Art Gallery of Nova Scotia, 2019

I appreciated this and just wanted to share.

#MuseumArt
#travel
#autism

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