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Fascinating to read in Remain In Love 📕 by Chris Frantz that David Byrne had pioneered spin painting at art school #RISD well before Damien Hirst 🍭

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My Eldest won a MacDowell Fellowship!

buff.ly/GIBL4kW via @pragmaticmom

#MacDowellFellowship #STEAM #RISD #entrepreneur

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#risd athletics, go strong #gonads strong

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the #gonads workout at the gym. #risd

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Thank you to the Norton Museum of art for the lovely tour and tea #risdalumni #risd #sharahughes #nortonmuseumofart

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1990 Andrew Stevovich (b.1948) Etching and Aquatint, “Recital,” 66/100

hakervintage.etsy.com/listing/4454...

#andrewstevovich #printmaking #etching #aquatint #blackandwhiteart #1990s #figurativeart #recital #music #piano #risd

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One of my projects from last summer.
#sculpture #automata #kineticSculpture #RISDalumni #QueerArt #StudioView #MyPinkPlanet #queerartist #risd #ScissorArt

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Made around 1930, this self-portrait by American artist Esther Pressoir places modern self-fashioning at the center of the composition. It’s not a flattering display, but a clear-eyed record of mood, posture, and control. Smoking, then a charged marker of sophistication and transgression, becomes a small, deliberate gesture, echoed by looping smoke and the painting’s circling brushstrokes. 

The young woman artist with light skin crouches low, her body folded into a compact, almost protective pose. She has short, dark, softly waved hair and strong brows. Her eyes look out from under heavy lids, almost meeting ours with a steady, unsentimental calm. Her lips are painted a vivid red, and warm peach and pink tones model her face and bare shoulder. A thin-strap, sleeveless garment (taupe and dusty rose, edged with quick red lines) wraps her torso and falls in loose folds around her legs. One arm hooks over a raised knee, while the other hand extends downward, holding a small cigarette between long fingers. To the right, pale rings of smoke rise and fade into a turbulent field of grays, browns, and sandy beige. The background is built from broad, circular sweeps of paint, like wind spiraling around her figure. At the bottom edge, a black heeled shoe peeks out, anchoring the pose. Across the surface, the brushwork stays sketchy, energetic, and layered so the Pressoir’s outline seems simultaneously drawn and dissolving.

Pressoir, born in Philadelphia and raised in Woonsocket, and a 1923 Rhode Island School of Design (RISD) graduate, was in her late twenties at the time she painted this presentation of herself. The work shows an artist testing how frank a woman’s image can be. She folds inward, yet refuses to look away and claims the right to be seen on her own terms.

Made around 1930, this self-portrait by American artist Esther Pressoir places modern self-fashioning at the center of the composition. It’s not a flattering display, but a clear-eyed record of mood, posture, and control. Smoking, then a charged marker of sophistication and transgression, becomes a small, deliberate gesture, echoed by looping smoke and the painting’s circling brushstrokes. The young woman artist with light skin crouches low, her body folded into a compact, almost protective pose. She has short, dark, softly waved hair and strong brows. Her eyes look out from under heavy lids, almost meeting ours with a steady, unsentimental calm. Her lips are painted a vivid red, and warm peach and pink tones model her face and bare shoulder. A thin-strap, sleeveless garment (taupe and dusty rose, edged with quick red lines) wraps her torso and falls in loose folds around her legs. One arm hooks over a raised knee, while the other hand extends downward, holding a small cigarette between long fingers. To the right, pale rings of smoke rise and fade into a turbulent field of grays, browns, and sandy beige. The background is built from broad, circular sweeps of paint, like wind spiraling around her figure. At the bottom edge, a black heeled shoe peeks out, anchoring the pose. Across the surface, the brushwork stays sketchy, energetic, and layered so the Pressoir’s outline seems simultaneously drawn and dissolving. Pressoir, born in Philadelphia and raised in Woonsocket, and a 1923 Rhode Island School of Design (RISD) graduate, was in her late twenties at the time she painted this presentation of herself. The work shows an artist testing how frank a woman’s image can be. She folds inward, yet refuses to look away and claims the right to be seen on her own terms.

“Self Portrait (Smoking)” by Esther Pressoir (American) - Oil on canvas / c. 1930 - RISD Museum (Providence, Rhode Island) #WomenInArt #EstherPressoir #Pressoir #RISD #RISDMuseum #SelfPortrait #WomenSmoking #artText #art #BlueskyArt #RhodeIslandSchoolofDesign #WomensArt #WomanArtist #WomenArtists

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Sgt. Pepper's Lonely Hearts Club Band (Remastered 2009)
Sgt. Pepper's Lonely Hearts Club Band (Remastered 2009) YouTube video by The Beatles - Topic

#BirthdateUnknown, 1938: #BOTD: #HBD #RichardMerkin! #Painters #Illustrators #ArtTeachers #Dandies #InterwarPeriod #Jazz #Celebrities #Fashion #RISD #VanityFair #TheNewYorker #MOMA #BrooklynMuseum #Whitney #ItWasAFakeMoustache #PeopleOnTheCoverOfSgtPepper #MusicSky #BeatlesSky

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After Brown University Shooting, Rhode Island School of Design Offers Support to Its Community As the investigation into Saturday's fatal event continues, Providence area schools are providing mental health services to its community.
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After Brown University Shooting, Rhode Island School of Design Offers Support to Its Community As the investigation into Saturday's fatal event continues, Providence area schools are providing mental health services to its community.
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www.providencejournal.com/live-story/n...
#RISD issued emergency student alert re #BrownUniversity active shooter

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Robert Siegelman
In The Life
Polaroid 20x24 Photograph
1992

I am happy to announce that a Polaroid 20x24 photograph from my “In The Life” series has been acquired by the RISD Museum.

I extend a special thank you to Conor Moynihan.

#inthelife #Polaroid20x24photograph #RISD #RISDMuseum #polaroid

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I Fainted For The First Time & My Application Documents - The Art Professors Podcast #95
I Fainted For The First Time & My Application Documents - The Art Professors Podcast #95 YouTube video by theZimvideo

New Podcast Posted. Today I share my fainting story, advice for illustrators, my job application documents and more #art #artist #rit #risd #drawing #illustration #painting #artivist #activism #politics #life #podcast #podcasts #professor #teacher #artschool #college

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RISD’s MDes Programs in Adaptive Reuse and Exhibition and Narrative Environments: Repurposing and Altering Existing Structures This post is brought to you by Rhode Island School of Design (RISD) At the intersection of architecture, conservation, and design, the Department of Interior Architecture (INTAR) at the Rhode Island S...

Learning about the #MDes in #AdaptiveReuse at #RISD where archinect.com/news/article... "Students work on projects that imagine new futures for the built environment...From...reuse of materials to...transformation of interiors and...critical preservation of historical sites" v @archinect.bsky.social

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I Am Applying To RISD - The Art Professors Podcast #94
I Am Applying To RISD - The Art Professors Podcast #94 YouTube video by theZimvideo

New Podcast Posted we talk about being and undergrad and graduate student, applying to RISD, rubrics and syllabi. and move. #art #artist #artprofessor #teacher #teaching #rit #risd #podcast #podcasts #drawing #painting #activism #politics #artivism #students

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Hyundai Motor Group and RISD Collaborate on Future of Sustainable Mobility Through Biodesign Hyundai Motor Group and RISD deepen their collaboration, exploring innovative biodesign practices to shape sustainable mobility for the future.

Hyundai Motor Group and RISD Collaborate on Future of Sustainable Mobility Through Biodesign #USA #Providence #Hyundai_Motor_Group #RISD #Biodesign

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#ViolentFemmes live in Baltimore 10/05/25 and again in Providence 10/10/25
#RISD museum

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🍂 I’m wishing the best for all our Richardson ISD families as we near the first day of Fall Break! 🍁 I know our Richardson community will make the most out of their break. Best wishes to all our students, parents, and teachers! 🌟 #HD102 #RISD #FallBreak

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The totality of David Byrne’s art piece- ie his massively conceived conceptual concert — is inspiring in its daring and overstuffedness. No minimalism here. One of the reasons I loved it. Like he’s back at #RISD, having rolled up a lifetime of curiosity & sensory experience. #DavidByrne #concert

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Flier for RISD Illustration show. Artwork by Dave Calver.

Flier for RISD Illustration show. Artwork by Dave Calver.

In Providence? Love illustration? Check out this show! There’s 200+ pieces including one by me. 🤩
Flier art by Dave Calver.
#illustration #artshow #RISD #RISDalumni #PVD #RI

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Costume as Sculpture: The Worlds of Gwen van den Eijnde - Design Education Talks Gwen van den Eijnde is a French–Dutch artist and costume designer based in the United States. For the past decade, he has been teaching apparel design at the Rhode Island School of Design (RISD) in Pr...

“Art schools must remain incubators for #imagination, not extensions of industry.” Gwen van den Eijnde shares his vision for #fashion #education on #DesignEducation Talks podcast. @risd1877.bsky.social #DesignEducation #RISD www.buzzsprout.com/1969986/epis...

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#FraminghamMA #Massachusetts #Boston #JewishPeople #SmallBusinesses #UMassAmherst #RISD #Alaska #art #artists #ironworkers #unions #women #storytelling #SanFrancisco #EveryKindaPeople

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RISD Museum of Art, Providence Rhode Island Rhode Island School of Design, Rhode Island, Providence, College Hill, museum, art history, architecture

College Hill. Prov. RI
#Providence #RhodeIsland #CollegeHill #RISD #museum #art #architecture #history #travel #photography

www.travelsinthe2ndhalf.com/2025/09/risd...

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The Wild Providence Oracle Deck An oracle deck to explore, soothe, and strengthen our wild hearts.

🦑 #MTG, #DnD, #Cthulhu fans!
Providence artist creates
The Wild #Providence Oracle Deck!
Now on #Kickstarter, almost at funding level🎴
#Gothic #Tarot and Divination deck by #RISD graduate and Providence legend!

www.kickstarter.com/projects/hra...

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American artist John White Alexander launched his career as an illustrator for Harper's Weekly, but like other young artists of his generation he advanced his training in Paris. “The Blue Bowl” was shown in Paris and Vienna before appearing at RISD’s annual Autumn Exhibition of 1904. Alexander’s sophisticated style was unique in America, presenting feminine subjects in flattened and asymmetric spaces combined with a fluid technique. 

More than the Delft bowl of the title, the painting's true subject is the back of the model's gown, spread out as she bends to observe a fallen bloom. Executed with thin washes of color on roughly textured canvas, its sinuous curves and subtle patterning represent the height of Art Nouveau costume, transformed by the artist into an example of daring pictorial design.

A woman of fair complexion, her dark hair partially hidden beneath a wide, azure blue headband, has her gaze directed downward at a rather large, shallow bowl containing flowers in her hands. Her posture is slightly bent, suggesting a gentle intimacy with what she holds. Only a small portion of her face is visible; her soft features suggest youthfulness.

She is dressed in a long pale-sage gown that drapes beautifully around her slender form. The soft and delicate fabric, with a subtle pattern of scattered pale blue and darker green details, suggestive of flowers or leaves. The gown features a ruffled bodice and falls into many soft folds creating a visually stunning effect of movement and texture. A dark teal or blue sash cinches her waist, adding a touch of color contrast.

The canvas is technically a characteristic expression of the method which Alexander adopted to avoid the elaboration of detail which leads to excess of pigment: "using a coarse absorbent canvas and painting with a turpentine or petroleum medium, so that the roughly unglazed surface helps to avoid monotony and heightens the interest of every variation of brush work."

American artist John White Alexander launched his career as an illustrator for Harper's Weekly, but like other young artists of his generation he advanced his training in Paris. “The Blue Bowl” was shown in Paris and Vienna before appearing at RISD’s annual Autumn Exhibition of 1904. Alexander’s sophisticated style was unique in America, presenting feminine subjects in flattened and asymmetric spaces combined with a fluid technique. More than the Delft bowl of the title, the painting's true subject is the back of the model's gown, spread out as she bends to observe a fallen bloom. Executed with thin washes of color on roughly textured canvas, its sinuous curves and subtle patterning represent the height of Art Nouveau costume, transformed by the artist into an example of daring pictorial design. A woman of fair complexion, her dark hair partially hidden beneath a wide, azure blue headband, has her gaze directed downward at a rather large, shallow bowl containing flowers in her hands. Her posture is slightly bent, suggesting a gentle intimacy with what she holds. Only a small portion of her face is visible; her soft features suggest youthfulness. She is dressed in a long pale-sage gown that drapes beautifully around her slender form. The soft and delicate fabric, with a subtle pattern of scattered pale blue and darker green details, suggestive of flowers or leaves. The gown features a ruffled bodice and falls into many soft folds creating a visually stunning effect of movement and texture. A dark teal or blue sash cinches her waist, adding a touch of color contrast. The canvas is technically a characteristic expression of the method which Alexander adopted to avoid the elaboration of detail which leads to excess of pigment: "using a coarse absorbent canvas and painting with a turpentine or petroleum medium, so that the roughly unglazed surface helps to avoid monotony and heightens the interest of every variation of brush work."

“The Blue Bowl“ by John White Alexander (American) - Oil on canvas / 1898 - Rhode Island School of Design (Providence) #WomanInArt #art #artwork #artText #JohnWhiteAlexander #RISD #AmericanArt #AmericanArtist #BlueskyArt #OilPainting #bskyart #artbsky #PortraitofaWoman #RhodeIslandSchoolOfDesign

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A painting of a dalmatian, lying down with its head over its left front leg and adjacent to a coffee percolator.   The surface below the dog and the wall behind are two different shades of muted green.  #dalmatian #dalmatien   #dogsinart #animalsinart #arteanimal #dogpainter #dogpainting #cão #cachorro  #dog #perro #amorperruno #chien #toutou #hund #hond #hundeliebe #koira #köpek #пес  #犬 #狗 #개 #artanimalier #retratoperruno #providenceart #ダルメシアン #달마시안 #далматин n
‎ #כלב

A painting of a dalmatian, lying down with its head over its left front leg and adjacent to a coffee percolator. The surface below the dog and the wall behind are two different shades of muted green. #dalmatian #dalmatien #dogsinart #animalsinart #arteanimal #dogpainter #dogpainting #cão #cachorro #dog #perro #amorperruno #chien #toutou #hund #hond #hundeliebe #koira #köpek #пес #犬 #狗 #개 #artanimalier #retratoperruno #providenceart #ダルメシアン #달마시안 #далматин n ‎ #כלב

Credit: Michael Kolendowicz (Providence, RI, USA). #Dalmatian #Percolator, oil on panel, 40x30 in. As seen at #exhibit of #RISD affiliates in #Boston.

#art #artsky #dog #dogsky #dalmatian #dalmatien #dogpainter #animalart #canine #painting #figurativeart #michaelkolendowicz #providenceartist

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Yay RISDoids! I think I followed you on my #RISD search last week. ‘85 ‘86

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Standard copy page saying “Artists on Strike” with a stick figure artist being screwed by society, literally; followed by a list of grievances

Standard copy page saying “Artists on Strike” with a stick figure artist being screwed by society, literally; followed by a list of grievances



Collected at #RISD in 1981. #artists #ephemera #art #80s

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#RISD #Art #Museum
#Photography

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