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#grandearte #schiele

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In 1896, the three siblings Melanie (1886–1974), Gertrude (1894–1981) and Egon Schiele (1890–1918) were photographed together.

This portrait of 6 year old Egon Schiele represents a section of a 2nd version of the photograph from which the portraits of the other siblings have been removed.
#Schiele

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Laurie painted in gouache with charcoal pencil and oil pastel on pre-stained paper. Stripes and checks are included to capture volume. She is seated with her facial profile in three quarter view. Her hands are crossed on her lap. She is wearing a dress with striped collar, epaulettes and skirt, green sleeves and checked bodice. Her curly red hair is piled up on top in a bun and tied with a black bow at the back.

Laurie painted in gouache with charcoal pencil and oil pastel on pre-stained paper. Stripes and checks are included to capture volume. She is seated with her facial profile in three quarter view. Her hands are crossed on her lap. She is wearing a dress with striped collar, epaulettes and skirt, green sleeves and checked bodice. Her curly red hair is piled up on top in a bun and tied with a black bow at the back.

3 drawings at Schiele's wife Edith themed session of Laurie 9.2.26 Clockwise:-
Laurie painted in gouache with charcoal pencil and oil pastel on toned paper.   Stripes and checks are included to capture volume. She is seated face on to the viewer. Her hands are crossed on her lap. She is wearing a dress with striped collar, epaulettes and skirt, green sleeves and checked bodice. Her curly red hair is piled up on top in a bun and tied with a black bow at the back.
Two 5 minute monochrome portraits in pitt pastel on Newsprint both of Laurie wearing the same outfit.

3 drawings at Schiele's wife Edith themed session of Laurie 9.2.26 Clockwise:- Laurie painted in gouache with charcoal pencil and oil pastel on toned paper. Stripes and checks are included to capture volume. She is seated face on to the viewer. Her hands are crossed on her lap. She is wearing a dress with striped collar, epaulettes and skirt, green sleeves and checked bodice. Her curly red hair is piled up on top in a bun and tied with a black bow at the back. Two 5 minute monochrome portraits in pitt pastel on Newsprint both of Laurie wearing the same outfit.

Egon Schiele theme portrait artwork 9.2.26 with www.instagram.com/kim_scouller/ www.instagram.com/londondrawing/ & www.instagram.com/laurieinlines/
Stripes & volume
5, 20 & 40 min poses

#schiele #exaggeration #handdrawing #distortion #curlyhair #paintingfabric #redhair #schieletheme #stripes

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is actually a confrontation with our own judgmental gaze. That is why we cannot linger long in front of his paintings; because there is a mirror there, and in that mirror, we are the truly naked ones.

#schiele #contemporaryart #painting #painter

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Laurie painted in gouache with charcoal pencil and oil pastel on toned paper to capture the effect of the textures. She is seated with her facial profile in three quarter view. Her hands are crossed on her lap. She has one foot resting on the other knee and is wearing a frilly cotton chemise and shorts, with green socks.

Laurie painted in gouache with charcoal pencil and oil pastel on toned paper to capture the effect of the textures. She is seated with her facial profile in three quarter view. Her hands are crossed on her lap. She has one foot resting on the other knee and is wearing a frilly cotton chemise and shorts, with green socks.

3 drawings at Schiele's wife Edith themed session of Laurie 2.2.26 Clockwise:-
Laurie painted in gouache with charcoal pencil and oil pastel on toned paper to capture the effect of the textures. She is seated holding one knee up, wearing a frilly cotton chemise and shorts, with green socks.
2. 2 x 5 min portraits of Laurie seated holding one knee up, wearing a frilly cotton chemise and shorts. Both in pitt pastel on Newsprint

3 drawings at Schiele's wife Edith themed session of Laurie 2.2.26 Clockwise:- Laurie painted in gouache with charcoal pencil and oil pastel on toned paper to capture the effect of the textures. She is seated holding one knee up, wearing a frilly cotton chemise and shorts, with green socks. 2. 2 x 5 min portraits of Laurie seated holding one knee up, wearing a frilly cotton chemise and shorts. Both in pitt pastel on Newsprint

Artwork from Egon Schiele theme portrait course 2.2.26 with www.instagram.com/kim_scouller/ www.instagram.com/londondrawing/ & www.instagram.com/laurieinlines/

5, 20 & 40 min poses

#schiele #exaggeration #handdrawing #distortion #curlyhair #paintingfabric #redhair #schieletheme #fabric #texture

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3 drawings at Schiele doppelganger themed session of Stefan 26.1.26 Clockwise:-
Two poses repeated three times for 20 mins each to make a doppleganger pose done in lurid Gouache and ink on Bockingford rough watercolour paper. Both are standing poses with hands on torso, fingers splayed leaning into each other
2. 2 x 5 min portraits of man with fingers splayed, 1 with his wrapped around his head both in pitt pastel on Newsprint

3 drawings at Schiele doppelganger themed session of Stefan 26.1.26 Clockwise:- Two poses repeated three times for 20 mins each to make a doppleganger pose done in lurid Gouache and ink on Bockingford rough watercolour paper. Both are standing poses with hands on torso, fingers splayed leaning into each other 2. 2 x 5 min portraits of man with fingers splayed, 1 with his wrapped around his head both in pitt pastel on Newsprint

Artwork from Egon Schiele Doppelganger themed portrait course 26.1.26 with www.instagram.com/kim_scouller/ & www.instagram.com/londondrawing/ & Stefan
5, & 30 min poses
#doppelganger #twin #schiele #exaggeration #handdrawing #distortion #lifemodel #zoomsession #schieletheme #gouache #winsor&newton

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4 drawings at Schiele themed session of Stefan 19.1.26 Clockwise:-
1. 40 min pose Gouache on Bockingford rough watercolour paper. Stefan is standing with his arms crossed with one holding onto a piece of suspended rope behind.
2. 20 min pose Gouache on paper of him standing clutching his chest fingers splayed
3. & 4 2 x 5 min portraits of man with fingers splayed, 1 with his wrapped around his head both in pitt pastel on Newsprint

4 drawings at Schiele themed session of Stefan 19.1.26 Clockwise:- 1. 40 min pose Gouache on Bockingford rough watercolour paper. Stefan is standing with his arms crossed with one holding onto a piece of suspended rope behind. 2. 20 min pose Gouache on paper of him standing clutching his chest fingers splayed 3. & 4 2 x 5 min portraits of man with fingers splayed, 1 with his wrapped around his head both in pitt pastel on Newsprint

Artwork from Egon Schiele themed portrait course 19.1.26 with www.instagram.com/kim_scouller/ and www.instagram.com/londondrawing/ & www.instagram.com/new_model_be...

5, 20 & 40 min poses

#schiele #exaggeration #handdrawing #distortion #lifemodel #zoomsession #schieletheme #gouache #winsor&newton

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A Schiele-style study.

#MyArt #Painting #Acrylic #Schiele

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#grandearte #schiele

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Self Portrait as
St. Sebastian (poster),

1914
#Schiele

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📷a discovery deep from the #Vault

#photography #photo #photographer #artshare #fotografia #filmsky #artsky #photosky #booksky #moviesky #Photographie #Laphotographie #art #streetphotography #urban #odilonredon #schiele #flowers #baudelaire #garden #fence #nighttime #bouquet #flash #medley #flower

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#Klimt #Schiele

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One word: Schiele.

#provenance #Schiele #Kornfeld #AIC

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Egon Schiele, Self-portrait, 1916

#EgonSchiele #portrait #schiele #artdaily #artaddictgallery

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portrait d une femme à l androgynie certaine, cheveux courts, à l encre noire et au feutre bleu clair et jaune un peu fluo, qui lui donne une esthetique punk

portrait d une femme à l androgynie certaine, cheveux courts, à l encre noire et au feutre bleu clair et jaune un peu fluo, qui lui donne une esthetique punk

Portrait d une iconnue que je ne connais pas parce qu elle est inconnue (c etait pourtant facile de deviner, c etait dans le titre bande d andouillettes de Lyon!)
#art #illustration #andouillette #unknow #comics #bd #feutre #ink #ashleywood #klimt #schiele #jaelee #vertigo

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Egon Schiele
Austrian | 1890-1819

Tod und Mädchen / Death and the Maiden
1915

#art #arthistory #kunst #kunstgeschichte #schiele

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Egon Schiele (1890-1918)
"Woman Lying on her Back", 1914,
Pencil and gouache
#painting #art #drawing #illustration #egonschiele #woman #schiele #impressionism

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#schiele
Portrait of Madame Dr. Horak

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Buona domenica cieli blu, oggi immobili come una natura morta o fate qualcosa di bello?
#art #schiele

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A large arched white-framed window surrounded by red Virginia Creeper leaves. Yellowing leaves of a tree in front of the building offer a pleasing contrast.

A large arched white-framed window surrounded by red Virginia Creeper leaves. Yellowing leaves of a tree in front of the building offer a pleasing contrast.

VIENNA IN AUTUMN
Egon Schiele's Studio Window
A short walk from Gustav Klimt's
last studio. Hietzing, 13th District
Image © Merisi Vienna
#EastCoastKin #Photography
#Klimt #Schiele

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Native American Art
31 in acrylics on red cedar 850
#WomenInArt #art #artText #artwork #EgonSchiele #Schiele #AustrianArtist #AustrianArt #oilpainting #PortraitofaWoman #LentosKunstmuseum #BlueskyArt #VienneseExpressionist #Expressionism

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A young woman stands facing us within a shallow, flattened space. Her wavy long, dark brown hair falls loose past her shoulders; her skin is light, with a faint rose warmth at the cheeks. She wears a modest, long-sleeved dress with a high neckline. Its folds are indicated by taut, economical brushstrokes rather than soft volume. She is framed by a reddish, triangular field that rises like an apex behind her head and shoulders, set against earthy browns and oranges. 

Austrian artist Egon Schiele’s contour lines are sharp and irregular, darkly encircling her arms, jaw, and collar. Her gaze is direct and steady though a little guarded with her lips closed. Whether she stands or sits is intentionally ambiguous.

Trude Engel was the daughter of Schiele’s Viennese dentist; the portrait grew from that relationship and an arrangement that exchanged treatment for art. Later technical study revealed an earlier composition beneath the paint: an allegorical figure with a skull-like head, aligning with Schiele’s recurring themes of life and death. Family correspondence recounts that, as a teenager, Trude slashed the canvas in anger; the repairs remain part of the work’s material history and can be seen. Painted as both Schiele’s reputation and controversy rose, the image condenses his radical portrait language: incisive line, compressed space, and psychological charge. The triangular, mantle-like field behind Trude reads as both halo and warning sign, intensifying her composed yet uneasy presence. 

In 1912 Schiele was jailed briefly, an ordeal that sharpened his sense of human vulnerability; in his prison drawings he simply wrote, “I am human,” a sentiment that resonates in Trude’s unsentimental, searching gaze that is less a likeness than a revelation of being.

A young woman stands facing us within a shallow, flattened space. Her wavy long, dark brown hair falls loose past her shoulders; her skin is light, with a faint rose warmth at the cheeks. She wears a modest, long-sleeved dress with a high neckline. Its folds are indicated by taut, economical brushstrokes rather than soft volume. She is framed by a reddish, triangular field that rises like an apex behind her head and shoulders, set against earthy browns and oranges. Austrian artist Egon Schiele’s contour lines are sharp and irregular, darkly encircling her arms, jaw, and collar. Her gaze is direct and steady though a little guarded with her lips closed. Whether she stands or sits is intentionally ambiguous. Trude Engel was the daughter of Schiele’s Viennese dentist; the portrait grew from that relationship and an arrangement that exchanged treatment for art. Later technical study revealed an earlier composition beneath the paint: an allegorical figure with a skull-like head, aligning with Schiele’s recurring themes of life and death. Family correspondence recounts that, as a teenager, Trude slashed the canvas in anger; the repairs remain part of the work’s material history and can be seen. Painted as both Schiele’s reputation and controversy rose, the image condenses his radical portrait language: incisive line, compressed space, and psychological charge. The triangular, mantle-like field behind Trude reads as both halo and warning sign, intensifying her composed yet uneasy presence. In 1912 Schiele was jailed briefly, an ordeal that sharpened his sense of human vulnerability; in his prison drawings he simply wrote, “I am human,” a sentiment that resonates in Trude’s unsentimental, searching gaze that is less a likeness than a revelation of being.

Portrait of Trude Engel by Egon Schiele (Austrian) - Oil on canvas / c. 1912 - Lentos Kunstmuseum (Linz, Austria) #WomenInArt #art #artText #artwork #EgonSchiele #Schiele #AustrianArtist #AustrianArt #oilpainting #PortraitofaWoman #LentosKunstmuseum #BlueskyArt #VienneseExpressionist #Expressionism

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Plutôt #Lautrec que #Schiele .

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Nudo femminile, 1910 #schiele

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📷 from the Vault

#photography #photo #photographer #artshare #fotografia #filmsky #artsky #photosky #booksky #moviesky #laphotographie #impermanence #metaphysical #landscape #landscapephotography #naturephotography #autumn #schiele #fall #lake #foliage #autumnal #egonschiele #klimt #painterly #art

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Egon Schiele (1890-1918)
"The Couple", ca. 1909,
Graphite, ink, crayon, and wash on brown paper
#drawing #painting #art #illustration #EgonSchiele #Schiele

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#art #painting #schiele

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