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Narcissi, lithographed by Day & Haghe (1834–1852), with watercolour added. From the Ruskin Collection, presented by Ruskin to the Ruskin Drawing School in 1875. 
Accession no. http://WA.RS
.RUD.227. Courtesy of @AshmoleanMuseum
#BotanicalArt #RuskinCollection #Spring

John Ruskin’s involvement with the *Narcissi* print sits in the wider story of how he built his teaching collection for the Ruskin Drawing School at Oxford. The Ashmolean record shows that this print was **presented by Ruskin to the Ruskin Drawing School in 1875**, and later transferred to the Ashmolean around 1949. 

Ruskin assembled a large collection of prints, drawings, and natural specimens to teach students how to observe nature with accuracy and sensitivity. Botanical prints like this one—clear, detailed, and scientifically grounded—fit perfectly with his educational aims. He believed that careful study of plants trained the eye and cultivated moral attention.

Ruskin chose works that demonstrated high standards of craftsmanship. Day & Haghe were among the most respected lithographers of their time, appointed “Lithographers to the Queen,” and known for technical excellence. Including their work in his collection reflected Ruskin’s emphasis on precision and beauty in instructional materials.

By donating this print in 1875, Ruskin ensured that students had access to a broad visual library. The *Narcissi* plate became part of the pedagogical toolkit he curated—objects students could study, copy, and learn from.

Why this print mattered in Ruskin’s teaching philosophy?
- It exemplified **close observation of nature**, a cornerstone of Ruskin’s artistic and moral teaching.  
- It represented **high-quality reproductive printmaking**, which he valued for its ability to disseminate good art widely.  
- It connected students to **botanical knowledge**, which Ruskin saw as essential to understanding the natural world.

Narcissi, lithographed by Day & Haghe (1834–1852), with watercolour added. From the Ruskin Collection, presented by Ruskin to the Ruskin Drawing School in 1875. Accession no. http://WA.RS .RUD.227. Courtesy of @AshmoleanMuseum #BotanicalArt #RuskinCollection #Spring John Ruskin’s involvement with the *Narcissi* print sits in the wider story of how he built his teaching collection for the Ruskin Drawing School at Oxford. The Ashmolean record shows that this print was **presented by Ruskin to the Ruskin Drawing School in 1875**, and later transferred to the Ashmolean around 1949. Ruskin assembled a large collection of prints, drawings, and natural specimens to teach students how to observe nature with accuracy and sensitivity. Botanical prints like this one—clear, detailed, and scientifically grounded—fit perfectly with his educational aims. He believed that careful study of plants trained the eye and cultivated moral attention. Ruskin chose works that demonstrated high standards of craftsmanship. Day & Haghe were among the most respected lithographers of their time, appointed “Lithographers to the Queen,” and known for technical excellence. Including their work in his collection reflected Ruskin’s emphasis on precision and beauty in instructional materials. By donating this print in 1875, Ruskin ensured that students had access to a broad visual library. The *Narcissi* plate became part of the pedagogical toolkit he curated—objects students could study, copy, and learn from. Why this print mattered in Ruskin’s teaching philosophy? - It exemplified **close observation of nature**, a cornerstone of Ruskin’s artistic and moral teaching. - It represented **high-quality reproductive printmaking**, which he valued for its ability to disseminate good art widely. - It connected students to **botanical knowledge**, which Ruskin saw as essential to understanding the natural world.

Narcissi

Lithographed by Day & Haghe (1834–1852), with watercolour added.
From the Ruskin Collection, presented by Ruskin to the Ruskin Drawing School in 1875.
Accession no. http://WA.RS.RUD.227

Courtesy of the Ashmolean Museum, Oxford

#BotanicalArt #RuskinCollection #Spring #JohnRuskin

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John Ruskin feared less the rise of machines than the fading of our own inner faculties. His work is a reminder that imagination must be exercised, not delegated.

#JohnRuskin #Imagination #ArtsAndMinds

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Just got the "first pass" of my novel through! Whoop! (That's the typeset manuscript, not yet proofread, but otherwise looking like a REAL book) 📚 Feel madly emotional! 😭(I had thought it would be less intense the second time. Nope). #EachLeafEachCurveOfStem #JohnRuskin

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An area covered with multi-coloured seeded wildflowers.

An area covered with multi-coloured seeded wildflowers.

Nature
~~~~~
“Nature is painting for us, day after day, pictures of infinite beauty, if only we have eyes to see them.”

~ John Ruskin.

Image: 'Grow wild' Flower seeds / gailhampshire from Cradley, Malvern, U.K. / Wikimedia Commons (orig. Flickr) / CC BY 2.0.

#JohnRuskin #Nature #SenseOfWonder

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Next time give us a lift, @robincooper1.bsky.social ! We promise to admire the fells and quote Ruskin all the way! 😄
What a glorious view on the road to Coniston.

#Coniston #LakeDistrict #Ruskin #JohnRuskin #LakelandViews #WindingRoads #LandscapeLove #BritishCountryside

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This pretty little ca. 1900 #JohnRuskin #book features a #pastedown on the front cover. www.daveshootsbookseller.com/product/1660... #Booksky #SesameandLilies #Victorians #SocialHistory #philosophy #literature #OldBooks #PrettyBooks #LittleBooks

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Four glimpses of Brantwood and Coniston Water that bring together architecture, memories and the breathtaking landscape. A beautiful sense of place.
Thank you ‪@historylecturer.bsky.social‬

#Brantwood
#ConistonWater
#LakeDistrict
#JohnRuskin
#SevenLampsofArchitecture

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Don’t let the rain stop you! The 8th John Ruskin Prize Exhibition at @trinitybuoywharf is vibrant, thought-provoking & genuinely fun, absolutely worth the visit, whatever the weather!
#JohnRuskin #JohnRuskinPrize #ContemporaryArt #LondonExhibitions @thebigdraw @ruskinmilltrust.bsky.social

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The Ruskin Society celebrated John Ruskin’s birthday with a toast and, as tradition demands, cake. Professor Robert Hewison gave the keynote lecture, which sparked a lively Q&A and a truly convivial atmosphere. Thank you to everyone who helped make it such a success. #JohnRuskin

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John Ruskin – urodzony 8 lutego 1819 – wizjoner, malarz, pisarz i krytyk sztuki. Inspirował prerafaelitów, filozofów i twórców życia społecznego. (fot. Wikipedia) #JohnRuskin

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Truth Before Profit: Why John Ruskin Still Matters Today

Read More:
righttotruth.in/2026/02/08/t...

#JohnRuskin #BirthAnniversary #Truth #Profit #Quote #Article #Learn #Education #Purpose #Capitalism #Love #Character #UntoThisLast #Sarvodaya #MahatmaGandhi #Book #Nature #RightToTruth

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Fine art is that in which the hand, the head, and the heart of man go together.

- John Ruskin, an English author, poet and painter, also art & social critic,
born on this day, 1819

#BookSky
#Painting
#JohnRuskin

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"When love and skill work together, expect a masterpiece."

✒️ #JohnRuskin, English author, critic, and academic, was #BOTD 8 February 1819. #Art #Literature

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Worth catching an online Q&A with shortlisted Ruskin Prize artists Kishwar Kiani, Lena Heinrich & Luke Alen-Buckley. An informal conversation on process, materials & ideas, with live audience Q&A. Feb 4, 6:30–7:30pm GMT https://bit.ly/4kkrHRV

#JohnRuskin #JohnRuskinPrize #ContemporaryArt #LondonArt 

@trinitybuoywharf
@thebigdraw

Worth catching an online Q&A with shortlisted Ruskin Prize artists Kishwar Kiani, Lena Heinrich & Luke Alen-Buckley. An informal conversation on process, materials & ideas, with live audience Q&A. Feb 4, 6:30–7:30pm GMT https://bit.ly/4kkrHRV #JohnRuskin #JohnRuskinPrize #ContemporaryArt #LondonArt @trinitybuoywharf @thebigdraw

Worth catching an online Q&A with shortlisted Ruskin Prize 2026 artists. An informal conversation on process, materials & ideas, with live audience Q&A. Feb 4, 6:30–7:30pm GMT bit.ly/4kkrHRV

#JohnRuskin #JohnRuskinPrize #ContemporaryArt
@trinitybuoywharf @thebigdraw @ruskinmilltrust.bsky.social

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Storm-Cloud – The Look of the Sky 
20 December 2025 – 29 November 2026
Millennium Gallery, Sheffield
Storm-Cloud – The Look of the Sky is an exhibition that explores how artist and thinker John Ruskin understood changes in the sky long before climate change was widely discussed.
One of the exhibition highlights is Ruskin’s painting The Towers of Thun, Switzerland 1854. The work shows his careful study of weather, atmosphere and landscape, ideas that later shaped his belief that industrial pollution was changing the climate.
The exhibition brings together artworks from the Guild of St George’s Ruskin Collection, curated by young people from The National Saturday Club, alongside a moving image work by Jake Goodall and climate research from the University of Sheffield. These works connect historic observation with present day science and creative responses.
Storm-Cloud – The Look of the Sky also forms part of an ongoing project by Dr Tom Payne, who performs Ruskin’s lecture and invites artists to respond with new artworks. These responses continue to grow across the exhibition.

Millennium Gallery Sheffield

@doctortompayne
@ruskintoday
@Sheffmuseums
@goodgoodgoodall

#StormCloud #TheLookOfTheSky #Exhibition #JohnRuskin #ClimateChange #ArtAndScience #MillenniumGallery #SheffieldArt #RuskinCollection #ContemporaryArt #YouthCurators

Storm-Cloud – The Look of the Sky 20 December 2025 – 29 November 2026 Millennium Gallery, Sheffield Storm-Cloud – The Look of the Sky is an exhibition that explores how artist and thinker John Ruskin understood changes in the sky long before climate change was widely discussed. One of the exhibition highlights is Ruskin’s painting The Towers of Thun, Switzerland 1854. The work shows his careful study of weather, atmosphere and landscape, ideas that later shaped his belief that industrial pollution was changing the climate. The exhibition brings together artworks from the Guild of St George’s Ruskin Collection, curated by young people from The National Saturday Club, alongside a moving image work by Jake Goodall and climate research from the University of Sheffield. These works connect historic observation with present day science and creative responses. Storm-Cloud – The Look of the Sky also forms part of an ongoing project by Dr Tom Payne, who performs Ruskin’s lecture and invites artists to respond with new artworks. These responses continue to grow across the exhibition. Millennium Gallery Sheffield @doctortompayne @ruskintoday @Sheffmuseums @goodgoodgoodall #StormCloud #TheLookOfTheSky #Exhibition #JohnRuskin #ClimateChange #ArtAndScience #MillenniumGallery #SheffieldArt #RuskinCollection #ContemporaryArt #YouthCurators

Don't 'miss 'Storm-Cloud – The Look of the Sky' exhibition @ Millennium Gallery Sheffield; on until 29.11. 2026.
Inspired by Ruskin’s early thinking on climate & industrial pollution. Brings together historic artworks, young curators, contemporary film & climate research. #JohnRuskin #ClimateChange

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Huge congratulations to artist Duncan Cameron, winner of the John Ruskin Prize 2026.
See this Instagram video by @brokensharkcage www.instagram.com/reel/DT6MuS-...

The exhibition at Trinity Buoy Wharf, London, continues until 21 Feb 2026.

#JohnRuskin #JohnRuskinPrize #ContemporaryArt #LondonArt

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The study also serves as a moral lesson in "Theoria" - the practice of deep, appreciative observation of even the smallest wonders of creation. #JohnRuskin

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goallin.org.uk

goallin.org.uk

We are supporting the National Year of Reading 2026.
For Ruskin, reading required discipline, humility and care. To read well was to submit oneself patiently to truth, not to skim or consume. Reading, like art, was a means of forming the self.
goallin.org.uk #JohnRuskin #Reading #RuskinBookPrize

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The 8th John Ruskin Prize Exhibition opens 29.1 – 21.2.2026 at Trinity Buoy Wharf, London E14 0JW.
91 artworks by 82 creatives across disciplines, shortlisted from nearly 4,000 entries.
Theme: Patience in Looking, Truth in Making.
www.ruskinprize.co.uk/the-8th-john...

#JohnRuskin #ContemporaryArt

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"Fine art is that in which the hand, the head, and the heart of man go together."

✒️ #JohnRuskin, English polymath, author, philosopher, and #art critic, #DOTD 20 January 1900. #Philosophy #Literature

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With Ruskin's birthday coming up, it is a moment to reflect on the lasting influence of his mother, Margaret Ruskin. See our Instagram post
@ruskinsociety bit.ly/3NnYER8

#MargaretRuskin #JohnRuskin #RuskinSociety #Praeterita #RuskinStudies #VictorianCulture #WomenInHistory #RuskinToday

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Euphemia ('Effie') Chalmers, née Gray, Lady Millais 1851

Thomas Richmond II (1802–1874)

National Portrait Gallery, London

Euphemia ('Effie') Chalmers, née Gray, Lady Millais 1851 Thomas Richmond II (1802–1874) National Portrait Gallery, London

Today we're passing by Ruskin Park! It reminds me of a poem I wrote about Euphemia Chalmers.

Acute Victorian Love Triangle

Read it here: alltheeneighbours.blogspot.com/2026/01/rusk...

#Pre-Raphaelite #JohnRuskin #JohnEverettMillais #arthistory #poetry #Victorian #scandal #love

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Delighted to say that The Ruskin Society has today joined BlueSky. 
@ruskinsociety.bsky.social #Ruskin #JohnRuskin #Brantwood #Gothic

Delighted to say that The Ruskin Society has today joined BlueSky. @ruskinsociety.bsky.social #Ruskin #JohnRuskin #Brantwood #Gothic

Delighted to say that The Ruskin Society has today joined BlueSky.
@ruskinsociety.bsky.social #Ruskin #JohnRuskin #Brantwood #Gothic

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www.photobonito.com
#inspirationalquotes #quotes #inspiration #motivationalquotes #photobonito #quotations #motivation #JohnRuskin

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Preview
Draws_Shoots_And_Leaves (@SkyGreen@pixelfed.social) Remember that the most beautiful things in the world are the most useless; Peacocks and lilies for instance. #johnruskin #lilies #peacock #artist #artistonpixelfed

pixelfed.social/p/SkyGreen/9...

#blueskyartist #johnruskin #peacock #lilies

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Long narrow landscape format sketchbook page.  Background abstract watercolour in pink and dark yellow.  Over the top are stencil images in red and yellow of stylised peacock feathers.

Long narrow landscape format sketchbook page. Background abstract watercolour in pink and dark yellow. Over the top are stencil images in red and yellow of stylised peacock feathers.

Remember that the most beautiful things in the world are the most useless;
Peacocks and lilies for instance.
#johnruskin
#lilies
#peacock
#artist #artistonpixelfed

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Quote time🤔
#Inspirational #JohnRuskin #quote

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Nature is painting for us, day after day, pictures of infinite beauty.
#lovemothernature #thanksandpraise #lightandlove #liminalspace #shinrinyoku #darkforest #moonmagic #snowywoods #walkthebeautyway #closetotheoaks #johnruskin #pagansky #heathensky #occultsky

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#johnruskin #özlüsöz #sözünözü #söz #alıntı

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#JohnRuskin #maskedwords
Just picked up this book after opening it on this page …
Context is similar and alien - a reverence for truth within the context of a 19th century Church of England sensibility

Close to 200 years ago,tap image to see fully !

plus ça change, plus c'est la même chose?

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