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Posts tagged #LITHOGRAPH

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Pablo Picasso ~ Black Figure
(Lithograph, 1948)

#PabloPicasso #Lithograph #ModernArt

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Salvador Dali - Spring, 1972. #Lithograph

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Black-and-white lithograph showing the torso of a woman wearing a corset and a metal-paneled chastity skirt with riveted seams. Two hands pull open the front of the corset like a zipper, revealing interlocking gears and mechanical parts inside her body instead of flesh. The bra above has a cow-print pattern, and a gingham pattern fills the background. A bouquet of flowers rises in the foreground toward the opening of the corset. The composition contrasts delicate flowers and domestic patterns with exposed machinery, creating a surreal commentary on the mechanical, objectified expectations placed on women.

Black-and-white lithograph showing the torso of a woman wearing a corset and a metal-paneled chastity skirt with riveted seams. Two hands pull open the front of the corset like a zipper, revealing interlocking gears and mechanical parts inside her body instead of flesh. The bra above has a cow-print pattern, and a gingham pattern fills the background. A bouquet of flowers rises in the foreground toward the opening of the corset. The composition contrasts delicate flowers and domestic patterns with exposed machinery, creating a surreal commentary on the mechanical, objectified expectations placed on women.

Quite a few #horizontal lines in my second #lithograph here. I can’t wait till next semester when I can spend the whole time in the #lithography studio. I’ve e fallen in love with a new medium. And it makes for good #BluSkyArtShow posts.

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"Flood" 1938

lithographer Frank Cassara (1913 - 1971)
#art #artlover #lithograph #flood #FrankCassara

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#printmaking #lithography #lithograph
Unprintable mess after the second etch. Layering tusche shading wasn’t a good idea for a second lithography project. Back to etching until next fall.

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A row of freshly printed black-and-white lithographs lies across a studio table, photographed at a low angle so the prints recede into the distance. The foreground print shows a detailed illustration of a woman wearing a corset and a metal-paneled chastity skirt. The corset opens to reveal mechanical gears, and the bra has a cow-pattern design. Large flowers are held up toward her from the lower edge of the image, as if being offered by unseen hands. Behind her, a gingham pattern fills the background, The lithographs are richly textured with crayon-like shading and fine line work, emphasizing the contrast between delicate flowers, rigid metal panels, and machine parts.

A row of freshly printed black-and-white lithographs lies across a studio table, photographed at a low angle so the prints recede into the distance. The foreground print shows a detailed illustration of a woman wearing a corset and a metal-paneled chastity skirt. The corset opens to reveal mechanical gears, and the bra has a cow-pattern design. Large flowers are held up toward her from the lower edge of the image, as if being offered by unseen hands. Behind her, a gingham pattern fills the background, The lithographs are richly textured with crayon-like shading and fine line work, emphasizing the contrast between delicate flowers, rigid metal panels, and machine parts.

Annnd, we have prints! #lithography #lithograph #printmaking #prints

Has enough time to make six, only four came out good but that means I can add color to the two bad ones 🤩

Better pic to come.

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Musette http://collections.mfa.org/objects/552171/musette

#Art #Lithograph #France #FinDeSiècle #RaphaelKirchner #Cigarette #Musette

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M.C. Escher, "Balcony," lithograph, 1930; Boston Public Library. #escher #mcescher #lithograph #printmaking #abstractart #surrealist #bw #bandw #blackandwhite #modernart #monochrome #art #arte #museum #artgallery

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It was through contact with Surrealist poets and painters in Paris in the 1920s that Joan Miró evolved his visual language of signs. With curvilinear lines and biomorphic shapes, he sought to meld the realm of the unconscious to essential life forms, veering toward abstraction but always maintaining links to humanity, nature, and the cosmos.

Miró's relationship to printmaking was tentative at first, with benefit prints such as Daphnis and Chloé for the periodical Minotaure, and Woman and Dog in Front of the Moon for an association of artists in Barcelona. It was when he was introduced to the painter Louis Marcoussis, who maintained a printshop in his studio, that he took up printmaking in earnest, and his natural inclinations toward new tools and materials blossomed. His methodical working process also suited these efforts, and prints of the Black and Red Series, created there, demonstrate his systematic use of more than one copperplate and his experiments with color inking. In the example here a symbolic family group responds in terror to a monstrous head, referring to Miró's anguish over the Spanish Civil War and the fear provoked by Generalissimo Francisco Franco at that time.

Miró continued his exploration of intaglio techniques at Stanley William Hayter's Atelier 17 workshop in New York in the 1940s, when he was there on an extended visit. Soon after, he began his active involvement with lithography through the instigation of his Parisian dealer Aimé Maeght, making numerous individual prints, as well as posters, invitations, catalogue covers, and even holiday cards. He also turned increasingly to illustrated books, a format he had attempted earlier in his career, and created twentieth-century landmarks like À Toute épreuve. Further discoveries followed, with Miró making more than two thousand prints in all, always expanding his creativity through his love of technique and process.

It was through contact with Surrealist poets and painters in Paris in the 1920s that Joan Miró evolved his visual language of signs. With curvilinear lines and biomorphic shapes, he sought to meld the realm of the unconscious to essential life forms, veering toward abstraction but always maintaining links to humanity, nature, and the cosmos. Miró's relationship to printmaking was tentative at first, with benefit prints such as Daphnis and Chloé for the periodical Minotaure, and Woman and Dog in Front of the Moon for an association of artists in Barcelona. It was when he was introduced to the painter Louis Marcoussis, who maintained a printshop in his studio, that he took up printmaking in earnest, and his natural inclinations toward new tools and materials blossomed. His methodical working process also suited these efforts, and prints of the Black and Red Series, created there, demonstrate his systematic use of more than one copperplate and his experiments with color inking. In the example here a symbolic family group responds in terror to a monstrous head, referring to Miró's anguish over the Spanish Civil War and the fear provoked by Generalissimo Francisco Franco at that time. Miró continued his exploration of intaglio techniques at Stanley William Hayter's Atelier 17 workshop in New York in the 1940s, when he was there on an extended visit. Soon after, he began his active involvement with lithography through the instigation of his Parisian dealer Aimé Maeght, making numerous individual prints, as well as posters, invitations, catalogue covers, and even holiday cards. He also turned increasingly to illustrated books, a format he had attempted earlier in his career, and created twentieth-century landmarks like À Toute épreuve. Further discoveries followed, with Miró making more than two thousand prints in all, always expanding his creativity through his love of technique and process.

Acrobats in the Night Garden
lithograph
1948
Joan Miró
Spain

#art #modernart #abstract #biomorhic #surrealist #artwork #acrobatsinthenighgarden #joanmiró #lithograph #print #multiples

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Eyvind Earle - Early Spring.
#Lithograph

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Patricia Way - Vintage Abstract Figurative Etching -- "Embrace" For Sale on 1stDibs - Vintage Abstract Figurative Etching -- "Embrace", Paper, Ink, Etching by Patricia Way. Offered by Robert Azensky Fine Art.

Patricia Way
Vintage Abstract Figurative Etching -- "Embrace"
buff.ly/28Mbndu

#lithograph #inkpainting #abstractexpressionism

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Limestone after 1st etch, resting before 2nd etch
#printmaking #lithography #lithograph

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Franz Marc, 1909/10. “Zwei Katzen”

#lithograph #1900s #cats #FranzMarc

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Kawase Hasui (1883-1957)
Spring Evening at Kintai Bridge.
Early 20th century. #Lithograph

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Rare gem alert! Julio Pomar – original hand-signed lithograph “Ulysses and the Two Sirens” (EA/30 artist’s proof). Mythic, vibrant Portuguese modernism meets surrealism.
booksartpassio.com/en/product/1...
#JulioPomar #Lithograph #Surrealism #ModernArt #ArtForSale #ArtInvestment #Abstractia #faces

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Henri Matisse. Nu Bleu IV, 1954.
#Lithograph

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Elizabeth Catlett, "Waving," lithograph, 1989; New Britain Museum of American Art. #printmaking #litho #lithograph #bw #bandw #blackandwhite #womanartist #femaleartist #modernart #africanamerican #blackhistory #blackculture #art #arte #museum #artgallery

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Low-angle photograph of several black-and-white lithographs arranged on a large studio worktable. Each print depicts magnolia blossoms and leaves in front of a background of small, square tiles. The magnolias are rendered with detailed linework and soft tonal shading typical of lithography, with petals and buds standing out against the textured, grid-like tile pattern. The closest print is in sharp focus, showing crisp edges and subtle gradations of gray, while the other prints extend into the background and gradually blur. The white paper has slightly deckled edges, and the setting appears to be a printmaking studio with equipment and tables visible beyond the work surface.

Low-angle photograph of several black-and-white lithographs arranged on a large studio worktable. Each print depicts magnolia blossoms and leaves in front of a background of small, square tiles. The magnolias are rendered with detailed linework and soft tonal shading typical of lithography, with petals and buds standing out against the textured, grid-like tile pattern. The closest print is in sharp focus, showing crisp edges and subtle gradations of gray, while the other prints extend into the background and gradually blur. The white paper has slightly deckled edges, and the setting appears to be a printmaking studio with equipment and tables visible beyond the work surface.

1st attempt at #lithography complete. I wish there was a self warming ball point pen for autographic ink but it was nice to get the feel of the medium. Can’t wait for number two.

#printmaking #lithograph

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#HonoréDaumier was born #OnThisDay in 1808; "the 'Michelangelo of caricature,' he famously satirized #France's bourgeoisie & justice system & masterfully exposed the misery of the masses"; this is Daumier's #lithograph, "Les Trains de Plaisir" (1864):

en.wikipedia.org/wiki/Honor%C...

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Portrait of a Man and His Emotional Brain
Abstract lithograph by Jacq Kino – limited edition, hand-signed.
Where thoughts and raw emotions explode in color.
Unique statement art for your space.
www.etsy.com/listing/1815... #AbstractArt #EmotionalArt #Lithograph #ContemporaryArt

#tagTuesday

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Destruction of Culture (War) (1939) - Francisco Dosamantes #lithograph #symbolism

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Deborah Rumer - "Die Segen" (Sins/Blessing) - 1986 Lithograph On Paper For Sale on 1stDibs - "Die Segen" (Sins/Blessing) - 1986 Lithograph On Paper, Laid Paper, Lithograph, Acrylic Paint by Deborah Rumer. Offered by Robert Azensky Fine Art.

Deborah Rumer
"Die Segen" (Sins/Blessing) - 1986 Lithograph On Paper
buff.ly/ZSVpYMI

#lithograph #printmaking #geometricart

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Stone lithograph, ink & relief chine-collé print on Kozo & Sakamoto papers.

Stone lithograph, ink & relief chine-collé print on Kozo & Sakamoto papers.

Monoprint.
Stone lithograph, ink & relief chine-collé print
on Kozo & Sakamoto papers.

Milk and Missouri Rivers, Nashua Montana, Township & Range
#toMake #printmaking #aRealPlace #T+R #lithograph #relief

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#art #artist #ossipzadkine #handmade #modernart #cubism #lesmusiciens #lithograph #schoolofparis #sculptor #musician

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My 2nd attempt at lithography. Limestone slab ready for processing.
#lithograph #lithography #printmaking

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Collage in browns, black, and yellow on paper with a overlying barbed wire lithograph

Collage in browns, black, and yellow on paper with a overlying barbed wire lithograph

Experimenting. This is a #collage on paper with a print #lithograph on top.
Thinking of the original collages by Picasso and Braque and how what is considered as “cultured” is usually some sort of #eurocentric construct that the #GlobalSouth just cannot claim.
#culture #whatisart

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Brian Williams - Winter Evening
#ShinHanga #Print #JapaneseArt #Ukiyo-e #Lithograph

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Two colour stone lithograph with two colour letterpress on Somerset Velvet Newsprint. Mapping the Little Bighorn Battle & River, Mont.

Two colour stone lithograph with two colour letterpress on Somerset Velvet Newsprint. Mapping the Little Bighorn Battle & River, Mont.

DESTROY THE GRID letterpress wood type in red-orange

DESTROY THE GRID letterpress wood type in red-orange

The Irreverence of Water
Edition of 2 colour #lithograph & 2 colour #letterpress matrices on Somerset Velvet. Township T.3.S. R.35 W., battle of the #LittleBighorn, subdivision & land ownership, grid on the land. DESTROY THE GRID in wood type embossed below map.

#toMake #printmaking #aRealPlace

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1979 Frank Howell (1937 – 1997) Lithograph, “Dancer,” 53/100

hakervintage.etsy.com/listing/4454...

#frankhowell #lithograph #printmaking #nativeartists #lakotahsioux #southwestnativeart #taosnewmexico #nativedancer #portrait #figurativeart #blackandwhiteart #1970s

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