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Medea cobra voz en una nueva versión teatral en la UAL  Leer

Medea cobra voz en una nueva versión teatral en la UAL:  Leer #Medea #Teatro #Feminismo

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#Medea

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Medea II
#art #artwork #digitalart #myth #medea

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Medea
#art #artwork #digitalart #myth #medea

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Original post on friendica.world

A quotation from **Euripides**

> CHORUS: May I know the blessing of a heart that is not passion’s slave; no fairer gift can the gods bestow. But may the dread Cyprian never inflict upon me quarrelsome moods and insatiable strife, firing my heart with love for a stranger; may she rather show […]

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Original post on friendica.world

A quotation from **Euripides**

> CHORUS: Never, oh goddess, let fly at me an inescapable arrow
> from your golden bow, after you drench it in desire.
>
> [ΚΥΚΛΩΨ: μήποτ᾽, ὦ δέσποιν᾽, ἐπ᾽ ἐμοὶ χρυσέων
> τόξων ἀφείης ἱμέρῳ
> χρίσασ᾽ ἄφυκτον οἰστόν.]

**Euripides** (485?-406? BC) Greek tragic […]

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La ‘Medea’ contemporánea de Rikarte conmueve al público del Teatro Salón Cervantes con una lectura cruda y actual La versión del clásico de Eurípides apuesta por una puesta en escena sobria y una interpretación centrada en el conflicto

El Teatro Salón Cervantes acogió una nueva ‘Medea’ en versión de Iñaki Rikarte, que traslada el clásico de Eurípides a una lectura contemporánea.
#alcaládehenares #noticiasdealcalá #medea #teatrosalóncervantes

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Golden: Unpacking Strange Jason’s Family Wreath - Our Sunday Project Hello everyone! I'm back, back again. With another mythology post. You see, in a life where you can start an argument with "It's like supply and demand but the people are the supply and they're all de...

oursundayproject.com/golden-unpac...

#abbysubedi, #argonautica, #familytrees, #greekmythology, #houseofcadmus, #jason, #medea, #metamorphoses, #mythinfo, #mythology, #mythos, #woowoo

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‘Medea’ llega al Teatro Salón Cervantes el 28 de febrero 🎭 ‘Medea’ se representa el 28 de febrero (20:00 h) en el Teatro Salón Cervantes de Alcalá. Estreno en la Comunidad de Madrid de la versión dirigida por Francisco Valcarce. #AlcaláDeHenares #Teatro #Medea

‘Medea’ llega al Teatro Salón Cervantes el 28 de febrero

🎭 ‘Medea’ se representa el 28 de febrero (20:00 h) en el Teatro Salón Cervantes de Alcalá. Estreno en la Comunidad de Madrid de la versión dirigida por Francisco Valcarce. #AlcaláDeHenares #Teatro #Medea

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Portada Antígona

Portada Antígona

Cubierta libro.

Cubierta libro.

📖 #Antígona, gran obra de #Sófocles. Está entre las mejores tragedias griegas que he leído, junto a #PrometoEncadenado, #Medea y #EdipoRey. 8/10.
#Literatura.

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Original post on friendica.world

A quotation from **Euripides**

> CHORUS: Visitations of love that come
> Raging and violent on a man
> Bring him neither good repute nor goodness.
> But if Aphrodite descends in gentleness
> No other goddess brings such delight.
>
> [ΚΥΚΛΩΨ: ἔρωτες ὑπὲρ μὲν ἄγαν ἐλθόντες οὐκ εὐδοξίαν
> […]

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Always love running into Medea 🩸 and Circe ✨when going to the surface in Hades 2! Which boons do you pick from them? I’m a fan of Word of Greater Girth and Enfeeblement of Cowards!

Characters from Hades 2 by @supergiantgames.bsky.social

#hades2 #Medea #Circe #supergiantgames #magfest

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#Art: Maxfield Parrish

#Saturday, #February 07, #Medea enters #Pisces:

inspiritualservice.com/planetary-transits-2026

No major aspects—Art & #Poetry

inspiritualserviceastrology.substack.com/p/aspecting-...

#astrology #astrologer #astrologydaily

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#Art: Anselm Feuerbach

#Medea enters #Pisces @ 11:25 AM, EST, 11th House tomorrow (Saturday) morning: Dissolution of Boundaries

Medea enters through the realm of #Aquarius ruled by the cosmic disrupter, #Uranus.

inspiritualservice.com/planetary-transits-2026

#astrology #astrologer #planetary

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Readthrough done for #Medea by Euripides. Looking forward to being the Nurse.
Painting of Medea, with her dead sons on a chariot drawn by dragons, (Medea, con los hijos muertos, huye de Corinto en un carro tirado por dragones) by Germán Hernández Amores

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Medea – Suitcase Theatre at St Mary’s Creative Space, Chester - Performance Art & Theatre News and Reviews ‘A sensitive exploration of Medea’s behaviour. . . handled well and without judgement, with much credit to Ruth Huish’s emotional and heartfelt portrayal’ Creative Facilitator Deborah Thomas guides a ...

#review #medea from @suitcase_theatre_wales at @stmaryscreativespace
‘A sensitive exploration of Medea’s behaviour. . . handled well and without judgement, with much credit to Ruth Huish’s emotional and heartfelt portrayal’
artsreviewhub.com/medea-suitca...

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Ааааааа (!), забыл про подборку с целыми тремя образами Мелинои и одним бюстом Медеи!
upd: одна из картинок была мной нарисована во времена выхода первого ролика Hades 2.
#Hades #HadesII #Hades2 #Hadesfanart #Hades2fanart #Melinoe #Melinoë #Medea #gameart #fanart #art #Хэйдс #Хэйдис #Мелиноя #Медея

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Four poses of Melinoe, holding the aspect of medea skull weapon, the aspect of eos torches, and the sister blades lim and oros. The last pose has her posing inquisitively with frinos, looking at the aspect of hel skull.

Four poses of Melinoe, holding the aspect of medea skull weapon, the aspect of eos torches, and the sister blades lim and oros. The last pose has her posing inquisitively with frinos, looking at the aspect of hel skull.

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Finally finished Hades 2!!! my favourite weapons are the medea skull and eos torches
#hades2 #melinoe #fanart #medea

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aéPiot as a Strategic Asset: A Comprehensive Valuation Analysis. Understanding the True Value of Organic Growth at Scale. aéPiot as a Strategic Asset: A Comprehensive Valuation Analysis Understanding the True Value of Organic Growth at Scale Analysis Date: ...

better-experience.blogspot.com/2026/01/aepi...

#CULTURAL #DEPICTIONS OF #MEDEA
allgraph.ro/advanced-sea...
#MATTHEW #FREDERICK
headlines-world.com/advanced-sea...
#DIOCESE OF #LINZ
multi-search-tag-explorer.headlines-world.com/advanced-sea...
headlines-world.com

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Day 24 - Wife

Kicking the year off with a classic (and getting a little loose with the prompt)

#nsfwart #nsfwtober #nsfwtober2025 #futanari #FGO #FateStayNight #FateGrandOrder #artoriapendragon #medea

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devotion #hades2 #hecate #medea

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Watching Pasolini’s Medea (1969) through a Bronze Age lens. Myth, ritual, sacrifice—Colchis as dreamlike prehistory. Khaybar Oasis reveals a real Bronze Age city: fortified, urban, ancient. Arabia was never empty.

#BronzeAge #Medea #AncientHistory

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Medea as depicted in Hades 2. She’s leaning forward over a cauldron of bright red liquid, which is lighting her from below.

Medea as depicted in Hades 2. She’s leaning forward over a cauldron of bright red liquid, which is lighting her from below.

Been wanting to draw more Medea #hades2 #medea #witch #fanart

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Medea (이아손의 아내, 마녀)

#Medea #GreekMythology #ChibiArt #3DRender #MiniatureFigure #CuteWitch #ModernAesthetic

itmania.hangadac.com

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Medea (이아손의 아내, 마녀)

#Medea #ChibiArt #3DMiniature #GreekMythology #WitchyAesthetic #CharacterDesign #ToyDesign

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render time✍️
#medea #hades2

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hihi she's coming together 💚
#medea #hades2

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British artist Evelyn De Morgan paints Medea not as spectacle but as suspended decision. 

A young adult woman with fair skin and auburn, pearl-threaded hair steps toward us through a marble palace. She is barefoot on a dark blue-and-cream tiled floor. Her long rose-mauve gown pools and folds in heavy, silky pleats. A pale silver lining flashes where the sleeves and hem turn back. Her head tilts slightly, eyes lowered and distant, as if listening inward rather than meeting our gaze. In her right hand (our left), she carries a translucent violet glass flask, the liquid inside a dark red. Around her, an arched corridor recedes in cool green and lapis ornament while carved friezes and shadowed statues line the walls. White doves perch and scatter with one on a ledge and several on the floor for bright notes of life.

The vial marks the moment after Jason abandons her as vengeance is reduced to something that fits her hand, while her unarmored body carries moral weight. The palace is gorgeous yet confining as vaults press down, corridors narrow, and the chessboard floor turns her path into calculation. The doves sharpen the tension like emblems of peace or fidelity, they move freely where she cannot, while she pauses between thought and irreversible act.

Painted in 1889, "Medea" belongs to De Morgan’s gallery of mythic women used to question power, betrayal, and the cost of being labeled monstrous. She had married William De Morgan in 1887 and moved in circles that linked art to social conscience, so interior feeling becomes argument. Medea’s downturned gaze can be interpreted as grief, rage, or exhaustion. The painting refuses to decide which emotion “counts.” It asks what abandonment does to a person when every door is decorative and every choice is judged.

De Morgan once wrote, “Art is eternal, but life is short.” It is a credo that fits this scene because the myth is ancient, but the portrait of precarious agency still feels current.

British artist Evelyn De Morgan paints Medea not as spectacle but as suspended decision. A young adult woman with fair skin and auburn, pearl-threaded hair steps toward us through a marble palace. She is barefoot on a dark blue-and-cream tiled floor. Her long rose-mauve gown pools and folds in heavy, silky pleats. A pale silver lining flashes where the sleeves and hem turn back. Her head tilts slightly, eyes lowered and distant, as if listening inward rather than meeting our gaze. In her right hand (our left), she carries a translucent violet glass flask, the liquid inside a dark red. Around her, an arched corridor recedes in cool green and lapis ornament while carved friezes and shadowed statues line the walls. White doves perch and scatter with one on a ledge and several on the floor for bright notes of life. The vial marks the moment after Jason abandons her as vengeance is reduced to something that fits her hand, while her unarmored body carries moral weight. The palace is gorgeous yet confining as vaults press down, corridors narrow, and the chessboard floor turns her path into calculation. The doves sharpen the tension like emblems of peace or fidelity, they move freely where she cannot, while she pauses between thought and irreversible act. Painted in 1889, "Medea" belongs to De Morgan’s gallery of mythic women used to question power, betrayal, and the cost of being labeled monstrous. She had married William De Morgan in 1887 and moved in circles that linked art to social conscience, so interior feeling becomes argument. Medea’s downturned gaze can be interpreted as grief, rage, or exhaustion. The painting refuses to decide which emotion “counts.” It asks what abandonment does to a person when every door is decorative and every choice is judged. De Morgan once wrote, “Art is eternal, but life is short.” It is a credo that fits this scene because the myth is ancient, but the portrait of precarious agency still feels current.

"Medea" by Evelyn De Morgan (British) - Oil on canvas / 1889 - Williamson Art Gallery and Museum (Birkenhead, England) #WomenInArt #EvelynDeMorgan #DeMorgan #WilliamsonArtGallery #GreekMythology #Medea #WomensArt #WomanArtist #WomenArtists #art #artText #BlueskyArt #PreRaphaelite #WomenPaintingWomen

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flats done
#hades2 #medea

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If Trump Is Serious About Peace, Marco Rubio Has To Go Donald Trump campaigned on ending endless wars and now boasts that he has resolved eight wars. In reality, this claim is delusional, and his...

#Empire #Antiwar.com #Medea #Benjamin #Nicolas #J.S. #Davies

Origin | Interest | Match

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