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Man Ray (1890-1976) was best known as a photographer, mostly of fashion and portraits. Many of his photographs appeared in the French Vogue. He also made photograms, named rayographs by Tristan Tzara in reference to their creator. Man Ray took several objects, like a comb, a spiral of cut paper etc., then he transformed some of them and put them together in front of a light-sensitive surface, like photographic paper, and exposed them to light. He explained the concept was pure Dadaism, based on rejection and abstraction.
He published a selection of his rayographs as Champs délicieux in December 1922. He also adapted the technique to his film Le Retour à La Raison in 1923.

Man Ray (1890-1976) was best known as a photographer, mostly of fashion and portraits. Many of his photographs appeared in the French Vogue. He also made photograms, named rayographs by Tristan Tzara in reference to their creator. Man Ray took several objects, like a comb, a spiral of cut paper etc., then he transformed some of them and put them together in front of a light-sensitive surface, like photographic paper, and exposed them to light. He explained the concept was pure Dadaism, based on rejection and abstraction. He published a selection of his rayographs as Champs délicieux in December 1922. He also adapted the technique to his film Le Retour à La Raison in 1923.

Man Ray (Emmanuel Radnitzky)
Untitled with a spring
1922

#manray #dada #photogram #rayograph #Champsdélicieux #untitledwithaspring #dated1922 #photography #LeRetouràLaRaison

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Post image

Man Ray (Emmanuel Radnitzky)
Untitled (plate 2) from the album 'Champs Délicieux'
1922

#manray #dada #photogram #rayograph #untitled #dated1922 #photography #modernism #surrealism #surrealistart #champsdelicieux

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An unseen drawing by Pablo Picasso was discovered beneath one of the late artist’s most recognizable abstract paintings called Still Life. Conservators from the Art Institute of Chicago made the discovery during their attempts to analyze seemingly wrinkled portions of the painting which is currently mounted at the institute. In their examination, the team utilized X-ray and infrared technology and found the hidden illustration of “a pitcher, a mug, a rectangular object that may be a newspaper” drawn atop a table or a chair, as per a report written by the team in the SN Applied Sciences journal.

According to Artnet, it wasn’t unusual for Picasso to paint over his works, but he commonly painted directly over them and used the composition to create a new piece. For Still Life, however, the artist completely painted over the hidden drawing using a “thick white layer” of paint before developing the abstract work. “This seems somewhat unusual in Picasso’s practice, as he often painted directly over earlier compositions, allowing underlying forms to show through and influence the final painting,” the team wrote in the paper.

The date “February 4, 1922” was marked on the painting, suggesting that the drawing was also created around that time. Picasso gave the work to Gertrude Stein, a “friend and collector of the artist and an important patron of modern art in early-twentieth-century Paris,” the team described. Picasso made the painting during his Cubist phase from late 1921 to 1922 — a period in which he experimented with depictions of three-dimensional objects alongside various geometric shapes to create dynamic perspectives for onlookers. Apart from the discovery of the drawing, the conservators also uncovered earlier restoration methods using acrylic resin and paint applied into the cracks of the work. The team removed these conservation efforts to find the painting’s original colors.
Read the full report on SN Applied Sciences’ website.

An unseen drawing by Pablo Picasso was discovered beneath one of the late artist’s most recognizable abstract paintings called Still Life. Conservators from the Art Institute of Chicago made the discovery during their attempts to analyze seemingly wrinkled portions of the painting which is currently mounted at the institute. In their examination, the team utilized X-ray and infrared technology and found the hidden illustration of “a pitcher, a mug, a rectangular object that may be a newspaper” drawn atop a table or a chair, as per a report written by the team in the SN Applied Sciences journal. According to Artnet, it wasn’t unusual for Picasso to paint over his works, but he commonly painted directly over them and used the composition to create a new piece. For Still Life, however, the artist completely painted over the hidden drawing using a “thick white layer” of paint before developing the abstract work. “This seems somewhat unusual in Picasso’s practice, as he often painted directly over earlier compositions, allowing underlying forms to show through and influence the final painting,” the team wrote in the paper. The date “February 4, 1922” was marked on the painting, suggesting that the drawing was also created around that time. Picasso gave the work to Gertrude Stein, a “friend and collector of the artist and an important patron of modern art in early-twentieth-century Paris,” the team described. Picasso made the painting during his Cubist phase from late 1921 to 1922 — a period in which he experimented with depictions of three-dimensional objects alongside various geometric shapes to create dynamic perspectives for onlookers. Apart from the discovery of the drawing, the conservators also uncovered earlier restoration methods using acrylic resin and paint applied into the cracks of the work. The team removed these conservation efforts to find the painting’s original colors. Read the full report on SN Applied Sciences’ website.

Still Life
oil on canvas
1922
Pablo Picasso
Spanish, active France, 1881–1973

#stilllife #painting #picasso #pablopicasso #modernart #art #modernpainting #cubism #dated1922

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Still Life
oil on canvas
1922
Pablo Picasso
Spanish, active France, 1881–1973

#art #modernart #painting #oiloncanvas #picasso #pablopicasso #stilllife #dated1922 #modernism #modernistart #cubism #cubistart #frenchmodernism #france

Still Life oil on canvas 1922 Pablo Picasso Spanish, active France, 1881–1973 #art #modernart #painting #oiloncanvas #picasso #pablopicasso #stilllife #dated1922 #modernism #modernistart #cubism #cubistart #frenchmodernism #france

Still Life
oil on canvas
1922
Pablo Picasso
Spanish, active France, 1881–1973

#art #modernart #painting #oiloncanvas #picasso #pablopicasso #stilllife #dated1922 #modernism #modernistart #cubism #cubistart #frenchmodernism #france

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