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Now the Spring comes, the vital sap of my affections rises as in a tree!  And what a gloomy Spring!  But a few days ago all the new buds were covered with snow ;  and everything yet looks so brown and wintry, that yesterday the roses (which the ladies carried on the ramparts, their promenade), beautiful as they were, so little harmonized with the general face of nature, that they looked to me like silk and made roses.

Samuel Taylor Coleridge
Letter to Thomas Poole from Göttingen, dated
'May 6, 1799, Monday morn.'

Source:
https://archive.org/details/letters01cole/page/296/mode/2up

Now the Spring comes, the vital sap of my affections rises as in a tree! And what a gloomy Spring! But a few days ago all the new buds were covered with snow ; and everything yet looks so brown and wintry, that yesterday the roses (which the ladies carried on the ramparts, their promenade), beautiful as they were, so little harmonized with the general face of nature, that they looked to me like silk and made roses. Samuel Taylor Coleridge Letter to Thomas Poole from Göttingen, dated 'May 6, 1799, Monday morn.' Source: https://archive.org/details/letters01cole/page/296/mode/2up

Göttingen from the South West - an colored copper-plate etching, dated 1791.

Overwiew of the town, a few church spires, red roofs behind the fortifications. The Leine in the foreground, green pastures with cows, and quite a few people in the fields - all is green. The season may well be spring. Behind the town bald hills towards Northeast - Hainberg, Nikolausberg, which are now woodland.

Source:
https://commons.wikimedia.org/wiki/File:Goettingen_von_Suedwest.png

Göttingen from the South West - an colored copper-plate etching, dated 1791. Overwiew of the town, a few church spires, red roofs behind the fortifications. The Leine in the foreground, green pastures with cows, and quite a few people in the fields - all is green. The season may well be spring. Behind the town bald hills towards Northeast - Hainberg, Nikolausberg, which are now woodland. Source: https://commons.wikimedia.org/wiki/File:Goettingen_von_Suedwest.png


Romantic Landscapes (37)
#UrbanPromenades #Coleridge #Göttingen #RomanticLandscapes

May 6, 1799, S.T. Coleridge remarks on the habit of taking promenades on the old fortifications of the small university town Göttingen - and the dismal spring in that year with snow up to May.

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*Waves to the man from Porlock* #coleridge

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DEVONSHIRE ROADS

THE indignant Bard compos' d this furious ode, 
As tired he dragg'd his way thro' Plimtree road ! 
      Crusted with filth and stuck in mire 
      Dull sounds the Bard's bemudded lyre ; 
      Nathless Revenge and Ire the Poet goad 
      To pour his imprecations on the road.

      Curst road ! whose execrable way
      Was darkly shadow' d out in Milton's lay,
      When the sad fiends thro' Hell's sulphureous roads
      Took the first survey of their new abodes ;
      Or when the fall'n Archangel fierce
       Dared through the realms of Night to pierce,
       What time the Bloodhound lured by Human scent
       Thro' all Confusion's quagmires floundering went.

Nor cheering pipe, nor Bird's shrill note 
Around thy dreary paths shall float ; 
Their boding songs shall scritch-owls pour
To fright the guilty shepherds sore, 
Led by the wandering fires astray 
Thro' the dank horrors of thy way ! 
While they their mud-lost sandals hunt 
May all the curses, which they grunt 
In raging moan like goaded hog, 
Alight, upon thee, damned Bog !
			                                   1790.


S.T.Coleridge

Source: https://archive.org/details/poemscolmet00coleuoft/page/14/mode/1up

DEVONSHIRE ROADS THE indignant Bard compos' d this furious ode, As tired he dragg'd his way thro' Plimtree road ! Crusted with filth and stuck in mire Dull sounds the Bard's bemudded lyre ; Nathless Revenge and Ire the Poet goad To pour his imprecations on the road. Curst road ! whose execrable way Was darkly shadow' d out in Milton's lay, When the sad fiends thro' Hell's sulphureous roads Took the first survey of their new abodes ; Or when the fall'n Archangel fierce Dared through the realms of Night to pierce, What time the Bloodhound lured by Human scent Thro' all Confusion's quagmires floundering went. Nor cheering pipe, nor Bird's shrill note Around thy dreary paths shall float ; Their boding songs shall scritch-owls pour To fright the guilty shepherds sore, Led by the wandering fires astray Thro' the dank horrors of thy way ! While they their mud-lost sandals hunt May all the curses, which they grunt In raging moan like goaded hog, Alight, upon thee, damned Bog ! 1790. S.T.Coleridge Source: https://archive.org/details/poemscolmet00coleuoft/page/14/mode/1up

Benjamin Haughton (1865–1924)

'Man Crossing a Field at Dusk'
Oil on canvas

Flat muddy field or meadow, some puddles or flecks with watery mud, wet wintery season under a grey sky. A man with black umbrella as a small human shape,  indistinct and blurred: the person is apparently walking from or towards a farm, several dark houses in the shadow of tall trees, one a dark blackgreen pine or fir, the other trees without leaves. Inspite of the diffuse light and fuzzy contours, it is clearly seen that the wanderer does not walk in the dirt track through the field, but next to it to avoid the morass.

Source:
https://artuk.org/discover/artworks/man-crossing-a-field-at-dusk-24610

Benjamin Haughton (1865–1924) 'Man Crossing a Field at Dusk' Oil on canvas Flat muddy field or meadow, some puddles or flecks with watery mud, wet wintery season under a grey sky. A man with black umbrella as a small human shape, indistinct and blurred: the person is apparently walking from or towards a farm, several dark houses in the shadow of tall trees, one a dark blackgreen pine or fir, the other trees without leaves. Inspite of the diffuse light and fuzzy contours, it is clearly seen that the wanderer does not walk in the dirt track through the field, but next to it to avoid the morass. Source: https://artuk.org/discover/artworks/man-crossing-a-field-at-dusk-24610

Romantic Landscapes (33)
#Coleridge #Devon

Sometimes, ugliness attracts the romantic mind. Here, it is also a solitary wanderer in a desolate landscape, S.T. Coleridge on a ramble in his home county.

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COLOGNE

In Köhln, a town of monks and bones,
And pavements fanged with murderous stones,
And rags, and hags, and hideous wenches,
I counted two and seventy stenches,
All well defined, and several stinks !
Ye Nymphs that reign o'er sewers and sinks,
The river Rhine, it is well known,
Doth wash your city of Cologne ;
But tell me, Nymphs ! what power divine
Shall henceforth wash the river Rhine ?
                                                                       1828.

Source: 
https://archive.org/details/poemscolmet00coleuoft/page/419/mode/1up

COLOGNE In Köhln, a town of monks and bones, And pavements fanged with murderous stones, And rags, and hags, and hideous wenches, I counted two and seventy stenches, All well defined, and several stinks ! Ye Nymphs that reign o'er sewers and sinks, The river Rhine, it is well known, Doth wash your city of Cologne ; But tell me, Nymphs ! what power divine Shall henceforth wash the river Rhine ? 1828. Source: https://archive.org/details/poemscolmet00coleuoft/page/419/mode/1up

Romantic Landscapes (20.8/n)
#Rhine #Coleridge #Cologne #RomanticLandscapes

S.T. Coleridge's satirical piece of post-romantic disillusionment, the olfactory perception of a narrow medieval town as parallel & ironic impression tied to its picturesque charms:

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Christabel - A Daemonic Poem by Samuel Taylor Coleridge Christabel is one of my favorite poems by English Romantic poet Samuel Taylor Coleridge (1772 - 1834). Seduction, deception, wicked witchery, innocence lost, as Christabel meets a beautiful damsel in ...

✨ Coleridge never finished this haunting poem (much like Kubla Kahn, another "daemonic" work), though he always meant to. Personally I love it as is.

#christabel #samueltaylorcoleridge #poetry #darkpoetry #romanticpoets #darkpoems #medieval #coleridge

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Hessen and the Guilt of Galaxies snippet.

#Hessen #poetry #poet #coleridge #romanticism #alliterativeverse

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Exhibition of the Laughing Gas (ca. 1840).

Source: @wellcomecollection.bsky.social

pdimagearchive.org/images/6d954444-75e6-420...

#music #coleridge #dancing #drums #drugs #art #publicdomain

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samuel taylor #coleridge and William #Wordsworth are always mentioned together. Both are great romantic poets. Wordsworth simplified everything while coleridge tried to sophisticate things as much as possible (that's the beauty of his poems - eg: Kubla Khan) - Both are incomparable

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Book I: Hessen and the Domeship
Book II: Hessen and the Valley of Verdicts
Book III: Hessen and the Guilt of Galaxies

Book IV: TBA...
Book V: TBA...

#coleridge #beowulf #narrativepoem #poet #poetry #writer #readed

I'll be adding Books IV & V soon...

It's got monsters, penguins, polar bears...

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The Three Poets are 3 birch trees at #hodgeclose in the #lakedistrict.
#Wordsworth #Southey #Coleridge My #oilpainting on 24”x18” board
Hodge Close is a dramatic quarry near Coniston

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Richard Burton reads Samuel Taylor Coleridge's poem  'Frost at Midnight'.
Richard Burton reads Samuel Taylor Coleridge's poem 'Frost at Midnight'. YouTube video by metrisch

youtu.be/o9K7BmjUnkw?...

Seems apt for an early cold snap! Enjoy!

#poetry #poetrycommunity #romanticism #Coleridge #RichardBurton #frost #midnight #winter

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Original post on my-place.social

A quotation from **Coleridge**

> In politics, what begins in fear usually ends in folly.

**Samuel Taylor Coleridge** (1772-1834) English poet and critic
Comment (1830-10-05), “Table Talk”

* * *

More info about this quote: wist.info/coleridge-samuel-tay…

#quote #quotes #quotation #qotd […]

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⚓ La Ballata del Vecchio Marinaio
di Samuel Taylor Coleridge

📅 27 Novembre 2025
📍 Binario 7 – Monza

Acquista il tuo biglietto salta fila su OOOH.Events
LINK IN BIO… http://dlvr.it/TPGR2X #LaBallataDelVecchioMarinaio #Coleridge #SpettacoloMonza #Binario7

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Swap out Steve for Samuel, and I think a new alternative title for Wordsworth's Tintern Abbey just dropped...

#Romanticism
#Wordsworth
#Coleridge

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 The Ocean is a noble Thing by night ; a beautiful white cloud of foam at momently intervals roars & rushes by the side of the Vessel, and Stars of Flame dance & sparkle & go out in it -  & every now and then light Detachments of Foam dart away from the Vessel‘s side with their galaxies of stars, & scour out of sight, like a Tartar Tropp over a Wilderness! -- What these Stars are, I cannot say - the sailors say, that they are Fish Spawn which is phosphorescent. --

S.T. Coleridge to Mrs. S.T.Coleridge
Collected Letters of Samuel Taylor Coleridge, Vol.1 p.416, Nr.254
Oxford: Clarendon Press, 1956

The Ocean is a noble Thing by night ; a beautiful white cloud of foam at momently intervals roars & rushes by the side of the Vessel, and Stars of Flame dance & sparkle & go out in it - & every now and then light Detachments of Foam dart away from the Vessel‘s side with their galaxies of stars, & scour out of sight, like a Tartar Tropp over a Wilderness! -- What these Stars are, I cannot say - the sailors say, that they are Fish Spawn which is phosphorescent. -- S.T. Coleridge to Mrs. S.T.Coleridge Collected Letters of Samuel Taylor Coleridge, Vol.1 p.416, Nr.254 Oxford: Clarendon Press, 1956

Romantic Landscapes (24.1/n)
#NorthSea #Coleridge #Wordsworth #DWordsworth #RomanticLandscapes

Coleridge 'neither sick or giddy, but gay as a lark. The sea rolled rather high; but the motion was pleasant to me.' - boozes with 3 Danes, also passengers, who 'present a rich feast for a Dramatist'.

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	Tuesday Night, 9’o clock. Sept. 18th 1798

Over what place does the Moon hang to your eye my dearest Sara ?  To me it hangs over the left bank of the Elbe ; and a long trembling road of moonlight reaches from thence up to the stern of our Vessel, & there it ends. We have dropped anchor in the middle of the Stream 30 mile from Cuxhaven, where we arrived this morning at eleven o‘clock, after an unusually fine passage of only 48 hours -.

S.T. Coleridge to Mrs. S.T.Coleridge,
in 'Collected Letters of Samuel Taylor Coleridge', Vol.1, p.415f [Nr.254]
Oxford: Clarendon Press, 1956

Tuesday Night, 9’o clock. Sept. 18th 1798 Over what place does the Moon hang to your eye my dearest Sara ? To me it hangs over the left bank of the Elbe ; and a long trembling road of moonlight reaches from thence up to the stern of our Vessel, & there it ends. We have dropped anchor in the middle of the Stream 30 mile from Cuxhaven, where we arrived this morning at eleven o‘clock, after an unusually fine passage of only 48 hours -. S.T. Coleridge to Mrs. S.T.Coleridge, in 'Collected Letters of Samuel Taylor Coleridge', Vol.1, p.415f [Nr.254] Oxford: Clarendon Press, 1956

Romantic Landscapes (24/n)
#NorthSea #Coleridge #Wordsworth #DWordsworth #RomanticLandscapes

S.T.Coleridge, William & Dorothy Wordsworth sail from Yarmouth across the North Sea to Cuxhaven in September 1798, Wordsworth 'shockingly ill, his Sister worst of all - vomiting, & groaning, unspeakably!'

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SamuelTaylorColeridge was born #OnThisDay in 1772; one of the greatest exponents of #Romanticism in #poetry, #Coleridge wrote "The Rime of the Ancient Mariner" (1798), which #GustaveDoré brilliantly illustrated:

www.poetryfoundation.org/poems/43997/...
en.wikipedia.org/wiki/Samuel_...

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Si un hombre atravesara
el Paraíso en un sueño
y le dieran una flor como prueba
de que había estado allí
y si al despertar encontrara
esa flor en su mano...
¿entonces, qué?
Samuel Taylor Coleridge 🏴󠁧󠁢󠁥󠁮󠁧󠁿
fallece #21Octubre de 1772🙏🏻
#FelizMartes
#Coleridge #Poesía
#OtrebordmXCultura

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He looked at his own Soul
with a Telescope. What seemed
all irregular, he saw and
shewed to be beautiful
Constellations; and he added
to the Consciousness hidden
worlds within worlds.

- Samuel Taylor #Coleridge, 'Notebooks'

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"Like one, that on a lonesome road doth walk in fear and dread,
and having once turned round walks on, and turns no more his head; because he knows, a frightful fiend doth close behind him tread."
Moonlight Walk by John Atkinson Grimshaw.
#rimeoftheancientmariner #Coleridge
#JohnAtkinsonGrimshaw

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A short poem, but one of my favourites; written after the second #StateVisit of #TheDonald to the UK, in 2025. It was mostly at #Windsor Castle. Prior to the visit, #PresidentTrump had announced a new #ballroom would be built at the White House.
#Coleridge #Xanadu #AliBaba

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Read essays on subliminal dream creations in 200 years of #Gothic works - from #Coleridge & #Walpole to #Piranesi #Goya & #Fuseli & #MaryWollstonecraft to #vampires #Marxism & videogames such as #TheWitcher & #Bloodbourne

Find the book here:
s.gwdg.de/B3pPBe

#LiteraryStudies #GamesStudies

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'Listening respectfully to the talk talk talk' Slim volumes of Thom Gunn's verse keep turning up in the charity bookshops that I visit, and I invariably snap them up (quite aside from th...

👁️ Great accounts of that meeting between #Keats and #Coleridge.

Includes towards the end the Gunn sonnet. #poetry

nigeness.blogspot.com/2024/03/list...

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This isn't ready, but I feel bounced into revealing a first draft of my poem on the same headline. The title, in particular, is just a placekeeper.

#poem #poetry #skypoets #blueskypoets #poetsofbluesky #poetrycommunity #writingcommunity #sternmagazine #coleridge

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This Is Not the Laughing, but the Hippocrene or Poetic Gas (1829) by Robert Seymour.

Source: @wellcomecollection.bsky.social

pdimagearchive.org/images/49e6672a-448e-4e4...

#furnishings #coleridge #drugs #poetry #art #publicdomain

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Do some old salts say #Mets exec #DavidStearns called up #NolanMcLean to pitch Saturday vs. #Mariners after reading The Rime of the Ancient Mariner, while other old salts claim they secretly programmed #AI to remind the #NYM the #Yankees recalled Mel Stottlemyre in '64 to win the AL? #Coleridge #Huh

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Day 10 of the #SealeyChallenge for me. I found this titchy book of Samuel Taylor Coleridge #poems.

#poetry #coleridge #BookSky 📚💙

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'Bonneville, Savoy, with Mont Blanc' 
painting by J.M.W.Turner (1775 - 1851)
Wide view of alpine valley with the town of Bonneville and a bridge in the valley. In the background behind some rocky smaller mountains, the withe steep pyramid of the Mont Blanc is seen, below a bright blue sky with a few clouds. In the foreground a wide river or lake and a few people on its left bank along with cattle are seen, following the pattern established by earlier landscape painters. However, the mountain range is executed in a loose manner, emphasizing a rhythmic sequence of peaks and mounds, disappearing in a white haze towards the peak of Mont Blanc.

This is a more elaborate painting in oil on canvas, dated 1802.

Source:
https://commons.wikimedia.org/wiki/File:Joseph_Mallord_William_Turner_006.jpg

'Bonneville, Savoy, with Mont Blanc' painting by J.M.W.Turner (1775 - 1851) Wide view of alpine valley with the town of Bonneville and a bridge in the valley. In the background behind some rocky smaller mountains, the withe steep pyramid of the Mont Blanc is seen, below a bright blue sky with a few clouds. In the foreground a wide river or lake and a few people on its left bank along with cattle are seen, following the pattern established by earlier landscape painters. However, the mountain range is executed in a loose manner, emphasizing a rhythmic sequence of peaks and mounds, disappearing in a white haze towards the peak of Mont Blanc. This is a more elaborate painting in oil on canvas, dated 1802. Source: https://commons.wikimedia.org/wiki/File:Joseph_Mallord_William_Turner_006.jpg

Chamounix beym Sonnenaufgange
             (Im Mai 1791)

La Terra, il Mare, le Sfere
Parlan del tuo potere

METASTASIO

    Aus tiefem Schatten des schweigenden Tannenhains
Erblick’ ich bebend dich, Scheitel der Ewigkeit,
Blendender Gipfel, von dessen Höhe
Ahndend mein Geist ins Unendliche schwebet!
 
    Wer senkte den Pfeiler tief in der Erde Schooß,
Der, seit Jahrtausenden, fest deine Masse stützt?
Wer thürmte hoch in des Aethers Wölbung
Mächtig und kühn dein umstrahltes Antlitz?
 
     Wer goß euch hoch aus des ewigen Winters Reich,
O Zackenströme, mit Donnergetös’ herab?
Und wer gebietet laut mit der Allmacht Stimme:
“Hier sollen ruhen die starrenden Wogen!“

     Wer zeichnet dort dem Morgensterne die Bahn,
Wer kränzt mit Blüthen des ewigen Frostes Saum?
Wem tönt in schrecklichen Harmonieen,
Wilder Arveiron, dein Wogengetümmel?
 
     Jehovah! Jehovah! kracht’s im berstenden Eis;
Lavinendonner rollen’s die Kluft hinab;
Jehovah! rauscht’s in den hellen Wipfeln,
Flüstert’s an rieselnden Silberbächen.

Chamounix beym Sonnenaufgange (Im Mai 1791) La Terra, il Mare, le Sfere Parlan del tuo potere METASTASIO Aus tiefem Schatten des schweigenden Tannenhains Erblick’ ich bebend dich, Scheitel der Ewigkeit, Blendender Gipfel, von dessen Höhe Ahndend mein Geist ins Unendliche schwebet! Wer senkte den Pfeiler tief in der Erde Schooß, Der, seit Jahrtausenden, fest deine Masse stützt? Wer thürmte hoch in des Aethers Wölbung Mächtig und kühn dein umstrahltes Antlitz? Wer goß euch hoch aus des ewigen Winters Reich, O Zackenströme, mit Donnergetös’ herab? Und wer gebietet laut mit der Allmacht Stimme: “Hier sollen ruhen die starrenden Wogen!“ Wer zeichnet dort dem Morgensterne die Bahn, Wer kränzt mit Blüthen des ewigen Frostes Saum? Wem tönt in schrecklichen Harmonieen, Wilder Arveiron, dein Wogengetümmel? Jehovah! Jehovah! kracht’s im berstenden Eis; Lavinendonner rollen’s die Kluft hinab; Jehovah! rauscht’s in den hellen Wipfeln, Flüstert’s an rieselnden Silberbächen.

Chamounix at sunrise
     (May 1791)
La Terra, il Mare, le Sfere
Parlan del tuo potere
METASTASIO    

      From the deep shadow of the silent fir-grove, 
I, trembling, behold thee, crown of eternity,
Dazzling summit, from whose height
My divining soul floats into infinity! 

    Who sank the pillar deep into the earth's womb,
Which, for millennia, has firmly supported your mass?
Who towered high in the ether's vault
Mighty and bold your radiant face? 

     Who poured you down from eternal winter's high realm,
O streams of jags, with thunderous roar?
And who commands aloud with almightiness voice:
‘Here shall rest the solid waves!’ 

    Who marks the path for the morning star there,
Who wreathes the eternal frost's seam with blossoms?
To whom sounds in terrible harmonies,
Wild Arveiron, your tumultuous waves? 

     Jehovah! Jehovah! crashes in the bursting ice;
Avalanche thunder rolls down the chasm;
Jehovah! rustles in the bright treetops,
whispers by trickling silver streams.

[Translation of Friedericke Brun's 
'Chamounix beym Sonnenaufgange' 

As I could not locate the english translation used by Coleridge, here a simple mostly interlinear translation, employing free version of deepL, 
but many corrections/changes necessary. 
It renders the 'Lawinendonner' as 'lavender thunder' (what a beautiful idea for a synaesthetic sensation), doesn't know 'ahndend', and gets lost in some syntactical irregularities of Friedericke Brun's poetic language.]

Chamounix at sunrise (May 1791) La Terra, il Mare, le Sfere Parlan del tuo potere METASTASIO From the deep shadow of the silent fir-grove, I, trembling, behold thee, crown of eternity, Dazzling summit, from whose height My divining soul floats into infinity! Who sank the pillar deep into the earth's womb, Which, for millennia, has firmly supported your mass? Who towered high in the ether's vault Mighty and bold your radiant face? Who poured you down from eternal winter's high realm, O streams of jags, with thunderous roar? And who commands aloud with almightiness voice: ‘Here shall rest the solid waves!’ Who marks the path for the morning star there, Who wreathes the eternal frost's seam with blossoms? To whom sounds in terrible harmonies, Wild Arveiron, your tumultuous waves? Jehovah! Jehovah! crashes in the bursting ice; Avalanche thunder rolls down the chasm; Jehovah! rustles in the bright treetops, whispers by trickling silver streams. [Translation of Friedericke Brun's 'Chamounix beym Sonnenaufgange' As I could not locate the english translation used by Coleridge, here a simple mostly interlinear translation, employing free version of deepL, but many corrections/changes necessary. It renders the 'Lawinendonner' as 'lavender thunder' (what a beautiful idea for a synaesthetic sensation), doesn't know 'ahndend', and gets lost in some syntactical irregularities of Friedericke Brun's poetic language.]

Romantic Landscapes (12.1)
#MontBlanc #Brun #Coleridge #RomanticLandscapes

In the first part, Coleridge's hymn paraphrases a poem by Friedericke Brun. Its sentiment is firmly rooted in 18th century, imitating Klopstock's religious poetry, but the landscape perception presages romantic views.

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