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three irish postboxes. on the left we have a black one with 'post' written on it, a red tractor, and a 'no junk mail' sticker. in the middle a green one bearing significant rust and other entropy. on the right, a silver one with 'post' written on it and a cornet or some kind of horn, maybe a sign of mercury? these postboxes have seen some weather

three irish postboxes. on the left we have a black one with 'post' written on it, a red tractor, and a 'no junk mail' sticker. in the middle a green one bearing significant rust and other entropy. on the right, a silver one with 'post' written on it and a cornet or some kind of horn, maybe a sign of mercury? these postboxes have seen some weather

#dailyimageprompt 77

#ireland ~ #postbox ~ #triptych

#art #poetry #prompt #vss​​​​​
#mail #mailbox#postcrossing
photo by mike @po3try.bsky.social​

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Post image Post image Post image

#triptych

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A vertical triptych portrait of three pale-skinned women framed in narrow stone arches against a near-black interior, each standing frontally and holding a dark engraved metal chalice at waist height, with distinct wardrobe and ornament details: the left figure in a high-collared brocade gown with dense embroidery and soft fur trim, the center figure in a deep ochre linen dress with a low square neckline and long copper hair, the right figure in an ivory linen dress with a similar neckline and a heavy pendant necklace, all wearing ornate metallic headpieces and fine jewelry; aged stone columns and carved arch spandrels create rigid vertical divisions, the garments show crushed linen, worn metallic thread, dull patina, and soft skin texture with natural facial asymmetry and restrained catchlights, lit with dim soft directional light from the front and slightly above so faces and bodices emerge gently from shadow while the alcoves remain dense and black, symmetrical centered composition with each figure occupying a separate panel, eye-level camera, 85mm lens perspective, shallow but controlled depth of field keeping faces, hands, and chalices crisp while the stone relief softens slightly, muted olive, brass, ivory, and amber grading with deep shadow density and soft highlight rolloff.

A vertical triptych portrait of three pale-skinned women framed in narrow stone arches against a near-black interior, each standing frontally and holding a dark engraved metal chalice at waist height, with distinct wardrobe and ornament details: the left figure in a high-collared brocade gown with dense embroidery and soft fur trim, the center figure in a deep ochre linen dress with a low square neckline and long copper hair, the right figure in an ivory linen dress with a similar neckline and a heavy pendant necklace, all wearing ornate metallic headpieces and fine jewelry; aged stone columns and carved arch spandrels create rigid vertical divisions, the garments show crushed linen, worn metallic thread, dull patina, and soft skin texture with natural facial asymmetry and restrained catchlights, lit with dim soft directional light from the front and slightly above so faces and bodices emerge gently from shadow while the alcoves remain dense and black, symmetrical centered composition with each figure occupying a separate panel, eye-level camera, 85mm lens perspective, shallow but controlled depth of field keeping faces, hands, and chalices crisp while the stone relief softens slightly, muted olive, brass, ivory, and amber grading with deep shadow density and soft highlight rolloff.

Triptych Vigil

Prompt in ALT

#aiart #blueskyart #digitalart #aicommunity #triptych #editorialportrait #chiaroscuro #linenandbrocade #gothicinterior #portraitstudy

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#LeafPath #Triptych #Photography

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a three frame sequence put togehter in a triptych the big black bar on the right is a window frame

a three frame sequence put togehter in a triptych the big black bar on the right is a window frame

Looking out from the Orthopedic building

at the bike path and the city

📷 Pentax 17
🎞️ Adox HR-50
⚗️ Zone 510-pyro* for 8.5'
#believeinfilm
#triptych

From the 79 frames I got out of the roll - I'm down to 59 exported (shit not counting the first) I'm down to 66 that I like enough to edit oops

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I’m really excited about this new print 🏰💚 And I’m still in a gargoyle/grotsque obsession so expect more of that in the future 👹

This is a 16.54x 23.39 (A2) linocut printed on Stonehenge paper in the color Pearl.

#printmaking #linocut #castle #gargoyle #triptych

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Creative Photography News Commentary featuring Ice Cracked Triptych wide by glorijean.
glorijean.pixels.com/featured/ice...

#ice_cracked #de_ice #triptych #photography #news_commentary_ice_cracked #bustup_ice #breakup_ice #creativephotography #featured_photography #photography #prints #wideformat

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Triptych of expressionist garden.
12"x12" altogether. 4"x12" separately.
#triptych #TriptychArt

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Turns To Day : #monotype #print - #triptych #ink #acrylic on postcard #art

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To Be Devoured
#bg3 #nsfwart #durgestarion #venastarion #bloodrevenant #durge #astarion #ocVena #triptych

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Grainy cyan-tinted triptych photograph composed of three stacked horizontal frames like a contact strip or video-call capture: top frame shows a young man with medium-length messy curls wearing over-ear headphones, laughing with mouth open and tongue out; middle frame shows a young woman in close-up laughing with eyes squeezed shut; bottom frame shows a young man in side profile wearing headphones, smiling while looking down; low-light interior backgrounds dissolve into soft blur and shadow, with the subjects lit primarily by cool monitor spill that creates flat frontal illumination and gentle shadow falloff under noses and chins, plus subtle edge glow and halation around the brightest facial highlights; heavy analog-style noise with pronounced film grain, faint scanline texture, slight bloom on highlights, mild motion smear from handheld capture, and compression artifacts that feel like a degraded DV or VHS transfer; tight head-and-shoulders framing in each panel, centered faces, shallow contrast with lifted blacks, monochrome blue-gray palette, gritty texture fidelity and a candid, energetic mood.

Grainy cyan-tinted triptych photograph composed of three stacked horizontal frames like a contact strip or video-call capture: top frame shows a young man with medium-length messy curls wearing over-ear headphones, laughing with mouth open and tongue out; middle frame shows a young woman in close-up laughing with eyes squeezed shut; bottom frame shows a young man in side profile wearing headphones, smiling while looking down; low-light interior backgrounds dissolve into soft blur and shadow, with the subjects lit primarily by cool monitor spill that creates flat frontal illumination and gentle shadow falloff under noses and chins, plus subtle edge glow and halation around the brightest facial highlights; heavy analog-style noise with pronounced film grain, faint scanline texture, slight bloom on highlights, mild motion smear from handheld capture, and compression artifacts that feel like a degraded DV or VHS transfer; tight head-and-shoulders framing in each panel, centered faces, shallow contrast with lifted blacks, monochrome blue-gray palette, gritty texture fidelity and a candid, energetic mood.

Blue Split

Prompt in ALT

#aiart #digitalart #aicommunity #generativeart #filmgrain #triptych #webcam #bluegrade #lofi #documentary

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Photo:  A found triptych, on the edge of 
woods in winter; it features a tree trunk in the middle, tall weedy grasses on the left, and a twisting vine on the right.

Photo: A found triptych, on the edge of woods in winter; it features a tree trunk in the middle, tall weedy grasses on the left, and a twisting vine on the right.

#BlueSkyArtShow #wood #eastcoastkin #wintertrees #triptych #fineartphotography #texture #februarty2026 #feel #abstractia #repetition #classicmono #bnwbutnot

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A triptych composed of three black and white photographs of a stone bus shelter and an accompanying bench:

Image One (Top Left): A symmetrical, head-on view of the stone bus stop, featuring horizontal "DANGER" tape across the opening and a commemorative foundation stone at the base inscribed with "ER 1977".

Image Two (Bottom Left): A close-up study of the accompanying wooden bench, heavily weathered and covered in patches of thick moss.

Image Three (Right): A portrait-oriented shot framing both the stone bus stop and the bench together in the landscape, viewed from a distance between two foreground posts.

A triptych composed of three black and white photographs of a stone bus shelter and an accompanying bench: Image One (Top Left): A symmetrical, head-on view of the stone bus stop, featuring horizontal "DANGER" tape across the opening and a commemorative foundation stone at the base inscribed with "ER 1977". Image Two (Bottom Left): A close-up study of the accompanying wooden bench, heavily weathered and covered in patches of thick moss. Image Three (Right): A portrait-oriented shot framing both the stone bus stop and the bench together in the landscape, viewed from a distance between two foreground posts.

Series:

'Indefinite Decay'

#BlackAndWhitePhotography #UrbanDecay #FineArtPhotography #Triptych #Atmospheric #AbandonedPlaces #Minimalism

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#ValentinesDay #Love #Romance #Roses #RedRoses #Gold #Heart #Couple #Passion #Affection #Holiday #Celebration #Greeting #RomanticDesign #Luxury #Elegant #Floral #Wedding #Anniversary #Togetherness #Intimacy #RomanticArt #Triptych #PanelDesign #Festive #Classic #Timeless #Valentine #LoveStory #Decor

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The last haiku belongs in this triptych about a traveler and his trek through the snow:

worn snow-
another
passing

pristine snow...
not one more
step

dusk…
breaking snow
alone

#haiku #poetry #triptych

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a color outdoor photograph. lights and shapes are reflected in water at twilight. the photograph is profoundly out of focus, such that the lights and shapes form colorful, almost abstract septagons, without distinct form. there are no people, animals, or vehicles in this picture.

a color outdoor photograph. lights and shapes are reflected in water at twilight. the photograph is profoundly out of focus, such that the lights and shapes form colorful, almost abstract septagons, without distinct form. there are no people, animals, or vehicles in this picture.

Lights on the north bank of the River LIffey, Dublin, Ireland.

#Pentax K-S2 with smc DA 21mm F3.2 Limited. ƒ/3.2, 1.3sec @ ISO 100.

Photographed June 2023. Thank you for looking.

#photography #bokeh #defocused #longexposure #ireland #dublin #cityscape #triptych

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#aiimages #iconoplasm #AIArt #AIArtist #AIArtwork #GenArt #DigitalArt #AIArtGallery #AIGeneratedArt #AIArtCommunity #monster #horrorart #fantasyai #synthart #lovecraft #tentacles #surrealism #triptych #eschaton

Triptych of Eschatonic Banality

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Amazon.com. Triptych: A Novel (Will Trent Book 1) From Atlanta’s wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race.

#DEAL ALERT! Calling all one-clickers because TRIPTYCH @karinslaughter.com is on #sale on #Kindle until the 8th at 11:59pm PST!
amzn.to/4c4XrZ6
#Triptych #WillTrent #ad #amazoncom

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#BonusDiptych
#AlphabetChallenge

Somehow, my #Diptych morphed into a #Triptych 🤷🏻‍♂️

#HunterFranklinPics #Cardinals #Birds #BirdsOfBluesky

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#dip36
#dailyimageprompt

#wood #cat #sculpture #triptych

photo by mike @po3try.bsky.social
original artist fred o'mahony

#art #muse #poetry #prompt #vss#caturday

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Sin gas Tagged with water & glass

Sin gas
flic.kr/p/2rTCjff
#photography #triptych #bnw

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Biofeedback: Triptych

Corazón, ayer sonoro,
¿ya no suena 
tu monedilla de oro?

You will repeat yourself, you must,
In talking to your heart:
Goes on and on,
Alive and ticking,
      lapsing, pulsing, faster, slowing down –
Yet still you manage, weave
    of this 
An idiom
    of biofeedback.

Heart I heard you beating
      yesterday:
Soft, ticking, metallic
Throb: all day,
Your slick subjective slices
    of time: your rhymes 
And all your ticking

Where are you now, heart?
Repeat yourself, again! Ring out:
Convince me 
      with your ticking
I exist.

Biofeedback: Triptych Corazón, ayer sonoro, ¿ya no suena tu monedilla de oro? You will repeat yourself, you must, In talking to your heart: Goes on and on, Alive and ticking, lapsing, pulsing, faster, slowing down – Yet still you manage, weave of this An idiom of biofeedback. Heart I heard you beating yesterday: Soft, ticking, metallic Throb: all day, Your slick subjective slices of time: your rhymes And all your ticking Where are you now, heart? Repeat yourself, again! Ring out: Convince me with your ticking I exist.

#poem
#Biofeedback: a #Triptych

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Biofeedback: Triptych

Corazón, ayer sonoro,
¿ya no suena 
tu monedilla de oro?

You will repeat yourself, you must,
In talking to your heart:
Goes on and on,
Alive and ticking,
      lapsing, pulsing, faster, slowing down –
Yet still you manage, weave
    of this 
An idiom
    of biofeedback.

Heart I heard you beating
      yesterday:
Soft, ticking, metallic
Throb: all day,
Your slick subjective slices
    of time: your rhymes 
And all your ticking

Where are you now, heart?
Repeat yourself, again! Ring out:
Convince me 
      with your ticking
I exist.

Biofeedback: Triptych Corazón, ayer sonoro, ¿ya no suena tu monedilla de oro? You will repeat yourself, you must, In talking to your heart: Goes on and on, Alive and ticking, lapsing, pulsing, faster, slowing down – Yet still you manage, weave of this An idiom of biofeedback. Heart I heard you beating yesterday: Soft, ticking, metallic Throb: all day, Your slick subjective slices of time: your rhymes And all your ticking Where are you now, heart? Repeat yourself, again! Ring out: Convince me with your ticking I exist.

#poem
#Biofeedback: a #triptych

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#aiimages #iconoplasm #AIArt #AIArtist #AIArtwork #GenArt #DigitalArt #AIArtGallery #AIGeneratedArt #AIArtCommunity #monster #horrorart #fantasyai #synthart #lovecraft #tentacles #surrealism #satyr #pan #mushrooms #triptych

Triptych: Great God Pan

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Loving the copper glow off this one... more on my website at GrahamSeamanArt.co.uk #abstractart #acrylicart #triptych #abstractartist

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Author’s Note on Structure

This sequence is constructed as a triptych a work composed of three distinct interrelated parts, designed to be read together as a unified whole). The first poem establishes the recognition quatrains-a lyric grounded in shared condition, proximity, and inherited survival.

The second poem advances based quatrains, shifting from recognition to action: gathering, refusal of imposed division; ethics of remaining. The voice tightens; the stakes become social and lived. 

The final poem operates as coda: (a concluding section that does not resolve but extends the work) not a resolution.
It compresses: aftermath, continuation, privileging endurance, practice, and proximity over closure. The sequence: naming, to commitment, to sustaining.

01:20•26

Ms. AWashington | @arwashington
#ARW-RAW | Artisstree I
A #SŌLSEED Joint |Ask Angge

Author’s Note on Structure This sequence is constructed as a triptych a work composed of three distinct interrelated parts, designed to be read together as a unified whole). The first poem establishes the recognition quatrains-a lyric grounded in shared condition, proximity, and inherited survival. The second poem advances based quatrains, shifting from recognition to action: gathering, refusal of imposed division; ethics of remaining. The voice tightens; the stakes become social and lived. The final poem operates as coda: (a concluding section that does not resolve but extends the work) not a resolution. It compresses: aftermath, continuation, privileging endurance, practice, and proximity over closure. The sequence: naming, to commitment, to sustaining. 01:20•26 Ms. AWashington | @arwashington #ARW-RAW | Artisstree I A #SŌLSEED Joint |Ask Angge

Interstice I: Recognition

We meet in the in-between before fear memorizes our names where inherited hands are borrowed
prayers, we recognize survival in each other.

Your grief does not need translation.
We share the same aftertaste-what is swallowed to keep the peace. I will hold your rage without reshaping it.You will hold my exhaustion without fixing it. 

These things are not burdens-we are forced to carry them alone. They tell us we are opposed; draw borders as if the ground obeys; for water claims that we insist on permanence.

01:20•26

Ms. AWashing(on/ @arwashington
#ARW-RAW | Artisstree I
A #SŌLSEED Joint |Ask Angge

Interstice I: Recognition We meet in the in-between before fear memorizes our names where inherited hands are borrowed prayers, we recognize survival in each other. Your grief does not need translation. We share the same aftertaste-what is swallowed to keep the peace. I will hold your rage without reshaping it.You will hold my exhaustion without fixing it. These things are not burdens-we are forced to carry them alone. They tell us we are opposed; draw borders as if the ground obeys; for water claims that we insist on permanence. 01:20•26 Ms. AWashing(on/ @arwashington #ARW-RAW | Artisstree I A #SŌLSEED Joint |Ask Angge

Interstice Il: Commitment

The brief trust of a shared moment we build what power cannot name: belonging without permission. As we calculate safety in public spaces. We see each other tense at familiar sounds.

We recognize the arithmetic of endurance and how often it is misread as fault.
So we gather. We feed one another in imperfect ways. We argue, return, remain
-because separation is the oldest tactic.
Let them call this naive. 

I would rather choose connection than master the logic of hunger-strangled and congratulated. Come as you are. I will do the same. We will sit with what is unfinished. And slowly-without spectacle-learn to say each other's pain until it begins to sound like shelter.

01:20•26

Ms. AWashing(on/ @arwashington
#ARW-RAW | Artisstree I
A #Solseed Joint |Ask Angie

Interstice Il: Commitment The brief trust of a shared moment we build what power cannot name: belonging without permission. As we calculate safety in public spaces. We see each other tense at familiar sounds. We recognize the arithmetic of endurance and how often it is misread as fault. So we gather. We feed one another in imperfect ways. We argue, return, remain -because separation is the oldest tactic. Let them call this naive. I would rather choose connection than master the logic of hunger-strangled and congratulated. Come as you are. I will do the same. We will sit with what is unfinished. And slowly-without spectacle-learn to say each other's pain until it begins to sound like shelter. 01:20•26 Ms. AWashing(on/ @arwashington #ARW-RAW | Artisstree I A #Solseed Joint |Ask Angie

Interstice III: Sustainability

What remains is not agreement nor presence-the decision to stay near even when certainty withdraws. We learned the cost of distance and deference. How easily it is taught-how often it is rewarded with silence and false order. 

This is something else. Not unity, not innocence- just the daily discipline of not turning away; while many suffer.
We do not dissolve our differences.
We place them carefully between us like tools on a shared table; gratitude in our protest and protection.

There will be days this feels insufficient.
There will be days it is. Still, we return-this practice of standing together without erasing ourselves.And if history asks what saved us let the answer be small; exact: we chose proximity over permission against sacrifice-we unified. 

We shall keep choosing it-long enough for us all to matter.

01:20•26

Ms. AWashing(on/ @arwashington
#ARW-RAW I /A #Solseed Joint |AskAngge

Interstice III: Sustainability What remains is not agreement nor presence-the decision to stay near even when certainty withdraws. We learned the cost of distance and deference. How easily it is taught-how often it is rewarded with silence and false order. This is something else. Not unity, not innocence- just the daily discipline of not turning away; while many suffer. We do not dissolve our differences. We place them carefully between us like tools on a shared table; gratitude in our protest and protection. There will be days this feels insufficient. There will be days it is. Still, we return-this practice of standing together without erasing ourselves.And if history asks what saved us let the answer be small; exact: we chose proximity over permission against sacrifice-we unified. We shall keep choosing it-long enough for us all to matter. 01:20•26 Ms. AWashing(on/ @arwashington #ARW-RAW I /A #Solseed Joint |AskAngge

Author’s Note on Structure:

This sequence is constructed as a
#triptych a work composed of three
distinct interrelated parts, designed
to be #read together as a unified
whole.

Done in part: #Cassiopeian
#Prompt #connection #resistance
And A #Solseed Joint #prose #poetry #BlackWriters #BlackPoets

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Walking along Spring Creek, Dundas
#photography #monochrome #blackandwhite #triptych

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A triptych of abstract portraits (2021).
#art #artwork #artist #traditionalart #traditionalartist #painting #paintings #acyrlicpaint #acrylicpainting #abstractart #abstractartwork #abstractpainting #abstractpaintings #portrait #triptych #selfportrait #portraitpainting #portraittriptych #college

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Seven directors for the seven days of the week, American Edition. Name the film and director. Provide an image.
Film: Mystery Train (1989)
Director: Jim Jarmusch
#JimJarmusch #SevenDirectorsChallenge #Filmsky #Triptych #MovieSky #MovieChallenge #FilmChallenge #SundaysAreForJarmusch

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What to do with the GUTTER ICE TRIPTYCH?? Well, turn it into a flyer, of course! And this one with the correct date!!!

#art #resist #create #protest #flyer #photography #flag #America #vss365 #ICE #gutter #triptych

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