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Posts tagged #lightAndSpace

#contemporary #contemporaryart #artgallery #culture #lagunaartmuseum #lightandspace #painting #sculpture #creative #interiordesign #acrylic #soloshow #arts #gallery #exhibition #painter #curated #paint #color #galleries #events #thingstodoinla #curation #artmuseums #lightandspace #art #artmuseum

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Get inspired by James Carpenter’s An Ecology of Light, which beautifully explores how light and structure can shape our experience of place: www.tandfonline.com/doi/full/10.....

#TADJournal #Architecture #PublicArt #UrbanDesign #Daylighting #LightAndSpace #FacadeDesign #AirportDesign

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#visualart #artgallery #culture #losangeles #santamonica #painting #sculpture #valentinesday #creative #interiordesign #acrylic #arts #gallery #painter #curated #paint #color #galleries #events #thingstodoinla #curation #artmuseums #lightandspace

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My living room has always been one of my favorite spaces. 🏡

It’s small and intimate, but the light through the windows is what truly sold me on this house twenty-two years ago.☀️✨

#booksky #HomeMoments #EverydayBeauty #LightAndSpace #GratefulLiving

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About Huang Seontae

Via @theonlypaulineloeb
www.instagram.com/reel/DTaqPGk...

#Art #LayeredPainting #LightAndSpace

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Through thousands of individual threads, Gabriel Dawe transforms architecture into a living spectrum of light. Colour shifts with movement. Light becomes something you experience.

#GabrielDawe #InstallationArt #LightAndSpace #TextileArt #MoltenArt #MoltenCurates #artcurator

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RAIN CORRIDOR
#contemporaryart #imagebasedart #postdigital #lightandspace #digitalcomposite

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Aluminium Window and Door Manufacturers - Lumani Systems

Sliding systems that save space and add elegance to every corner.
🌿 See how at lumanisystems.com

#SlidingDoors #LumaniSystems #SmartDesign #LightAndSpace

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From bold entrances to slim sliders, Lumani brings architecture and performance together.
🌿 Learn more at lumanisystems.com

#LumaniSystems #AluminiumDoors #LightAndSpace #HomeInnovation

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Open your space to fresh air and bright views with precision-engineered sliding systems from Lumani.
🌿 Learn more at lumanisystems.com

#SlidingDoors #LumaniSystems #LightAndSpace #FenestrationDesign

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Art & Archives: Books and Exhibit Catalogues on RockneKrebs.com ~
www.rocknekrebs.com/bio/project-...

#rocknekrebs #artandarchives #lightartist #lightandspace #artandtechnology

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#art #arts #unique #japan #zen #zenphilosophy #philosophy #present #shimmer #pastel #artist #gallery #feature #galleries #artgallery #artistsofbsky #bsky #abstract #painting #abstractpainting #painter #light #lightandspace #losangeles #bergamotstation

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b. 1939, Chicago
Larry Bell was born in Chicago in 1939 and grew up Southern California. Bell attended the Chouinard Art Institute in Los Angeles from 1957 to 1959, where he created abstract oil paintings dominated by gestural brushstrokes influenced by Abstract Expressionism. At Chouinard he met Robert Irwin, an influential arbiter of Perceptualism, who profoundly affected how Bell conceptualized vision. From 1960 to 1962, Bell created a series of shaped canvases with the corners lopped off, onto which he painted simple polygonal forms that mimed the form of the canvas. By 1962 Bell had integrated both mirrored and transparent glass into his painting in several collage constructions; the different types of reflective glass created spatial complexity, conflating the world of the viewer with that of the object. Bell soon transitioned to sculpture with shallow boxes of glass onto which he painted geometric shapes. In 1963, Bell developed his signature glass cubes, the earliest versions of which were covered with opaque designs of stripes, checkers and, most commonly, ellipses. Several of the ellipse-covered cubes were included in Bell's solo exhibition at the Pace Gallery in New York in 1965, which sold out on its first day. Bell moved to New York soon after this successful exhibition, but stayed for only a year before returning to Southern California. The artist abandoned the geometric surface designs and created his famous elegant vacuum coated glass cubes with chrome frames from 1964 to 1968. In these new works, often included in major exhibitions on Minimalism, Bell explored the properties of glass by offering subtle gradations of transparency, reflectivity, and color. These faint variations, achieved by specialized machinery Bell obtained for his studio, supply seemingly simple forms with complex inquiries into the nature of perception.

b. 1939, Chicago Larry Bell was born in Chicago in 1939 and grew up Southern California. Bell attended the Chouinard Art Institute in Los Angeles from 1957 to 1959, where he created abstract oil paintings dominated by gestural brushstrokes influenced by Abstract Expressionism. At Chouinard he met Robert Irwin, an influential arbiter of Perceptualism, who profoundly affected how Bell conceptualized vision. From 1960 to 1962, Bell created a series of shaped canvases with the corners lopped off, onto which he painted simple polygonal forms that mimed the form of the canvas. By 1962 Bell had integrated both mirrored and transparent glass into his painting in several collage constructions; the different types of reflective glass created spatial complexity, conflating the world of the viewer with that of the object. Bell soon transitioned to sculpture with shallow boxes of glass onto which he painted geometric shapes. In 1963, Bell developed his signature glass cubes, the earliest versions of which were covered with opaque designs of stripes, checkers and, most commonly, ellipses. Several of the ellipse-covered cubes were included in Bell's solo exhibition at the Pace Gallery in New York in 1965, which sold out on its first day. Bell moved to New York soon after this successful exhibition, but stayed for only a year before returning to Southern California. The artist abandoned the geometric surface designs and created his famous elegant vacuum coated glass cubes with chrome frames from 1964 to 1968. In these new works, often included in major exhibitions on Minimalism, Bell explored the properties of glass by offering subtle gradations of transparency, reflectivity, and color. These faint variations, achieved by specialized machinery Bell obtained for his studio, supply seemingly simple forms with complex inquiries into the nature of perception.

 In 1968 Bell began to abandon the chrome frame and create larger cubes in which the effects of the planes of glass interact only with one another. This development led to Bell's glass panels, which stood eight feet tall, operated at an almost architectural scale, and could be arranged in countless configurations in the gallery space. In 1973 Bell moved to Taos, New Mexico, where he established a studio and created the huge fifty-six-panel adjustable glass structure The Iceberg and It's Shadow (1974). In the late 1970s Bell initiated his Vapor Drawings and Mirage Paintings, which extended the artist's investigations into perception, but this time on a flat plane. Since the late 1970s, Bell has engaged with such diverse practices as furniture design and bronze sculptures, as well as large-scale glass sculptures and installations like Moving Ways (1981–82), The Wind Wedge (1982), and Made for Arlosen (1992).
Solo exhibitions of Bell's work have been organized by the Pasadena Art Museum (1972), Oakland Museum of Art (1973), Fort Worth Art Museum (1975 and 1977), Washington University in St. Louis (1976), Detroit Institute of Arts (1982), Museum of Contemporary Art in Los Angeles (1986), Denver Museum of Art (1995), and Alberquerque Museum (1997). His work was also included in major group exhibitions such as The Responsive Eye at the Museum of Modern Art in New York (1965), Primary Structures at the Jewish Museum in New York (1966), Guggenheim International (1967), Documenta 4 (1968), and Venice Biennale (1976).
Larry Bell is known for his exploration of perceptualism through his use of light and glass in his sculptures, particularly his iconic glass cubes. His work often creates a sensual experience for the viewer, playing with reflection, transparency, and the way light interacts with surfaces. Bell's works are not just about the object itself, but about the experience of seeing and being in the space, a concept central to the Light and Space movement.

In 1968 Bell began to abandon the chrome frame and create larger cubes in which the effects of the planes of glass interact only with one another. This development led to Bell's glass panels, which stood eight feet tall, operated at an almost architectural scale, and could be arranged in countless configurations in the gallery space. In 1973 Bell moved to Taos, New Mexico, where he established a studio and created the huge fifty-six-panel adjustable glass structure The Iceberg and It's Shadow (1974). In the late 1970s Bell initiated his Vapor Drawings and Mirage Paintings, which extended the artist's investigations into perception, but this time on a flat plane. Since the late 1970s, Bell has engaged with such diverse practices as furniture design and bronze sculptures, as well as large-scale glass sculptures and installations like Moving Ways (1981–82), The Wind Wedge (1982), and Made for Arlosen (1992). Solo exhibitions of Bell's work have been organized by the Pasadena Art Museum (1972), Oakland Museum of Art (1973), Fort Worth Art Museum (1975 and 1977), Washington University in St. Louis (1976), Detroit Institute of Arts (1982), Museum of Contemporary Art in Los Angeles (1986), Denver Museum of Art (1995), and Alberquerque Museum (1997). His work was also included in major group exhibitions such as The Responsive Eye at the Museum of Modern Art in New York (1965), Primary Structures at the Jewish Museum in New York (1966), Guggenheim International (1967), Documenta 4 (1968), and Venice Biennale (1976). Larry Bell is known for his exploration of perceptualism through his use of light and glass in his sculptures, particularly his iconic glass cubes. His work often creates a sensual experience for the viewer, playing with reflection, transparency, and the way light interacts with surfaces. Bell's works are not just about the object itself, but about the experience of seeing and being in the space, a concept central to the Light and Space movement.

Larry Bell
MELGL 25 (Medium Ellipse on Glass)
1985
+
Cubes

#larrybell #art #perceptualism #lightandspace #minimalism #perception

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Saturday, William Turner Gallery celebrated the opening of Jimi Gleason's solo show, "Vapor Wave"!

(photos by Eric Minh Swenson and Rob Brander)

#lightAndSpace #contemporaryArt #galleries #californiaart #artistsofbsky #art #artsAndCulture #gallery #losAngeles #opening #silver

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New Public Art Slideshow on RockneKrebs.com

"Rockne Krebs was, by the 1970s, a major pioneer in public artworks." Public Art Review, 2012
#rocknekrebs #publicartpioneer #publicart #lightandspace #artandtechnology #sciart #hightech #lowtech #artwiththesun
www.rocknekrebs.com/gallery/proj...

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Fred Eversley, Light and Space Sculptor Who Left an Engineering Job to Pursue Art, Dies at 83 Fred Eversley, a Light & Space sculptor who left his engineering job to pursue art, has died at 83.

www.artnews.com/art-news/new... #blacksky #sculpture #engineer #fredeversley #art #artist #AfricanAmericanArtist #lightandspace #artnews @artasia.bsky.social #culture

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Fred Eversley, Light and Space Sculptor Who Left an Engineering Job to Pursue Art, Dies at 83 Fred Eversley, a Light & Space sculptor who left his engineering job to pursue art, has died at 83.

www.artnews.com/art-news/new... #blacksky #sculpture #engineer #fredeversley #art #artist #AfricanAmericanArtist #lightandspace #artnews @artasia.bsky.social #culture

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Interior view of the Pantheon in Rome, showcasing its massive domed ceiling with a central oculus allowing natural light to stream in. The coffered design of the dome adds depth and texture, while the surrounding ornate marble walls, columns, and archways reflect the grandeur of ancient Roman architecture.

Interior view of the Pantheon in Rome, showcasing its massive domed ceiling with a central oculus allowing natural light to stream in. The coffered design of the dome adds depth and texture, while the surrounding ornate marble walls, columns, and archways reflect the grandeur of ancient Roman architecture.

The Pantheon - masterpiece of light, space, history

#Pantheon #Rome #Italy #ArtHistory #AncientArchitecture #TravelGram #ItalyTravel #HistoricalSites #RomanEmpire #UNESCO #DomeDesign #Dome #Oculus #CofferedCeiling #LightAndSpace #AncientRome #MarbleArchitecture #RomanEngineering #HistoricInteriors

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English:
A museum wall panel displays information about Pleiades, 1983, an artwork by James Turrell made of drywall, paint, and incandescent light. The text describes the installation as a 15-minute timed experience, guiding visitors through a darkened doorway, up a ramp with railings, and into a seating area. The instructions direct participants to sit, look straight ahead, and allow time for the piece to be fully experienced. A quote from Turrell explains that Pleiades is a "Dark Piece" exploring the boundary between night vision and eyes-closed vision, creating a space beyond physical confines where perception evolves through darkness adaptation.

日本語:
美術館の壁のパネルには、ジェームズ・タレルによる作品 Pleiades, 1983(プレイアデス、1983年)についての情報が記載されている。作品は石膏ボード、塗料、白熱灯を使用したもので、15分間の体験型インスタレーションとして説明されている。訪問者は暗い入り口を通り、手すり付きのスロープを上がり、座席エリアに進むよう案内されている。指示では、座って正面を見つめ、作品を完全に体験するために時間をかけるよう推奨されている。タレルの引用文では、Pleiades が「暗闇の作品」として、夜間視力と目を閉じたときの視覚の境界を探求し、物理的な制約を超えた空間を作り出し、暗順応によって知覚が進化することを表現していると説明されている。

English: A museum wall panel displays information about Pleiades, 1983, an artwork by James Turrell made of drywall, paint, and incandescent light. The text describes the installation as a 15-minute timed experience, guiding visitors through a darkened doorway, up a ramp with railings, and into a seating area. The instructions direct participants to sit, look straight ahead, and allow time for the piece to be fully experienced. A quote from Turrell explains that Pleiades is a "Dark Piece" exploring the boundary between night vision and eyes-closed vision, creating a space beyond physical confines where perception evolves through darkness adaptation. 日本語: 美術館の壁のパネルには、ジェームズ・タレルによる作品 Pleiades, 1983(プレイアデス、1983年)についての情報が記載されている。作品は石膏ボード、塗料、白熱灯を使用したもので、15分間の体験型インスタレーションとして説明されている。訪問者は暗い入り口を通り、手すり付きのスロープを上がり、座席エリアに進むよう案内されている。指示では、座って正面を見つめ、作品を完全に体験するために時間をかけるよう推奨されている。タレルの引用文では、Pleiades が「暗闇の作品」として、夜間視力と目を閉じたときの視覚の境界を探求し、物理的な制約を超えた空間を作り出し、暗順応によって知覚が進化することを表現していると説明されている。

An installation that can only be seen when your night vision kicks in — no photo for that reason

Pleiades by James Turrell at Mattress Factory in Pittsburgh, Pennsylvania, USA

夜間視力が働き始めたときにのみ見ることができる作品
ジェームズ・タレル作 《プレイアデス》、アメリカ合衆国ペンシルベニア州ピッツバーグのマットレス・ファクトリー美術館にて

#LightandSpace

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Artist Fred Eversley’s sculpture Untitled, 1973.

Artist Fred Eversley’s sculpture Untitled, 1973.

Attending the 24 hour grand opening at Orange County Museum of Art.

Costa Mesa, California
October 2022

#photography #art #lightandspace
#abstract #blackartist #fredeversley

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The walls behind Casper Brindle's Veils glow with richly colored shadows from the light shining through. The shadows themselves seem to possess an inner glow, a testament to Brindle’s masterful manipulation of translucency and material.
#art #contemporaryArt #LightandSpace #artist #losAngeles

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Happening tonight! #madeInLA #minimalism #minimal #contemporary #contemporaryArt #lightAndSpace #art #arts #experientialArt #LACMA #LosAngelesArt #fineart #californiaArt #wallSculpture #bergamotstation #soloshow #artopening #opening #galleries #artgallery #frieze #friezeLA #friezeweekend

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#madeInLA #minimalism #minimal #contemporary #contemporaryArt #lightAndSpace #art #arts #experientialArt #frieze #friezeLA #LACMA #fineart #LosAngelesArt #fineart #californiaArt #wallSculpture #bergamotstation #soloshow #exhibition #artopening #opening #galleries #artgallery

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Dubbed "Veil Paintings" by artist Casper Brindle, these large scale, semi-translucent artworks cast colorful shadows on the wall. They are created with acrylic and automotive paint on formed acrylic💙🌌
#contemporaryart #lightandspace #artgallery #art #blue

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#AlphabetChallenge
#WeekAforAngles

#saturday
#art
#contemporaryart
#design #visualart #sculpture
#lightandspace
#music

Am I a smoke?
Am I the sun?
Who decides?

Charli XCX
& Christine and the Queens
Gone
(2019)

Artwork by Aldo Galli
(Pinacoteca Civica di Palazzo Volpi)

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A photograph of a bright, modern stairwell in the Biodiscovery Institute 3 Univeristu of Nottingham featuring clean white walls, stainless steel railings, and large floor-to-ceiling windows. The natural light streaming through the windows highlights the sleek, minimalistic design, while the staircase’s lines and angles create a sense of depth and structure. Captured on an iPhone 16 Pro. Copyright Veeren Chauhan, all rights reserved ©.

A photograph of a bright, modern stairwell in the Biodiscovery Institute 3 Univeristu of Nottingham featuring clean white walls, stainless steel railings, and large floor-to-ceiling windows. The natural light streaming through the windows highlights the sleek, minimalistic design, while the staircase’s lines and angles create a sense of depth and structure. Captured on an iPhone 16 Pro. Copyright Veeren Chauhan, all rights reserved ©.

A stairwell designed to elevate the everyday. Clean lines, natural light, and modern geometry. 🌟 #Architecture #ModernDesign #LightAndSpace #iPhone16Pro #Photography #Fotographia

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